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FF Hertz

FF Hertz is one of the very rare uniwidth typefaces, which means each letter occupies the same space in all weights.

Designed by Jens Kutilek in 2015. Published by FontFont.

Starts at $49 for a single style and is available for:
Fictitious use case for FF Hertz by Alexandra Schwarzwald
Fictitious use case for FF Hertz by Alexandra Schwarzwald
Type to compare other characters
@
Light
@
Book
@
Regular
@
Medium
@
Bold
@
Extra Bold
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120
Back in June we delivered oxygen equipment of the same size. This amazed a few girls by dropping the antique onyx vase.
70
Back in June we delivered oxygen equipment of the same size. This amazed a few girls by dropping the antique onyx vase.
40
Back in June we delivered oxygen equipment of the same size. This amazed a few girls by dropping the antique onyx vase.
25
Back in June we delivered oxygen equipment of the same size. This amazed a few girls by dropping the antique onyx vase.
18
Back in June we delivered oxygen equipment of the same size. This amazed a few girls by dropping the antique onyx vase.
12
Back in June we delivered oxygen equipment of the same size. This amazed a few girls by dropping the antique onyx vase.
120
Back in June we delivered oxygen equipment of the same size. This amazed a few girls by dropping the antique onyx vase.
70
Back in June we delivered oxygen equipment of the same size. This amazed a few girls by dropping the antique onyx vase.
40
Back in June we delivered oxygen equipment of the same size. This amazed a few girls by dropping the antique onyx vase.
25
Back in June we delivered oxygen equipment of the same size. This amazed a few girls by dropping the antique onyx vase.
18
Back in June we delivered oxygen equipment of the same size. This amazed a few girls by dropping the antique onyx vase.
12
Back in June we delivered oxygen equipment of the same size. This amazed a few girls by dropping the antique onyx vase.

FF Hertz supports up to 83 different languages such as Spanish, English, Portuguese, German, French, Turkish, Italian, Polish, Kurdish (Latin), Azerbaijani (Latin), Romanian, Dutch, Hungarian, Kazakh (Latin), Czech, Serbian (Latin), Swedish, Belarusian (Latin), Croatian, Slovak, Finnish, Danish, Lithuanian, Latvian, Slovenian, Irish, Estonian, Basque, Luxembourgian, and Icelandic in Latin and other scripts.

Please note that not all languages are available for all formats.

View all 83 languages

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Languages

Please select a product:

Supports 51 different languages:

  • A
  • Afar
  • Afrikaans
  • Albanian
  • Asturian
  • Aymara
  • B
  • Basque
  • Breton
  • C
  • Catalan
  • Cornish
  • Corsican
  • D
  • Danish
  • Dutch
  • E
  • English
  • F
  • Faroese
  • Fijian
  • Finnish
  • French
  • Frisian
  • Friulian
  • G
  • Gaelic (Scottish)
  • Galician
  • German
  • I
  • Icelandic
  • Indonesian
  • Irish
  • Italian
  • K
  • Kinyarwanda (Ruanda)
  • Kirundi (Rundi)
  • L
  • Ladin
  • Luxembourgian
  • M
  • Malay (Latin)
  • N
  • Norwegian
  • O
  • Occitan
  • Oromo (Afan, Galla)
  • P
  • Papiamentu
  • Portuguese
  • Q
  • Quechua
  • R
  • Rhaeto-Romance
  • S
  • Sardinian
  • Shona
  • Somali
  • Spanish
  • Swahili (Kiswahili)
  • Swedish
  • T
  • Tagalog
  • Tsonga
  • Tswana
  • U
  • Uighur
  • W
  • Walloon
  • X
  • Xhosa
  • Z
  • Zulu
Il n’y a qu’une seule chose qui puisse rendre un rêve impossible à réaliser: c’est la peur d’échouer.

Cordialement,
Paul
Françoise Béziat
82 Boulevard de Clichy
75018 Paris
France
Subscript
| 167
| 167
Fractions
| 135/167
| 135/167
Proportional Figures
| 167
| 167
Tabular Figures
| 167
| 167
Superscript
| 167
| 167
Lining Figures
| 167
| 167
Changes figures from oldstyle to the default lining form.
Small Capitals From Capitals
| CAPS
| CAPS
Petite Capitals From Capitals
| CAPS
| CAPS
Petite Capitals
| Petite
| Petite
Small Capitals
| Small
| Small
Case-Sensitive Forms
| (H-o)
| (H-o)
Shifts punctuation up to a position that works better with all-caps text.
Required Ligatures
| ï»»
| ï»»
Standard Ligatures
| flfi
| flfi
Replaces a sequence of glyphs with a ligature. Active by default.
Ordinals
| 1a2o
| 1a2o
Replaces characters with ordinal forms for use after figures.
View this style in detail
There is nothing to writing. All you do is sit down at a typewriter and bleed.
— Ernest Hemingway
View this style in detail
Punctuation
!
"
#
%
&
'
(
)
*
,
-
.
/
:
;
?
@
[
\
]
^
_
`
{
}
¡
§
¨
¯
´
·
¸
¿
Uppercase
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Lowercase
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Phonetic Extensions
ə
Modifiers
ʻ
ʼ
ʾ
ʿ
ˆ
ˇ
˘
˙
˚
˛
˜
˝
Combining Diacritical Marks
̀
́
̂
̃
̄
̆
̇
̈
̊
̋
̌
̒
̣
̦
̧
̨
̮
̱
̵
̷
̸
Ligatures
Currency
$
¢
£
¤
¥
Symbols
+
<
=
>
|
~
¬
±
×
÷
Decimal
0
1
2
3
4
5
6
7
8
9
Other
²
³
¹
¼
½
¾
Mathematical Operators
Superscripts and Subscripts
Number Forms
Miscellaneous
¦
©
®
°
Letterlike
Arrows
Technical
Geometric Shapes
Dingbats
Lowercase
µ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ā
ă
ą
ć
ĉ
ċ
č
ď
đ
ē
ĕ
ė
ę
ě
ĝ
ğ
ġ
ģ
ĥ
ħ
ĩ
ī
ĭ
į
ı
ij
ĵ
ķ
ĸ
ĺ
ļ
ľ
ŀ
ł
ń
ņ
ň
ʼn
ŋ
ō
ŏ
ő
œ
ŕ
ŗ
ř
ś
ŝ
ş
š
ţ
ť
ŧ
ũ
ū
ŭ
ů
ű
ų
ŵ
ŷ
ź
ż
ž
ſ
ƒ
ǎ
ǐ
ǒ
ǔ
ǖ
ǘ
ǚ
ǜ
ǧ
ǻ
ǽ
ǿ
ș
ț
ȷ
Uppercase
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Þ
Ā
Ă
Ą
Ć
Ĉ
Ċ
Č
Ď
Đ
Ē
Ĕ
Ė
Ę
Ě
Ĝ
Ğ
Ġ
Ģ
Ĥ
Ħ
Ĩ
Ī
Ĭ
Į
İ
IJ
Ĵ
Ķ
Ĺ
Ļ
Ľ
Ŀ
Ł
Ń
Ņ
Ň
Ŋ
Ō
Ŏ
Ő
Œ
Ŕ
Ŗ
Ř
Ś
Ŝ
Ş
Š
Ţ
Ť
Ŧ
Ũ
Ū
Ŭ
Ů
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ż
Ž
Ə
Ǎ
Ǐ
Ǒ
Ǔ
Ǖ
Ǘ
Ǚ
Ǜ
Ǧ
Ǻ
Ǽ
Ǿ
Ș
Ț
Uppercase
Δ
Ω
Lowercase
α
β
γ
δ
ε
μ
π
Number Other
Number Other

Low stroke contrast, generous spacing, and fine-grained weights from Light to Extra Bold make FF Hertz a workhorse text typeface which holds up well under today’s widely varying output conditions from print to screen. The quite dark Book style works well on e-ink displays which usually tend to thin out letters, as well as in print when you want to evoke the solid letter image of the hot-metal type era. Two sizes of Small Caps are included: A larger size for abbreviations and acronyms, and a smaller size matching the height of the lowercase letters.

FF Hertz is a uniwidth design, that means each letter occupies the same space in all weights. This feature allows the user to switch between weights (but not between Roman and Italic styles) without text reflow.

Jens Kutílek began work on FF Hertz in 2012. From a drawing exercise on a low-resolution grid (a technique proposed by Tim Ahrens to avoid fiddling with details too early), it soon evolved into a bigger project combining a multitude of influences which up until that point had only been floating around in his head, including his mother’s 1970s typewriter with its wonderful numbers, Hermann Zapf’s Melior as well as his forgotten Mergenthaler Antiqua (an interpretation of the Modern genre), and old German cartographic lettering styles.

Kutílek likes to imagine FF Hertz used in scientific books or for an edition of Lovecraftian horror stories.

FF Hertz has 12 Styles