In the following interview Erik and Ralph discuss the origin of FF Real, design characteristics and technical details as well as a world première.
Not just any serif face is up to the task of pairing well with a dazzling show-stopper like Sascha Timplan’s Prism. Mike Abbink’s Brando seems to mix in naturally.
A selection of single weights for, say, $1 or $5, or whatever. Be warned, after a taste of the good stuff you may be back to collect the rest of the family.
Playing up the more idiosyncratic parts of the English Grotesque, Mark Caneso’s latest incorporates exuberant curves, subtly curled terminals, and rare forms such as its upright looped k.
Though it undeniably makes a strong reference to Weiss Antiqua, Anziano possesses a quieter texture, with more thoroughly harmonized character widths and unified glyph details.
Marco offers a fresh perspective on the Venetian (or Aldine) letter—warm, but not overwarm on the page, full of sharp details, and fully suited to setting long text.
We love feedback!