FF Disturbance

Designed by Jeremy Tankard. Published by FontFont in 1993.

Starts at $65.00 for a single style and is available for:
Type to compare other characters
&
Regular
&
Bold
&
120
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
70
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
40
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
25
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
18
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
12
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
120
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
70
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
40
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
25
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
18
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
12
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …

FF Disturbance supports 101 different languages such as Spanish, English, Portuguese, German and French in Latin scripts. (Please note that not all languages are available for all formats.)

View all 101 languages

Wienerbrød
Poronkäristys
Pabellón Criollo
Köttbullar
Crêpes Salées
Käsespätzle
Leitão à Bairrada

Languages

Please note that not all languages are available for all formats.

Common Languages

  • Spanish
  • English
  • Portuguese
  • German
  • French

Latin

  • A
  • Afrikaans
  • Albanian
  • Arumanian
  • Arvanitika (Latin)
  • Asturian
  • B
  • Baraba Tatar
  • Basque
  • Bats (Latin)
  • Belarusian (Latin)
  • Bislama
  • Bosnian (Latin)
  • Breton
  • C
  • Catalan
  • Chamorro
  • Cook Islands Maori
  • Crimean Tatar (Latin)
  • Croatian
  • Czech
  • D
  • Danish
  • Dutch
  • E
  • English
  • Esperanto
  • Estonian
  • F
  • Faroese
  • Finnish
  • Franco-Provencal
  • French
  • Frisian
  • Frisian, East
  • Frisian, North
  • Frisian, West
  • Friulian
  • G
  • Gagauz (Latin)
  • Galician
  • German
  • Greenlandic
  • H
  • Hawaiian
  • Hungarian
  • I
  • Icelandic
  • Indonesian
  • Interlingua
  • Irish
  • Istro-Romanian
  • Italian
  • K
  • Karaim (Latin)
  • Kashubian
  • Kazan Tatar (Latin)
  • Kurdish (Latin)
  • Kurmanji
  • L
  • Ladin
  • Latvian
  • Lithuanian
  • Low German
  • Luxembourgian
  • M
  • Malagasy
  • Malay (Latin)
  • Maltese
  • Manx Gaelic
  • Maori
  • Marshallese
  • Moldavian (Latin)
  • N
  • Norwegian, Bokmål
  • Norwegian, Nynorsk
  • O
  • Occitan
  • P
  • Pilipino (Tagalog)
  • Polish
  • Portuguese
  • R
  • Rhaeto-Romance
  • Romanian
  • Romansch
  • S
  • Sami, Inari
  • Sami, Lule
  • Sami, Southern
  • Sami, Ume
  • Samoan
  • Scottish Gaelic
  • Serbian (Latin)
  • Slovak
  • Slovenian
  • Somali
  • Sorbian, Lower
  • Sorbian, Upper
  • Sotho, Northern
  • Sotho, Southern
  • Spanish
  • Swedish
  • T
  • Tahitian
  • Tongan
  • Tsakhur (Latin)
  • Tsonga
  • Tswana
  • Turkish
  • U
  • Ubykh
  • V
  • Vepsian
  • Våmhusmål
  • W
  • Wallisian
  • Walloon
  • X
  • Xhosa
  • Y
  • Yapese
  • Z
  • Zulu
  • Ä
  • Älvdalska
The
Black
Phlegmatics
Tabular Figures
167 167
Oldstyle Figures
167 167
Changes figures from the default lining style to oldstyle form.
Ordinals
1a2o 1a2o
Replaces characters with ordinal forms for use after figures.
Standard Ligatures
flfi flfi
Replaces a sequence of glyphs with a ligature. Active by default.
View this style in detail
Der schöpferische Typograf arbeitet nicht nach Rezepten.
— Jost Hochuli
Punctuation
!
"
#
%
&
'
(
)
*
,
-
.
/
:
;
?
@
[
\
]
^
_
`
{
}
¡
§
¨
¯
´
·
¸
¿
Uppercase
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Lowercase
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Modifiers
ʻ
ʼ
ˆ
ˇ
˘
˙
˚
˛
˜
˝
Combining Diacritical Marks
̀
́
̂
̃
̄
̆
̇
̈
̊
̋
̌
̒
̦
̧
̨
Ligatures
Currency
$
¢
£
¤
¥
Symbols
+
<
=
>
|
~
¬
±
×
÷
Decimal
0
1
2
3
4
5
6
7
8
9
Other
²
³
¹
¼
½
¾
Mathematical Operators
Miscellaneous
¦
©
®
°
Letterlike
Geometric Shapes
Lowercase
µ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ā
ă
ą
ć
ĉ
ċ
č
ď
đ
ē
ė
ę
ě
ĝ
ğ
ġ
ģ
ĥ
ħ
ī
į
ı
ĵ
ķ
ĺ
ļ
ľ
ł
ń
ņ
ň
ō
ő
œ
ŕ
ŗ
ř
ś
ŝ
ş
š
ţ
ť
ū
ŭ
ů
ű
ų
ź
ż
ž
ƒ
ș
ț
ȷ
Uppercase
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Þ
Ā
Ă
Ą
Ć
Ĉ
Ċ
Č
Ď
Đ
Ē
Ė
Ę
Ě
Ĝ
Ğ
Ġ
Ģ
Ĥ
Ħ
Ī
Į
İ
Ĵ
Ķ
Ĺ
Ļ
Ľ
Ł
Ń
Ņ
Ň
Ō
Ő
Œ
Ŕ
Ŗ
Ř
Ś
Ŝ
Ş
Š
Ţ
Ť
Ū
Ŭ
Ů
Ű
Ų
Ÿ
Ź
Ż
Ž
Ș
Ț
Uppercase
Δ
Ω
Lowercase
μ
π

FF Disturbance is an experimental serif-styled alphabet. The design is Jeremy Tankard’s contribution to a well-discussed problem. Like many well-known typographers before him, Tankard investigated simplifying our alphabet’s structure, in order to enhance readability.

Our present writing system is a composite of two components: Roman upper case letters and medieval lowercase variants. FF Disturbance combines these upper and lowercase forms more harmoniously than our standard alphabet normally does. Tankard’s concept was to select the most extreme letter shapes – the best of both worlds – and put these into one alphabet.

“There is a theory that people only read what they want to read,” Tankard explains. “If good rhythm makes a face flow well, then the reading becomes much easier.” This fascination with typographic rhythm stems from a fascination with musical composition.

FF Disturbance also contains many ligatures that both add color to the typeface and assist in its flow and rhythmic patterning. Since uppercase forms are used for the characters B, D, and H, there are fewer ascenders, thus creating new word shapes. The increased ascenders of K and L, plus the use of the ligatures, recreate vertical movement within the type, counteracting the monotonous appearance of capitals within a block of text.

FF Disturbance has 3 Styles