FF Clifford

Designed by Akira Kobayashi in 1999. Published by FontFont.

Starts at $49 for a single style and is available for:
Type to compare other characters
&
Six Regular
&
Nine Regular
&
Eighteen Regular
&
120
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
70
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
40
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
25
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
18
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
12
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
120
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
70
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
40
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
25
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
18
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
12
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …

FF Clifford supports up to 76 different languages such as Spanish, English, Portuguese, German, French, Turkish, Italian, Polish, Kurdish (Latin), Romanian, Dutch, Hungarian, Czech, Kazakh, Serbian (Latin), Swedish, Belarusian (Latin), Croatian, Slovak, Finnish, Danish, Lithuanian, Latvian, Slovenian, Irish, Estonian, Basque, Luxembourgian, and Icelandic in Latin and other scripts.

Please note that not all languages are available for all formats.

View all 76 languages

Strauß
Citroën
Brøgger
Valéry
Åkerlund

Languages

Please select a product:

Supports 76 different languages:

  • A
  • Afar
  • Afrikaans
  • Albanian
  • Asturian
  • B
  • Basque
  • Belarusian (Latin)
  • Bosnian (Latin)
  • Breton
  • C
  • Catalan
  • Cornish
  • Corsican
  • Croatian
  • Czech
  • D
  • Danish
  • Dutch
  • E
  • English
  • Esperanto
  • Estonian
  • F
  • Faroese
  • Fijian
  • Finnish
  • French
  • Frisian
  • Friulian
  • G
  • Gaelic (Scottish)
  • Galician
  • German
  • H
  • Hungarian
  • I
  • Icelandic
  • Indonesian
  • Irish
  • Italian
  • K
  • Karelian
  • Kazakh
  • Kinyarwanda (Ruanda)
  • Kirundi (Rundi)
  • Kurdish (Latin)
  • L
  • Ladin
  • Latin
  • Latvian
  • Lithuanian
  • Luxembourgian
  • M
  • Malay (Latin)
  • Maltese
  • Maori
  • N
  • Norwegian
  • O
  • Occitan
  • Oromo (Afan, Galla)
  • P
  • Papiamentu
  • Polish
  • Portuguese
  • Q
  • Quechua
  • R
  • Rhaeto-Romance
  • Romani (Latin)
  • Romanian
  • S
  • Samoan
  • Sardinian
  • Serbian (Latin)
  • Shona
  • Slovak
  • Slovenian
  • Somali
  • Sorbian, Upper
  • Spanish
  • Swahili (Kiswahili)
  • Swedish
  • T
  • Tagalog
  • Tahitian
  • Tsonga
  • Tswana
  • Turkish
  • Turkmen
  • U
  • Uighur
  • W
  • Walloon
  • X
  • Xhosa
  • Z
  • Zulu
The
Black
Phlegmatics
Proportional Figures
| 167
| 167
Lining Figures
| 167
| 167
Subscript
| 167
| 167
Fractions
| 135/167
| 135/167
Superscript
| 167
| 167
Tabular Figures
| 167
| 167
Changes figures with proportional widths to figures with tabular widths.
Small Capitals
| Small
| Small
Case-Sensitive Forms
| (H-o)
| (H-o)
Small Capitals From Capitals
| CAPS
| CAPS
Turns caps (and sometimes also numerals and punctuation) into small caps. Mostly used together with Small Capitals feature to get an all-small caps setting.
Ordinals
| 1a2o
| 1a2o
Replaces characters with ordinal forms for use after figures.
Standard Ligatures
| flfi
| flfi
Replaces a sequence of glyphs with a ligature. Active by default.
View this style in detail
We forfeit three-fourths of ourselves in order to be like other people.
— Arthur Schopenhauer
View this style in detail
Punctuation
!
"
#
%
&
'
(
)
*
,
-
.
/
:
;
?
@
[
\
]
^
_
`
{
}
¡
§
¨
¯
´
·
¸
¿
Uppercase
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Lowercase
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Modifiers
ʻ
ʼ
ˆ
ˇ
˘
˙
˚
˛
˜
˝
Ligatures
Currency
$
¢
£
¤
¥
Symbols
+
<
=
>
|
~
¬
±
×
÷
Decimal
0
1
2
3
4
5
6
7
8
9
Other
²
³
¹
¼
½
¾
Mathematical Operators
Superscripts and Subscripts
Number Forms
Miscellaneous
¦
©
®
°
Letterlike
Geometric Shapes
Lowercase
µ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ā
ă
ą
ć
ĉ
ċ
č
ď
đ
ē
ė
ę
ě
ĝ
ğ
ġ
ģ
ĥ
ħ
ī
į
ı
ĵ
ķ
ĺ
ļ
ľ
ł
ń
ņ
ň
ō
ő
œ
ŕ
ŗ
ř
ś
ŝ
ş
š
ţ
ť
ū
ŭ
ů
ű
ų
ź
ż
ž
ƒ
ș
ț
ȷ
Uppercase
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Þ
Ā
Ă
Ą
Ć
Ĉ
Ċ
Č
Ď
Đ
Ē
Ė
Ę
Ě
Ĝ
Ğ
Ġ
Ģ
Ĥ
Ħ
Ī
Į
İ
Ĵ
Ķ
Ĺ
Ļ
Ľ
Ł
Ń
Ņ
Ň
Ō
Ő
Œ
Ŕ
Ŗ
Ř
Ś
Ŝ
Ş
Š
Ţ
Ť
Ū
Ŭ
Ů
Ű
Ų
Ÿ
Ź
Ż
Ž
Ș
Ț
Uppercase
Δ
Ω
Lowercase
μ
π

The first sketches for the FF Clifford typeface were done in 1994. These drew inspiration from Alexander Wilson’s Long Primer Roman type, which was used to set an edition of Pliny the Younger’s “Opera,” printed by the Foulis brothers in 1751. The Italic is loosely based on Joseph Fry and Sons’ Pica Italic No. 3, from their 1785 specimen. These Roman and Italic designs combine to create FF Clifford Nine. Though carefully studying the metal types as models, the face was not intended to be a faithful reproduction. In fact, Akira Kobayashi created FF Clifford specifically for contemporary digital use. At the same time, he did want to maintain the optically corrected size variations commonly used in the days of metal typesetting, so that the various optical sizes would function well as a text face in a variety of settings. Two additional versions make this possible: FF Clifford Eighteen and FF Clifford Six. The former has more stroke contrast, narrower letter forms and a tighter fit; the latter is bolder and wider with sturdier hairlines and serifs and a looser fit. Each of the three FF Clifford variations were drawn separately. Overall, the characters of FF Clifford Eighteen are more lyrical, and the characters of FF Clifford Six more simplified than those of FF Clifford Nine. But the size indication is merely a recommendation; FF Clifford can and should be used as the user wishes, or as printing conditions require. FF Clifford includes a wide variety of ligatures, alternate forms and a collection of 18th century borders and ornaments. The Clifford family won a first prize in the text face category as well as Best of Show at the First U&lc Type Design Competition in 1998. FF Clifford also received a Certificate of Excellence in Type Design by the TDC judges in 2000.

FF Clifford has 6 Styles