Berlingâ„¢ Nova Sans with Berlingâ„¢ Nova

Clean and forthright, yet full of character, Berling Nova Sans joins Berling Nova to create a modern superfamily. Inspired by the original Berling type, a 1950s masterpiece from Swedish designer Karl-Erik Forsberg, Örjan Nordling and Fredrik Andersson developed a family that is true to its roots while relevant for contemporary work.

Frutiger® Serif with Frutiger® Next

Frutiger Serif is a re-envisioning of Meridien, a typeface first released by Deberny & Peignot during the 1950s. Working closely with Adrian Frutiger, Linotype’s Type Director Akira Kobayashi expanded the original metal type version of Meridien® into a new digital family of 20 variants. Renamed Frutiger Serif, this up-to-date Meridien has new weights, widths, and styles that correspond better with several other of Frutiger’s designs. Just as Meridien has always been a fine choice for text settings, Frutiger Serif works brilliantly for large amounts of text and also at small point sizes. Its added versatility is revealed when used in combination with other families, particularly original Frutiger®, Frutiger Next®, Univers® and the new Linotype Univers®.

Really No. 2 is a redesign and update of Linotype Really, a typeface that Gary Munch first designed in 1999. The new Really No. 2 offers seven weights (Light to Extra Bold), each with an Italic companion. Though it shares the strong stroke contrast of Didones, Really’s subtly oblique axis and sturdy serifs make it a no-nonsense typeface for text.

Wazaâ„¢

Developed by Polish designer Franciszek Otto, Waza is a script revived from the Baroque epoch, particularly an etching by Wilhelm Hondius (Hondt), the Dutch court engraver for the Polish king, Ladislaus IV. While the tendriled caps are what give Waza its distinctive, ornate character, there are tamer alternate glyphs for less ostentatious settings.

Quench®

Opalâ„¢

Giacometti Letterâ„¢

Eurostile Unicase®

Eurostile Candy®

Grafilone™