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Times New Roman® Std PS Bold Italic
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Designed by Victor Lardent, Stanley Morison in 1932

Published by Monotype

Available Formats

OpenType

This font is available in the following packages (best values are at the top):

Times New Roman® Std Complete VP 23 fonts | $577.00
Times New Roman® PS Std VP 4 fonts | $104.00
Times New Roman® Std PS Bold Italic 1 font | $29.00
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  • Times New Roman® Std PS Bold Italic
  • Display Sample Text Sample Character Set

    Times New Roman® Std PS Bold ItalicTimes New Roman® Std PS Bold ItalicTimes New Roman® Std PS Bold ItalicTimes New Roman® Std PS Bold ItalicTimes New Roman® Std PS Bold ItalicTimes New Roman® Std PS Bold Italic
    Times New Roman® Std PS Bold ItalicTimes New Roman® Std PS Bold Italic
    OpenType Features Hover over a feature to learn more. Click a feature to filter Character Set view.
    1. Show All Characters
    2. Access All Alternates
      This feature makes all variations of a selected character accessible. This serves several purposes: An application may not support the feature by which the desired glyph would normally be accessed; the user may need a glyph outside the context supported by the normal substitution, or the user may not know what feature produces the desired glyph. Since many-to-one substitutions are not covered, ligatures would not appear in this table unless they were variant forms of another ligature.
    3. Case-Sensitive Forms
      Shifts various punctuation marks up to a position that works better with all-capital sequences or sets of lining figures; also changes oldstyle figures to lining figures. By default, glyphs in a text face are designed to work with lowercase characters. Some characters should be shifted vertically to fit the higher visual center of all-capital or lining text. Also, lining figures are the same height (or close to it) as capitals, and fit much better with all-capital text.
    4. Fractions
      Replaces figures separated by a slash with 'common' (diagonal) fractions.
    5. Kerning
      Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically.
    6. Standard Ligatures
      Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions.
    7. Lining Figures
      This feature changes selected figures from oldstyle to the default lining form.
    8. Oldstyle Figures
      This feature changes selected figures from the default lining style to oldstyle form.
    9. Ordinals
      Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature.
    10. Stylistic Alternates
      Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates.
    11. Scientific Inferiors
      Replaces lining or oldstyle figures with inferior figures (smaller glyphs which sit lower than the standard baseline, primarily for chemical or mathematical notation). May also replace lowercase characters with alphabetic inferiors.
    12. Superscript
      Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles).
    All glyphs (255 of 322 glyphs) Pages:  1  2  [Next »]
     
    character set
    Pages:  1  2  [Next »]

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Trademark, The Monotype Corporation registered in the United States Patent and Trademark Office and may be registered in certain jurisdictions
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Font #149998