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ITC Avant Garde Gothic® Pro Book Oblique
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Designed by Herb Lubalin in 1970, Tom Carnase

Published by ITC

Available Formats

OpenType

This font is available in the following packages (best values are at the top):

ITC Avant Garde Gothic® Pro 10 fonts
View Details
ITC Avant Garde Gothic® Pro Book Oblique 1 font | $39.00
  • Specimen
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  • ITC Avant Garde Gothic® Pro Book Oblique

  • Display Sample Text Sample Character Set

    ITC Avant Garde Gothic® Pro Book ObliqueITC Avant Garde Gothic® Pro Book ObliqueITC Avant Garde Gothic® Pro Book ObliqueITC Avant Garde Gothic® Pro Book ObliqueITC Avant Garde Gothic® Pro Book ObliqueITC Avant Garde Gothic® Pro Book Oblique
    ITC Avant Garde Gothic® Pro Book ObliqueITC Avant Garde Gothic® Pro Book Oblique
    OpenType Features Hover over a feature to learn more. Click a feature to filter Character Set view.
    1. Show All Characters
    2. Access All Alternates
      This feature makes all variations of a selected character accessible. This serves several purposes: An application may not support the feature by which the desired glyph would normally be accessed; the user may need a glyph outside the context supported by the normal substitution, or the user may not know what feature produces the desired glyph. Since many-to-one substitutions are not covered, ligatures would not appear in this table unless they were variant forms of another ligature.
    3. Case-Sensitive Forms
      Shifts various punctuation marks up to a position that works better with all-capital sequences or sets of lining figures; also changes oldstyle figures to lining figures. By default, glyphs in a text face are designed to work with lowercase characters. Some characters should be shifted vertically to fit the higher visual center of all-capital or lining text. Also, lining figures are the same height (or close to it) as capitals, and fit much better with all-capital text.
    4. Discretionary Ligatures
      Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers those ligatures which may be used for special effect, at the user's preference.
    5. Denominators
      Replaces selected figures which follow a slash with denominator figures.
    6. Fractions
      Replaces figures separated by a slash with 'common' (diagonal) fractions.
    7. Kerning
      Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically.
    8. Standard Ligatures
      Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions.
    9. Numerators
      Replaces selected figures which precede a slash with numerator figures, and replaces the typographic slash with the fraction slash.
    10. Ordinals
      Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature.
    11. Proportional Figures
      Replaces figure glyphs set on uniform (tabular) widths with corresponding glyphs set on glyph-specific (proportional) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs.
    12. Stylistic Alternates
      Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates.
    13. Scientific Inferiors
      Replaces lining or oldstyle figures with inferior figures (smaller glyphs which sit lower than the standard baseline, primarily for chemical or mathematical notation). May also replace lowercase characters with alphabetic inferiors.
    14. Stylistic Set 1
      In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.
    15. Stylistic Set 2
    16. Stylistic Set 3
    17. Stylistic Set 4
    18. Stylistic Set 5
    19. Superscript
      Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles).
    20. Tabular Figures
      Replaces figure glyphs set on proportional widths with corresponding glyphs set on uniform (tabular) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs.
    21. Unicase
      This feature maps upper- and lowercase letters to a mixed set of lowercase and small capital forms, resulting in a single case alphabet (for an example of unicase, see the Emigre type family Filosofia). The letters substituted may vary from font to font, as appropriate to the design. If aligning to the x-height, smallcap glyphs may be substituted, or specially designed unicase forms might be used. Substitutions might also include specially designed figures.
    All glyphs (11 glyphs)
     
    character set

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Trademark, International Typeface Corporation registered in the U.S. Patent and Trademark Office and which may be registered in certain other jurisdictions
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Font #147331