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LTC Garamont Text Italic Pro
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Designed by Frederic W. Goudy, Jim Rimmer in 2005

Published by Lanston Type Co.

Available Formats

OpenType

This font is available in the following packages (best values are at the top):

LTC Garamont Full Set 4 fonts | $69.95
LTC Garamont Text Pro Set 2 fonts | $49.95
LTC Garamont Text Italic Pro 1 font | $29.95
  • Specimen
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  • LTC Garamont Text Italic Pro

  • Display Sample Text Sample Character Set

    LTC Garamont Text Italic ProLTC Garamont Text Italic ProLTC Garamont Text Italic ProLTC Garamont Text Italic ProLTC Garamont Text Italic ProLTC Garamont Text Italic Pro
    LTC Garamont Text Italic ProLTC Garamont Text Italic Pro
    OpenType Features Hover over a feature to learn more. Click a feature to filter Character Set view.
    1. Show All Characters
    2. Case-Sensitive Forms
      Shifts various punctuation marks up to a position that works better with all-capital sequences or sets of lining figures; also changes oldstyle figures to lining figures. By default, glyphs in a text face are designed to work with lowercase characters. Some characters should be shifted vertically to fit the higher visual center of all-capital or lining text. Also, lining figures are the same height (or close to it) as capitals, and fit much better with all-capital text.
    3. Capital Spacing
      Globally adjusts inter-glyph spacing for all-capital text. Most typefaces contain capitals and lowercase characters, and the capitals are positioned to work with the lowercase. When capitals are used for words, they need more space between them for legibility and esthetics. This feature would not apply to monospaced designs. Of course the user may want to override this behavior in order to do more pronounced letterspacing for esthetic reasons.
    4. Contextual Swash
      This feature replaces default character glyphs with corresponding swash glyphs in a specified context. Note that there may be more than one swash alternate for a given character.
    5. Discretionary Ligatures
      Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers those ligatures which may be used for special effect, at the user's preference.
    6. Historical Forms
      Some letterforms were in common use in the past, but appear anachronistic today. The best-known example is the long form of s; others would include the old Fraktur k. Some fonts include the historical forms as alternates, so they can be used for a 'period' effect. This feature replaces the default (current) forms with the historical alternates. While some ligatures are also used for historical effect, this feature deals only with single characters.
    7. Kerning
      Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically.
    8. Standard Ligatures
      Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions.
    9. Localized Forms
    10. Oldstyle Figures
      This feature changes selected figures from the default lining style to oldstyle form.
    11. Ordinals
      Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature.
    12. Proportional Figures
      Replaces figure glyphs set on uniform (tabular) widths with corresponding glyphs set on glyph-specific (proportional) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs.
    13. Stylistic Alternates
      Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates.
    14. Stylistic Set 1
      In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.
    15. Stylistic Set 2
    16. Stylistic Set 3
    17. Stylistic Set 4
    18. Swash
      This feature replaces default character glyphs with corresponding swash glyphs. Note that there may be more than one swash alternate for a given character.
    19. Tabular Figures
      Replaces figure glyphs set on proportional widths with corresponding glyphs set on uniform (tabular) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs.
    All glyphs (255 of 497 glyphs) Pages:  1  2  [Next »]
     
    character set
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Trademark, P22 Type Foundry Inc.
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Font #114208