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FF Kipp

Designed by Claudia Kipp in 1993. Published by FontFont.

Starts at $39.99 for a single style and is available for:

No. One Regular

No. Two Regular

No. Three Regular

No. Four Regular

No. Five Regular

No. Six Regular

No. Seven Regular

Type to compare other characters
&
No. One Regular
&
No. Two Regular
&
No. Three Regular
&
No. Four Regular
&
No. Five Regular
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No. Six Regular
&
No. Seven Regular
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120
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
70
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
40
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
25
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
18
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
12
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
120
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
70
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
40
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
25
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
18
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
12
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
The
Black
Phlegmatics
Ordinals
| 1a2o
| 1a2o
Replaces characters with ordinal forms for use after figures.
Case-Sensitive Forms
| (H-o)
| (H-o)
Shifts punctuation up to a position that works better with all-caps text.
Tabular Figures
| 167
| 167
Changes figures with proportional widths to figures with tabular widths.
Standard Ligatures
| flfi
| flfi
Replaces a sequence of glyphs with a ligature. Active by default.
View this style in detail
I never fall apart because I never fall together.
— Andy Warhol
View this style in detail
Punctuation
!
"
#
%
&
'
(
)
*
,
-
.
/
:
;
?
@
[
\
]
^
_
`
{
}
¡
§
¨
¯
´
·
¸
¿
Uppercase
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Lowercase
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Modifiers
ʻ
ʼ
ˆ
ˇ
˘
˙
˚
˛
˜
˝
Ligatures
Currency
$
¢
£
¤
¥
Symbols
+
<
=
>
|
~
¬
±
×
÷
Decimal
0
1
2
3
4
5
6
7
8
9
Other
²
³
¹
¼
½
¾
Mathematical Operators
Miscellaneous
¦
©
®
°
Letterlike
Geometric Shapes
Lowercase
µ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ā
ă
ą
ć
ĉ
ċ
č
ď
đ
ē
ė
ę
ě
ĝ
ğ
ġ
ģ
ĥ
ħ
ī
į
ı
ĵ
ķ
ĺ
ļ
ľ
ł
ń
ņ
ň
ō
ő
œ
ŕ
ŗ
ř
ś
ŝ
ş
š
ţ
ť
ū
ŭ
ů
ű
ų
ź
ż
ž
ƒ
ș
ț
ȷ
Uppercase
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Þ
Ā
Ă
Ą
Ć
Ĉ
Ċ
Č
Ď
Đ
Ē
Ė
Ę
Ě
Ĝ
Ğ
Ġ
Ģ
Ĥ
Ħ
Ī
Į
İ
Ĵ
Ķ
Ĺ
Ļ
Ľ
Ł
Ń
Ņ
Ň
Ō
Ő
Œ
Ŕ
Ŗ
Ř
Ś
Ŝ
Ş
Š
Ţ
Ť
Ū
Ŭ
Ů
Ű
Ų
Ÿ
Ź
Ż
Ž
Ș
Ț
Uppercase
Δ
Ω
Lowercase
μ
π
Uppercase
Ё
Ї
Lowercase
ё
ї
ў

FF Kipp was designed by Claudia Kipp who studied in Bielefeld, Germany. The typeface was initially part of her university thesis, based on a wood type alphabet from the 1930s she discovered in Leipzig. After digitizing the design, she went back to add special optical effects to convey the historical sense associated with printing from woodblock typefaces. The face has been broken into levels of apparent distress or bad inking, which may be used separately, together in a modular way, or layered. FF Kipp No 1 is the primary style and No 3 is the basic distressed style. FF Kipp No 2 and No 4 are reversed versions of No 1 and No 3 respectively. FF Kipp No 5 and No 6 include half-inked elements that can be added used for chromatic layering. FF Kipp No 7 contains only character width information. If you set a word in Kipp No 1 or 3, and wish to selectively add distress elements, make a duplicate text box exactly overlaid on the original word and change the typeface to either Kipp No 5 or No 6, or a combination. For characters that you do not wish to change, select Kipp No 7 (in the overlay box) and no changes will effect that character. You can then apply colors, screens and so on to the basic text or the overlay box to achieve a wide variety of visual effects.

FF Kipp has 7 Styles