FF Atma Serif OT Medium Italic

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Buy the font: FF Atma Serif OT Medium Italic is available in these packages (best values are at the top)

8 fonts | $458.00

FF Atma Serif 2 OT

4 fonts | $282.00

FF Atma Serif OT Medium Italic

1 font | $71.00

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Display Sample Text Sample Character Set
OpenType Features Hover over a feature to learn more. Click a feature to filter Character Set view.
1. Show All Glyphs
2. Access All Alternates
  
  This feature makes all variations of a selected character accessible. This serves several purposes: An application may not support the feature by which the desired glyph would normally be accessed; the user may need a glyph outside the context supported by the normal substitution, or the user may not know what feature produces the desired glyph. Since many-to-one substitutions are not covered, ligatures would not appear in this table unless they were variant forms of another ligature.
3. Petite Capitals From Capitals
  
  This feature turns capital characters into petite capitals. It is generally used for words which would otherwise be set in all caps, such as acronyms, but which are desired in petite-cap form to avoid disrupting the flow of text. See the pcap feature description for notes on the relationship of caps, smallcaps and petite caps.
4. Small Capitals From Capitals
  
  This feature turns capital characters into small capitals. It is generally used for words which would otherwise be set in all caps, such as acronyms, but which are desired in small-cap form to avoid disrupting the flow of text.
5. Case-Sensitive Forms
  
  Shifts various punctuation marks up to a position that works better with all-capital sequences or sets of lining figures; also changes oldstyle figures to lining figures. By default, glyphs in a text face are designed to work with lowercase characters. Some characters should be shifted vertically to fit the higher visual center of all-capital or lining text. Also, lining figures are the same height (or close to it) as capitals, and fit much better with all-capital text.
6. Denominators
  
  Replaces selected figures which follow a slash with denominator figures.
7. Fractions
  
  Replaces figures separated by a slash with 'common' (diagonal) fractions.
8. Standard Ligatures
  
  Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions.
9. Lining Figures
  
  This feature changes selected figures from oldstyle to the default lining form.
10. Numerators
  
  Replaces selected figures which precede a slash with numerator figures, and replaces the typographic slash with the fraction slash.
11. Ordinals
  
  Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature.
12. Petite Capitals
  
  Some fonts contain an additional size of capital letters, shorter than the regular smallcaps and whimsically referred to as petite caps. Such forms are most likely to be found in designs with a small lowercase x-height, where they better harmonise with lowercase text than the taller smallcaps (for examples of petite caps, see the Emigre type families Mrs Eaves and Filosofia). This feature turns lowercase characters into petite capitals. Forms related to petite capitals, such as specially designed figures, may be included.
13. Proportional Figures
  
  Replaces figure glyphs set on uniform (tabular) widths with corresponding glyphs set on glyph-specific (proportional) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs.
14. Stylistic Alternates
  
  Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates.
15. Scientific Inferiors
  
  Replaces lining or oldstyle figures with inferior figures (smaller glyphs which sit lower than the standard baseline, primarily for chemical or mathematical notation). May also replace lowercase characters with alphabetic inferiors.
16. Small Capitals
  
  This feature turns lowercase characters into small capitals. This corresponds to the common SC font layout. It is generally used for display lines set in Large & small caps, such as titles. Forms related to small capitals, such as oldstyle figures, may be included.
17. Stylistic Set 1
  
  In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.
18. Stylistic Set 2
19. Stylistic Set 3
20. Stylistic Set 4
21. Subscript
  
  The "subs" feature may replace a default glyph with a subscript glyph, or it may combine a glyph substitution with positioning adjustments for proper placement.
22. Superscript
  
  Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles).
23. Tabular Figures
  
  Replaces figure glyphs set on proportional widths with corresponding glyphs set on uniform (tabular) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs.
All Glyphs (255 of 748 glyphs) Pages: 1 2 3 [Next »]

All Glyphs (255 of 748 glyphs) Pages: 1 2 3 [Next »]

PDF Specimen

AtmaSerifOTMediumItalic-InfoGuide.pdf

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