What's up at FontShop.com, from
new and recommended fonts to website features, plus the latest ideas and inspiration from the FontFeed.

Mr Eaves Sans, Mr Eaves Modern
Mr Eaves is the often requested and finally finished sans-serif companion to Mrs Eaves, one of Emigre’s classic typeface designs. Created by Zuzana Licko, this latest addition to the Emigre Type Library expands the versatility of the original Mrs Eaves with two complimentary families: Mr Eaves Sans and Mr Eaves Modern.
Mr Eaves was based on the proportions of Mrs Eaves, but Licko took some liberty with its design. One of the main concerns was to avoid creating a typeface that looked like it simply had its serifs cut off. And while it matches Mrs Eaves in weight, color, and armature, Mr Eaves stands as its own typeface with many unique characteristics.

Squarish, but humanistic, CamingoDos is a study in restraint for the sake of legibility. It is the creation of FontShop’s newest designer, Jan Fromm. Fromm created the first Camingo design in 2006 and returned to redraw and expand it for this release. Its broad range of seven weights from ExtraLight to Black and three widths makes it perfectly suitable for editorial and corporate design.
Mastered in flexible OpenType format, CamingoDos contains about 460 glyphs and supports most Latin based languages. It includes tabular oldstyle figures, a set of arrows, fractions and ordinals.
Whomp
Whomp takes its inspiration from the incomplete alphabet of an American sign painter of the 1930s–’40s: Alf Becker. Alejandro Paul took the challenge of drawing, digitizing, restructuring, and finally building a usable typeface from that partial alphabet, complete with more than 100 alternates, tons of swashy endings and ligatures.
Buffet Script
Like Whomp, Buffet Script is based on the work of Alf Baker, this time his calligraphy. Alejandro’s technique of turning an alphabet into a workable script font really shines here. Calligraphy is where the accountability of all the alternates, swashes and ligatures is raised to a higher level than in most other type categories.
Grafika
Grafika is a completely original design, created by lettering master Michael Doret in an “Art Deco” spirit reminiscent of the 1920s and ’30s. Created many years ago for the titles of the Merchant/Ivory feature film “Savages”, Doret revisited the design, completing it with alternates, ligatures, math, accented characters, and punctuation.
Glosa Display
With its extra high contrast, Glosa Display is made for use in very large sizes when you want to achieve a stylish and elegant look. Glosa Display is part of the Glosa Premium Type System. Use in tandem with Glosa, Glosa Text, and Glosa Headline for comprehensive, expert typesetting and seamless style compatibility.

Since 1991, Australian typographer Stephen Banham has worked with Niels Oeltjen, Morice Kastoun, and Wendy Ellerton to create original typefaces inspired by nostalgic type and lettering yet infused with a modern touch. Once available only to those in-the-know Down Under, we’re proud to bring Letterbox fonts to designers around the globe.
Highlights from the library include League, a hefty sans inspired by old wood type; the deceptively simple Morice, each letter formed by a single line; and Bisque, an upright script filled with ligatures and contextual alternates for the most fluid connections.




Celebrating 20 Years of FontShop With Petra Weitz
Take a trip down digital type’s memory lane with a woman who has been at FontShop’s helm since the beginning.

FontFont Introduces Forty9 Magazine
Designed to be a showcase of FontFont’s 49th release, Forty9 is a beautifully illustrated publication that can be viewed on screen or printed.

FontFonts Win at ISTD Awards
Three FontFonts took prizes at the 2009 ISTD International TypoGraphic Awards. Yves Peters talks to the FontFont designers about their award-winning work.
Released within the first year of FontShop’s founding, FF Scala became the first serious text face in the FontFont library. On the 20th anniversary of its creation we revisit the story of FF Scala and its companion FF Scala Sans with a new microsite. Read more about the design process from Martin Majoor, get an overview of all the available styles and weights, and see the typefaces in real-world use.



Good Typographers Deserve the Good Book
Still need a great gift for your creative loved ones? A FontBook, the most complete digital type compendium in print, is the perfect way to bring some holiday cheer to someone dear. Don’t forget one for yourself too! Order by December 16th, 2009 and they’ll arrive at your door just in time for Christmas.


Austrian born, Berlin based designer Stefan Gandl formed Neubau in 2001 before taking the world by storm with the release of two bestselling books “Neubau Welt” (2005) and “Neubau Modul” (2007). In 2008 Neubau exhibited “Neubauism” a perspicacious, kinetic journey through the world of Neubau opened by legendary designer Wim Crouwel in the Netherlands. Taking a cue from Crouwel’s grid-play and the modernist spirit of the Bauhaus school, Gandl creates alphabets that defy traditional typographic conventions and celebrate the stark, imperfect letters made by machines.

Today we welcome Darío M. Muhafara and Eduardo Rodríguez Tunni’s foundry, Tipo, which gathers the work of Argentina᾿s finest type designers. Of these, Rubén Fontana is the elder statesman. His Chaco was designed for road signs in Latin America which makes it both legible and full of lively flavor. The family was recently expanded to five weights, each with italics, small caps, oldstyle figures, and released in OpenType, making it a versatile system for publication texts and headlines alike.
Download Chaco Specimen

The first sketches of this face came from studying the rounded shapes of a special kind of sewing machine technique called overlock. Darío Muhafara managed to retain a warm, organic quality to the design despite reworking it to have the readability and typographic features of a text face. An accomplished, useful family, Overlock was selected for excellence by the Letras Latinas awards.
Download Tipo Specimen
The “in use” images in this newsletter were created with LiveSurface image templates — high-res, pre-masked, multi-layered images with built-in 3D surfaces. They make creating finished photographic images from your artwork as quick as cut + paste.
Visit Live Surface.com to learn more »

Liza
After setting the standard for OpenType-savvy scripts in 2004 with their Bello, Underware has raised the bar. Liza Display and Text boast over 1,000 glyphs each, using automatic substitution technology to simulate human hand lettering as close as possible. Liza Pro deeply analyzes the text, creating the most optimal combination of lettershapes. The magic works on the Caps font too.
Image created with photography by Michael Pieracci & imagery from LiveSurface®
FontFont star Xavier Dupré began work on Masala with the intent to create a sans companion for his popular FF Tartine Script. After rethinking and refining, Masala grew into its own type system of three sans weights and their italics, with an accompanying swashy brush script. The family is just right for logos and packaging as well as informal texts or children’s book covers. Despite its laid-back nature, FF Masala has as much typographic prowess as any serious sans serif. Ligatures, fractions, case-sensitive forms, and a full set of figure styles are included.
Available in Standard OpenType, or a Pro version with extended language support for Central Europe and Turkey.


FF Masala Script & FF Masala Script Pro
A worthy second-act to Dupré’s FF Tartine Script, Masala Script has a bit more contrast in its strokes and a little more swing in its step. Available in Standard OpenType, or a Pro version with extended language support for Central Europe and Turkey.


The very first sketches of FF Mach were drawn by Lukasz Dziedzic in 2004 for a Polish magazine about culture and arts. Rigid and technical, there isn’t a single curve in the family of six weights and 3 widths, but there are hundreds of inventive alternates and ligatures for setting tight, interconnected wordshapes.
Available in Standard OpenType, or a Pro version with Central European, Turkish, and Cyrillic character sets.

Image created with template from LiveSurface®

FF DIN, the most popular FontFont yet, finally has a Condensed Italic. More than a simple oblique, this is an optically-adjusted italic matching all five weights of FF DIN Condensed. It fits nicely into Albert-Jan Pool’s finely crafted version of the DIN model.
The most economical and convenient way to get the complete FF DIN family, including the new Condensed Italic is via the FF DIN OT Collection or the FF DIN Pro Collection which adds Central European, Cyrillic, and Greek character sets.