FF Dolores

Designed by Tobias Frere-Jones in 1991. Published by FontFont.

Starts at $39.00 for a single style and is available for:
Type to compare other characters
&
Light
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Regular
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Bold
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Extra Bold
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Black
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120
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
70
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
40
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
25
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
18
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
12
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
120
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
70
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
40
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
25
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
18
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
12
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …

FF Dolores® supports 85 different languages such as Spanish, English, Portuguese, Russian, German and French in Cyrillic, Latin, and Other scripts. (Please note that not all languages are available for all formats.)

View all 85 languages

Rülps
Byääh
Prööt

Languages

Please note that not all languages are available for all formats.

Common Languages

  • Spanish
  • English
  • Portuguese
  • Russian
  • German
  • French

Cyrillic

  • B
  • Belarusian (Cyrillic)
  • E
  • Erzya
  • K
  • Karachay-Balkar
  • Kazakh
  • Kumyk
  • M
  • Moksha
  • R
  • Russian
  • Rusyn
  • S
  • Serbian (Cyrillic)
  • T
  • Turkmen
  • U
  • Ukrainian

Latin

  • A
  • Afrikaans
  • Albanian
  • Asturian
  • B
  • Basque
  • Belarusian (Latin)
  • Bosnian (Latin)
  • Breton
  • C
  • Catalan
  • Cornish
  • Corsican
  • Croatian
  • Czech
  • D
  • Danish
  • Dutch
  • E
  • English
  • Esperanto
  • Estonian
  • F
  • Faroese
  • Finnish
  • French
  • Frisian
  • Friulian
  • G
  • Galician
  • German
  • H
  • Hungarian
  • I
  • Icelandic
  • Indonesian
  • Irish
  • Italian
  • K
  • Karelian
  • Kurdish (Latin)
  • L
  • Ladin
  • Latin
  • Latvian
  • Lithuanian
  • Luxembourgian
  • M
  • Malay (Latin)
  • Maltese
  • Maori
  • O
  • Occitan
  • P
  • Polish
  • Portuguese
  • R
  • Rhaeto-Romance
  • Romani (Latin)
  • Romanian
  • S
  • Samoan
  • Sardinian
  • Serbian (Latin)
  • Slovak
  • Slovenian
  • Somali
  • Sorbian, Upper
  • Spanish
  • Swedish
  • T
  • Tahitian
  • Tsonga
  • Tswana
  • Turkish
  • W
  • Walloon
  • X
  • Xhosa
  • Z
  • Zulu

Other

  • A
  • Afar
  • F
  • Fijian
  • G
  • Gaelic (Scottish)
  • K
  • Kinyarwanda (Ruanda)
  • Kirundi (Rundi)
  • N
  • Norwegian
  • O
  • Oromo (Afan, Galla)
  • P
  • Papiamentu
  • Q
  • Quechua
  • S
  • Shona
  • Swahili (Kiswahili)
  • T
  • Tagalog
  • U
  • Uighur
The
Black
Phlegmatics
Fractions
135/167 135/167
Replaces figures separated by a slash with 'common' (diagonal) fractions.
Standard Ligatures
flfi flfi
Replaces a sequence of glyphs with a ligature. Active by default.
Case-Sensitive Forms
(H-o) (H-o)
Shifts punctuation up to a position that works better with all-caps text.
Ordinals
1a2o 1a2o
Replaces characters with ordinal forms for use after figures.
View this style in detail
The twisted and immoral thing about religion is that it installs a celestial dictatorship to supervise us, a kind of divine North Korea.
— Christopher Hitchens
View this style in detail
Punctuation
!
"
#
%
&
'
(
)
*
,
-
.
/
:
;
?
@
[
\
]
^
_
`
{
}
¡
§
¨
¯
´
·
¸
¿
Uppercase
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Lowercase
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Modifiers
ˆ
ˇ
˘
˙
˚
˛
˜
˝
Combining Diacritical Marks
̀
́
̂
̃
̄
̆
̇
̈
̊
̋
̌
̒
̓
̦
̧
̨
̵
̶
Ligatures
Currency
$
¢
£
¤
¥
Symbols
+
<
=
>
|
~
¬
±
×
÷
Decimal
0
1
2
3
4
5
6
7
8
9
Other
²
³
¹
¼
½
¾
Mathematical Operators
Miscellaneous
¦
©
®
°
Letterlike
Geometric Shapes
Lowercase
µ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ā
ă
ą
ć
ĉ
ċ
č
ď
đ
ē
ė
ę
ě
ĝ
ğ
ġ
ģ
ĥ
ħ
ī
į
ı
ĵ
ķ
ĺ
ļ
ľ
ł
ń
ņ
ň
ō
ő
œ
ŕ
ŗ
ř
ś
ŝ
ş
š
ţ
ť
ū
ŭ
ů
ű
ų
ź
ż
ž
ƒ
ș
ț
ȷ
Uppercase
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Þ
Ā
Ă
Ą
Ć
Ĉ
Ċ
Č
Ď
Đ
Ē
Ė
Ę
Ě
Ĝ
Ğ
Ġ
Ģ
Ĥ
Ħ
Ī
Į
İ
Ĵ
Ķ
Ĺ
Ļ
Ľ
Ł
Ń
Ņ
Ň
Ō
Ő
Œ
Ŕ
Ŗ
Ř
Ś
Ŝ
Ş
Š
Ţ
Ť
Ū
Ŭ
Ů
Ű
Ų
Ÿ
Ź
Ż
Ž
Ș
Ț
Uppercase
Δ
Ω
Lowercase
μ
π
Uppercase
Ё
Ђ
Ѓ
Є
Ѕ
І
Ї
Ј
Љ
Њ
Ћ
Ќ
Ў
Џ
А
Б
В
Г
Д
Е
Ж
З
И
Й
К
Л
М
Н
О
П
Р
С
Т
У
Ф
Х
Ц
Ч
Ш
Щ
Ъ
Ы
Ь
Э
Ю
Я
Ґ
Lowercase
а
б
в
г
д
е
ж
з
и
й
к
л
м
н
о
п
р
с
т
у
ф
х
ц
ч
ш
щ
ъ
ы
ь
э
ю
я
ё
ђ
ѓ
є
ѕ
і
ї
ј
љ
њ
ћ
ќ
ў
џ
ґ

Dolores began as a Christmas gift from Tobias Frere-Jones to his brother, who had always wanted the right typeface for his band. Still a student at the Rhode Island School of Design (RISD), Frere-Jones frequented a bar near campus, where the initial design for Dolores was doodled on a napkin.

“I though it was funny, so I took it back to school and digitized it,” Frere-Jones recollected. “I did the whole character set in two nights over the weekend.” Soon after, Frere-Jones went on a studio tour through the Netherlands. He and a friend continued onto Berlin, where he introduced himself to Erik Spiekermann. “I proudly showed him another typeface I had been working on,” continued Frere-Jones, “but he wasn’t very impressed. Reluctantly, I showed him this other thing, a joke I had drawn on a bar napkin. To my total surprise, he ran out of the room and came back with the contracts to sell it through FontFont.” Dolores, the band broke up soon after FF Dolores the typeface was published, but the design was a great success and is still popular as a display typeface for advertising.

FF Dolores was the first published typeface by Frere-Jones, who went on to become a senior type designer at The Font Bureau, and later a partner in Hoefler & Frere-Jones.

FF Dolores® has 5 Styles