FF Bau Web
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Helvetica’s earliest direct ancestor, known simply as Grotesk, was first introduced by the Schelter & Giesecke foundry in Leipzig around 1880. The Bauhaus, in nearby Dessau, chose this face as the main workhorse for their printing shop, and used it for the vast majority of their classic experiments in asymmetrical typography.
In 1999, Erik Spiekermann asked type designer Christian Schwartz to consider drawing a revival of S&G’s Grotesk, updating the family for contemporary typographic needs without sacrificing the spirit and warmth of the original. The Regular, Medium, and Bold are drawn directly from S&G sources, and the Super was added for situations in which subtlety would be inappropriate. The name FF Bau is an homage to the most noted users of the original.
Helvetica’s earliest direct ancestor, known simply as Grotesk, was first introduced by the Schelter & Giesecke foundry in Leipzig around 1880. The Bauhaus, in nearby Dessau, chose this face as the main workhorse for their printing shop, and used it for the vast majority of their classic experiments in asymmetrical typography.
In 1999, Erik Spiekermann asked type designer Christian Schwartz to consider drawing a revival of S&G’s Grotesk, updating the family for contemporary typographic needs without sacrificing the spirit and warmth of the original. The Regular, Medium, and Bold are drawn directly from S&G sources, and the Super was added for situations in which subtlety would be inappropriate. The name FF Bau is an homage to the most noted users of the original.
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