PTL Highbus Bold OT

by primetype

• Browse Fonts
  • by Category
  • by Foundry
  • by Designer
• Books
• Font CDs
• Free Fonts

• Added to Cart

  0 items

• About PTL Highbus Bold OT

  Font # 113004

• Available Formats

  Choose format(s) during checkout.

  1. OpenType What is OpenType?

• OpenType User Guides (PDF)

  1. Learn more about OpenType

• Designers

  1. Ralph Oliver du Carrois

• Foundry

  primetype

• License Information

  View font license agreements for primetype.

• Trademarks

  1. Trademark of Primetype GmbH

• Supported OpenType Features

  Show All Characters
  1. Access All Alternates This feature makes all variations of a selected character accessible. This serves several purposes: An application may not support the feature by which the desired glyph would normally be accessed; the user may need a glyph outside the context supported by the normal substitution, or the user may not know what feature produces the desired glyph. Since many-to-one substitutions are not covered, ligatures would not appear in this table unless they were variant forms of another ligature.
  2. Case-Sensitive Forms Shifts various punctuation marks up to a position that works better with all-capital sequences or sets of lining figures; also changes oldstyle figures to lining figures. By default, glyphs in a text face are designed to work with lowercase characters. Some characters should be shifted vertically to fit the higher visual center of all-capital or lining text. Also, lining figures are the same height (or close to it) as capitals, and fit much better with all-capital text.
  3. Capital Spacing Globally adjusts inter-glyph spacing for all-capital text. Most typefaces contain capitals and lowercase characters, and the capitals are positioned to work with the lowercase. When capitals are used for words, they need more space between them for legibility and esthetics. This feature would not apply to monospaced designs. Of course the user may want to override this behavior in order to do more pronounced letterspacing for esthetic reasons.
  4. Fractions Replaces figures separated by a slash with 'common' (diagonal) fractions.
  5. Kerning Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically.
  6. Standard Ligatures Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions.
  7. Numerators Replaces selected figures which precede a slash with numerator figures, and replaces the typographic slash with the fraction slash.
  8. Ordinals Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature.
  9. Superscript Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles).