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FF Dax OT Medium Italic

Designed by Hans Reichel in 1995

Published by FontFont

Formats
OpenType

Buy the font: FF Dax OT Medium Italic is available in these packages (best values are at the top)

FF Dax OT Collection 18 fonts | $507.00
FF Dax OT Italic 6 fonts | $204.00
FF Dax OT Medium Italic 1 font | $54.00
  • Specimen
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  • FF Dax OT Medium Italic
  • Display Sample Text Sample Character Set

    FF Dax OT Medium ItalicFF Dax OT Medium ItalicFF Dax OT Medium ItalicFF Dax OT Medium ItalicFF Dax OT Medium ItalicFF Dax OT Medium Italic
    FF Dax OT Medium ItalicFF Dax OT Medium Italic
    OpenType Features Hover over a feature to learn more. Click a feature to filter Character Set view.
    1. Show All Glyphs
    2. Access All Alternates
      This feature makes all variations of a selected character accessible. This serves several purposes: An application may not support the feature by which the desired glyph would normally be accessed; the user may need a glyph outside the context supported by the normal substitution, or the user may not know what feature produces the desired glyph. Since many-to-one substitutions are not covered, ligatures would not appear in this table unless they were variant forms of another ligature.
    3. Small Capitals From Capitals
      This feature turns capital characters into small capitals. It is generally used for words which would otherwise be set in all caps, such as acronyms, but which are desired in small-cap form to avoid disrupting the flow of text.
    4. Case-Sensitive Forms
      Shifts various punctuation marks up to a position that works better with all-capital sequences or sets of lining figures; also changes oldstyle figures to lining figures. By default, glyphs in a text face are designed to work with lowercase characters. Some characters should be shifted vertically to fit the higher visual center of all-capital or lining text. Also, lining figures are the same height (or close to it) as capitals, and fit much better with all-capital text.
    5. Denominators
      Replaces selected figures which follow a slash with denominator figures.
    6. Fractions
      Replaces figures separated by a slash with 'common' (diagonal) fractions.
    7. Historical Forms
      Some letterforms were in common use in the past, but appear anachronistic today. The best-known example is the long form of s; others would include the old Fraktur k. Some fonts include the historical forms as alternates, so they can be used for a 'period' effect. This feature replaces the default (current) forms with the historical alternates. While some ligatures are also used for historical effect, this feature deals only with single characters.
    8. Lining Figures
      This feature changes selected figures from oldstyle to the default lining form.
    9. Alternate Annotation Forms
      Replaces default glyphs with various notational forms (e.g. glyphs placed in open or solid circles, squares, parentheses, diamonds or rounded boxes). In some cases an annotation form may already be present, but the user may want a different one.
    10. Numerators
      Replaces selected figures which precede a slash with numerator figures, and replaces the typographic slash with the fraction slash.
    11. Oldstyle Figures
      This feature changes selected figures from the default lining style to oldstyle form.
    12. Ordinals
      Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature.
    13. Proportional Figures
      Replaces figure glyphs set on uniform (tabular) widths with corresponding glyphs set on glyph-specific (proportional) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs.
    14. Stylistic Alternates
      Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates.
    15. Scientific Inferiors
      Replaces lining or oldstyle figures with inferior figures (smaller glyphs which sit lower than the standard baseline, primarily for chemical or mathematical notation). May also replace lowercase characters with alphabetic inferiors.
    16. Small Capitals
      This feature turns lowercase characters into small capitals. This corresponds to the common SC font layout. It is generally used for display lines set in Large & small caps, such as titles. Forms related to small capitals, such as oldstyle figures, may be included.
    17. Stylistic Set 1
      In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.
    18. Stylistic Set 3
    19. Subscript
      The "subs" feature may replace a default glyph with a subscript glyph, or it may combine a glyph substitution with positioning adjustments for proper placement.
    20. Superscript
      Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles).
    21. Tabular Figures
      Replaces figure glyphs set on proportional widths with corresponding glyphs set on uniform (tabular) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs.
    22. Slashed Zero
      Some fonts contain both a default form of zero, and an alternative form which uses a diagonal slash through the counter. Especially in condensed designs, it can be difficult to distinguish between 0 and O (zero and capital O) in any situation where capitals and lining figures may be arbitrarily mixed. This feature allows the user to change from the default 0 to a slashed form.
    All Glyphs (255 of 545 glyphs) Pages:  1  2  3  [Next »]
     

    FF Dax OT Medium Italic
    All Glyphs (255 of 545 glyphs) Pages:  1  2  3  [Next »]

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