Cisalpin

Designed by Felix Arnold. Published by Linotype in 2004.

Starts at $65.00 for a single style and is available for:
Regular
Italic
Bold
Bold Italic
120
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
70
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
40
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
25
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
18
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
12
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
120
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
70
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
40
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
25
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
18
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
12
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.

Cisalpin supports 71 different languages such as Spanish, English, Portuguese, German and French in Latin scripts. (Please note that not all languages are available for all formats.)

View all 71 languages

Jääkarhu
Écureuil
Råtta
Armiño
Siebenschläfer
Bjørn
Leão

Languages

Please note that not all languages are available for all formats.

Common Languages

  • Spanish
  • English
  • Portuguese
  • German
  • French

Latin

  • A
  • Afrikaans
  • Albanian
  • Arvanitika (Latin)
  • Asturian
  • B
  • Baraba Tatar
  • Bats (Latin)
  • Bislama
  • Breton
  • C
  • Catalan
  • Chamorro
  • Crimean Tatar (Latin)
  • D
  • Danish
  • Dutch
  • E
  • English
  • Estonian
  • F
  • Faroese
  • Finnish
  • Franco-Provencal
  • French
  • Frisian
  • Frisian, East
  • Frisian, North
  • Frisian, West
  • Friulian
  • G
  • Galician
  • German
  • Greenlandic
  • I
  • Icelandic
  • Indonesian
  • Interlingua
  • Irish
  • Italian
  • J
  • Juhuri (Latin)
  • K
  • Karaim (Latin)
  • Kazan Tatar (Latin)
  • Kurdish (Latin)
  • Kurmanji
  • L
  • Ladin
  • Low German
  • Luxembourgian
  • M
  • Malagasy
  • Malay (Latin)
  • Manx Gaelic
  • N
  • Norwegian, Bokmål
  • Norwegian, Nynorsk
  • O
  • Occitan
  • P
  • Pilipino (Tagalog)
  • Portuguese
  • R
  • Rhaeto-Romance
  • Romani (Latin)
  • Romansch
  • S
  • Sami, Southern
  • Sami, Ume
  • Samoan
  • Scottish Gaelic
  • Serbian (Latin)
  • Somali
  • Sotho, Northern
  • Sotho, Southern
  • Spanish
  • Swedish
  • T
  • Tahitian
  • Tongan
  • Tsakhur (Latin)
  • Tsez (Latin)
  • Tsonga
  • Tswana
  • W
  • Walloon
  • X
  • Xhosa
  • Y
  • Yapese
  • Z
  • Zulu
Superscript
167 167
Fractions
135/167 135/167
Replaces figures separated by a slash with 'common' (diagonal) fractions.
Ordinals
1a2o 1a2o
Replaces characters with ordinal forms for use after figures.
Standard Ligatures
flfi flfi
Replaces a sequence of glyphs with a ligature. Active by default.
Case-Sensitive Forms
(H-o) (H-o)
Shifts punctuation up to a position that works better with all-caps text.
I went to computer class with my PC and I got bullied by a guy with a Mac.
— Mort Sahl
Punctuation
Uppercase
Lowercase
Modifiers
Ligatures
Currency
Symbols
Decimal
Other
Mathematical Operators
Miscellaneous
Letterlike
Geometric Shapes
Lowercase
Uppercase
Uppercase
Lowercase

The ideal typeface for cartographyThe Swiss designer/typographer Felix Arnold designed Cisalpin during the late 1990s, after he had challenged himself to create a contemporary typeface that could be used for cartographic uses. Arnold came to the subject of cartographic typefaces after analyzing many maps and atlases, and discovering that there was no standard typeface for these types of documents. Like any good cartographic type, Cisalpin is very legible at small sizes. While he was drawing this typeface on his computer, Arnold used a reduction glass to refine his design, making it work in these situations. Cisalpin is a linear sans serif face, with slight resemblance to renaissance serif types. The various weights are all clearly differentiated from one another. And because space is often a premium on maps, Cisalpin runs narrow. Words close in around themselves to help them become more identifiable. The letterforms in Cisalpin are durable, and can maintain their readability when placed over complex backgrounds. They have open interior forms, flattened curves, tall x-heights, and a capital height that almost reaches the tops of the ascenders. Cisalpin also has pronounced Italics, with a very clear angle of inclination. Each letterform in the family has been optimized so that they cannot be easily mistaken for another. This again helps minimize the misunderstandings that often occur because of illegibility. Although Cisalpin was developed for use in cartography, it may be used for countless other purposes; any font that can work well in small sizes on a map could be used almost anywhere else!