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It’s been a big year for all of us here at FontShop. Given our longstanding traditions of excellence in type and type education, we’re devoting this entire issue to the past year’s stand-out fonts. Our list of favorites is so long, this year’s Best-of reads like a high-school yearbook of high achievers. We now present FontShop’s Class of 2012. |
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With power in its legs, Ciutadella’s rigid frame and intense drive pushes through the curves, leaving behind the cool-headed invitation: “Eat my dust”. Ciutadella by Emtype |
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Filmotype Kitten’s a real standout. She’s vibrant, but accessible and down to earth once you get to know her, though we have it on good authority she’s washing her hair this weekend. |
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One need not strain to see the enthusiasm in Filmotype Major’s bandmates as each in its rank and file bounds across the page. |
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Banana seat, streamers, sissy bar — standard equipment for the leisurely cyclists that call Ride My Bike their team captain. |
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Quatro Sans in its huskier weights is a natural enforcer; in its lighter weights, a graceful sender of pucks to their goals. |
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The smooth motion, versatility, strength, and finesse Adelle Sans exhibits on the court makes her a natural. |
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With his wide stance and broad build, Hoosier Daddy makes himself understood, whether that comes easy (it usually does) or requires a little English. |
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Science fiction buffs gather under the banner of Dynatype, the upright, slightly more formal cousin of Dynascript. Live long and prosper, and may the Fonts be with you. |
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The revolutionary FF Chartwell leads the Math League from one success to the next with deadly accuracy. It transforms any series of numbers into colorful, well-organized graphs. |
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The two FF Tisa cousins strike the perfect pitch and play a steady beat, making beautiful music despite their differences. Slab serif and sans serif live together in perfect harmony. FF Tisa Sans with FF Tisa by FontFont |
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FF Videtur is up late most nights syncing video, adding titles and credits to unfinished projects, and storyboarding his life after graduation. |
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The Bernini (plural) polish their refined tastes by poring over the works of Cicero, Aristotle, and the Sophists, or kicking back with some Aristophanes. |
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No need to switch on the computer when Rollerscript is at hand. The casual handwritten script is more efficient and accurate at reporting the news than any digital device. |
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Although it has 42 members — six gradations of condensation and seven weights in each width — the straightforward grotesque Tablet Gothic manages to build an argument in a disciplined and orderly fashion. |
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Vtg Stencil No. 4 breaks out the stencils to carefully construct serif character shapes. Very creative with the amount of paint filling in the letters. |
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With its wide grotesque letters Trio Grotesk always finds its way to even the most remote locations on the globe and beyond. It’s like a living GPS. |
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All the letter parts in the monospaced sans User Stencil were skillfully cut out and reassembled to form sturdy, structurally sound character shapes. |
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The charming casual sans/script Romeo is the perfect love-match for slender Julieta. Together they form a condensed couple full of swashy love. Romeo & Julieta by Latinotype |
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The overdose on alternates and swashes that pop up in the sign painters’ script Storefront always has the class in stitches. |
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With its attractive rounded serifs, Henriette is a curvaceous beauty in regular, slim and extra slim shapes that is sure to turn some heads. |
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Fonts used Masthead ribbon fonts: Edward by OurType and VLNL Neue Sardines by VetteLetters |
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FontShop
149 9th Street, Suite 402 San Francisco, CA 94103 1 888 FF FONTS (US/Canada) +1 415 252 1003 (International) |
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