FF Eureka

Designed by Peter Bil'ak. Published by FontFont in 1998 as part of the FF Eureka Super Family.

Starts at $49.00 for a single style and is available for:

The original drawings for FF Eureka date from 1995 when it was designed for the bilingual text of “Transparency”. The typeface works especially well for languages with accented characters. Many contemporary Western typefaces have large x-heights which leave little room to accommodate accents, the result is that they are small and cramped. However, in many languages the accents are an integral part of the alphabet and shouldn’t be reduced in size and importance. In order to maintain a proper rhythm in the text, Biľak adjusted the proportions of the typeface. The height of the ascenders and descenders is 1.7 times the x-height. This relatively small x-height leaves room for longer descenders and ascenders which in turn better accommodate accents and punctuation, it also gives the typeface its distinctive character. The large serifs visually balance the larger accents. Eureka’s proportions result in an economic typeface and allow the letters to be spaced more loosely. This is important for, as Biľak says: “it is the white space that we unconsciously read, not the actual letterforms. Looser spacing helps to avoid the typographic noise inside a text, and retains the individuality of the letters.”

In 1997, FF Eureka won a prize at the National Design Award competition organized by the Slovak Design Center. At the 19th International Biennale of Graphic Design during the year 2000 in Brno, Czech Republic, FF Eureka was judged as the Best Design in the Category of Type.

Type to compare other characters
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Roman
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Medium
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Bold
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120
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
70
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
40
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
25
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
18
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
12
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
120
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
70
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
40
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
25
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
18
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
12
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
Noel Gallagher may not read it
Noel Gallagher’s statement that reading fiction is a “fucking waste of time” and readers are “putting themselves a tiny little bit above the rest of us” – is a valuable contribution.
Cathy Nicol: Isle of Joy
Vince Smith met bandmates Jim Kelly and Nancy Gibbs at a Sex Pistols concert, where he tried to kiss Sid Vicious’ guitar and got a bloody nose. Together they formed Aftershock, and for a while they made a lot of noise, a bit of money and caused a sensation wherever they went.
Lining Figures
167 167
Oldstyle Figures
167 167
Proportional Figures
167 167
Subscript
167 167
Superscript
167 167
Tabular Figures
167 167
Fractions
135/167 135/167
Replaces figures separated by a slash with 'common' (diagonal) fractions.
Small Capitals From Capitals
CAPS CAPS
Small Capitals
Small Small
Case-Sensitive Forms
(H-o) (H-o)
Shifts punctuation up to a position that works better with all-caps text.
Standard Ligatures
flfi flfi
Historical Forms
hist hist
Replaces letters with historical variants that may appear anachronistic today. The best-known example is the long form of s.
Ordinals
1a2o 1a2o
Replaces characters with ordinal forms for use after figures.
View this style in detail
Eines der sprechendsten Ausdrucksmittel jeder Stilepoche ist die Schrift. Sie liefert, mit der Architektur, das charakteristischste Bild einer Zeit.
— Peter Behrens
View this style in detail
Punctuation
!
"
#
%
&
'
(
)
*
,
-
.
/
:
;
?
@
[
\
]
^
_
`
{
}
¡
§
¨
¯
´
·
¸
¿
Uppercase
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Lowercase
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Phonetic Extensions
ə
Modifiers
ʻ
ʼ
ˆ
ˇ
˘
˙
˚
˛
˜
˝
Combining Diacritical Marks
̀
́
̂
̃
̄
̆
̇
̈
̊
̋
̌
̒
̓
̕
̦
̧
̨
̵
̶
Ligatures
Currency
$
¢
£
¤
¥
Symbols
+
<
=
>
|
~
¬
±
×
÷
Decimal
0
1
2
3
4
5
6
7
8
9
Other
²
³
¹
¼
½
¾
Mathematical Operators
Superscripts and Subscripts
Number Forms
Miscellaneous
¦
©
®
°
Letterlike
Arrows
Geometric Shapes
Dingbats
Lowercase
µ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ā
ă
ą
ć
ĉ
ċ
č
ď
đ
ē
ĕ
ė
ę
ě
ĝ
ğ
ġ
ģ
ĥ
ħ
ĩ
ī
ĭ
į
ı
ij
ĵ
ķ
ĸ
ĺ
ļ
ľ
ŀ
ł
ń
ņ
ň
ʼn
ŋ
ō
ŏ
ő
œ
ŕ
ŗ
ř
ś
ŝ
ş
š
ţ
ť
ŧ
ũ
ū
ŭ
ů
ű
ų
ŵ
ŷ
ź
ż
ž
ſ
ƒ
ǻ
ǽ
ǿ
ș
ț
ȷ
Uppercase
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Þ
Ā
Ă
Ą
Ć
Ĉ
Ċ
Č
Ď
Đ
Ē
Ĕ
Ė
Ę
Ě
Ĝ
Ğ
Ġ
Ģ
Ĥ
Ħ
Ĩ
Ī
Ĭ
Į
İ
IJ
Ĵ
Ķ
Ĺ
Ļ
Ľ
Ŀ
Ł
Ń
Ņ
Ň
Ŋ
Ō
Ŏ
Ő
Œ
Ŕ
Ŗ
Ř
Ś
Ŝ
Ş
Š
Ţ
Ť
Ŧ
Ũ
Ū
Ŭ
Ů
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ż
Ž
Ə
Ǻ
Ǽ
Ǿ
Ș
Ț
Uppercase
Δ
Ω
Lowercase
μ
π
FF Eureka has 4 Styles

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