FF Oneleigh

Reimagining the fanciful historicism of the 1920s.

Designed by Nick Shinn in 1999. Published by FontFont.

Starts at $39 for a single style and is available for:
120
Mix Zapf with Veljovic and get quirky Beziers. An inspired type designer can create tons of beauty using stick ink, quill, brush, pickaxe, buzz saw, or even strawberry jam.
70
Mix Zapf with Veljovic and get quirky Beziers. An inspired type designer can create tons of beauty using stick ink, quill, brush, pickaxe, buzz saw, or even strawberry jam.
40
Mix Zapf with Veljovic and get quirky Beziers. An inspired type designer can create tons of beauty using stick ink, quill, brush, pickaxe, buzz saw, or even strawberry jam.
25
Mix Zapf with Veljovic and get quirky Beziers. An inspired type designer can create tons of beauty using stick ink, quill, brush, pickaxe, buzz saw, or even strawberry jam.
18
Mix Zapf with Veljovic and get quirky Beziers. An inspired type designer can create tons of beauty using stick ink, quill, brush, pickaxe, buzz saw, or even strawberry jam.
12
Mix Zapf with Veljovic and get quirky Beziers. An inspired type designer can create tons of beauty using stick ink, quill, brush, pickaxe, buzz saw, or even strawberry jam.
120
Mix Zapf with Veljovic and get quirky Beziers. An inspired type designer can create tons of beauty using stick ink, quill, brush, pickaxe, buzz saw, or even strawberry jam.
70
Mix Zapf with Veljovic and get quirky Beziers. An inspired type designer can create tons of beauty using stick ink, quill, brush, pickaxe, buzz saw, or even strawberry jam.
40
Mix Zapf with Veljovic and get quirky Beziers. An inspired type designer can create tons of beauty using stick ink, quill, brush, pickaxe, buzz saw, or even strawberry jam.
25
Mix Zapf with Veljovic and get quirky Beziers. An inspired type designer can create tons of beauty using stick ink, quill, brush, pickaxe, buzz saw, or even strawberry jam.
18
Mix Zapf with Veljovic and get quirky Beziers. An inspired type designer can create tons of beauty using stick ink, quill, brush, pickaxe, buzz saw, or even strawberry jam.
12
Mix Zapf with Veljovic and get quirky Beziers. An inspired type designer can create tons of beauty using stick ink, quill, brush, pickaxe, buzz saw, or even strawberry jam.
Type to compare other characters
&
Regular
&
Bold
&
Black
&

FF Oneleigh supports up to 82 different languages such as Spanish, English, Portuguese, German, French, Turkish, Italian, Polish, Kurdish (Latin), Azerbaijani (Latin), Romanian, Dutch, Hungarian, Kazakh, Serbian (Latin), Czech, Swedish, Belarusian (Latin), Croatian, Slovak, Finnish, Danish, Lithuanian, Latvian, Slovenian, Irish, Estonian, Basque, Icelandic, and Luxembourgian in Latin and other scripts.

Please note that not all languages are available for all formats.

View all 82 languages

Ramée
Três Cervejeiros
Vasco Núñez
Boquébière
Gæðingur
Stößche

Languages

Please select a product:

Supports 50 different languages:

  • A
  • Afar
  • Afrikaans
  • Albanian
  • Asturian
  • B
  • Basque
  • Breton
  • C
  • Catalan
  • Cornish
  • Corsican
  • D
  • Danish
  • Dutch
  • E
  • English
  • F
  • Faroese
  • Fijian
  • Finnish
  • French
  • Frisian
  • Friulian
  • G
  • Gaelic (Scottish)
  • Galician
  • German
  • I
  • Icelandic
  • Indonesian
  • Irish
  • Italian
  • K
  • Kinyarwanda (Ruanda)
  • Kirundi (Rundi)
  • L
  • Ladin
  • Luxembourgian
  • M
  • Malay (Latin)
  • N
  • Norwegian
  • O
  • Occitan
  • Oromo (Afan, Galla)
  • P
  • Papiamentu
  • Portuguese
  • Q
  • Quechua
  • R
  • Rhaeto-Romance
  • S
  • Sardinian
  • Shona
  • Somali
  • Spanish
  • Swahili (Kiswahili)
  • Swedish
  • T
  • Tagalog
  • Tsonga
  • Tswana
  • U
  • Uighur
  • W
  • Walloon
  • X
  • Xhosa
  • Z
  • Zulu
View this style in detail
It’s impossible to contemplate your death objectively and still carry a tune.
— Woody Allen
The
Black
Phlegmatics
Subscript
| 167
| 167
Superscript
| 167
| 167
Fractions
| 135/167
| 135/167
Tabular Figures
| 167
| 167
Proportional Figures
| 167
| 167
Lining Figures
| 167
| 167
Changes figures from oldstyle to the default lining form.
Case-Sensitive Forms
| (H-o)
| (H-o)
Small Capitals From Capitals
| CAPS
| CAPS
Small Capitals
| Small
| Small
Turns lowercase letters into small caps.
Historical Forms
| hist
| hist
Standard Ligatures
| flfi
| flfi
Replaces a sequence of glyphs with a ligature. Active by default.
Ordinals
| 1a2o
| 1a2o
Replaces characters with ordinal forms for use after figures.
View this style in detail
Punctuation
!
"
#
%
&
'
(
)
*
,
-
.
/
:
;
?
@
[
\
]
^
_
`
{
}
¡
§
¨
¯
´
·
¸
¿
Uppercase
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Lowercase
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Phonetic Extensions
ə
Modifiers
ʻ
ʼ
ˆ
ˇ
˘
˙
˚
˛
˜
˝
Combining Diacritical Marks
̀
́
̂
̃
̄
̆
̇
̈
̊
̋
̌
̒
̓
̦
̧
̨
̵
̶
Ligatures
Currency
$
¢
£
¤
¥
Symbols
+
<
=
>
|
~
¬
±
×
÷
Decimal
0
1
2
3
4
5
6
7
8
9
Other
²
³
¹
¼
½
¾
Mathematical Operators
Superscripts and Subscripts
Number Forms
Miscellaneous
¦
©
®
°
Letterlike
Geometric Shapes
Lowercase
µ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ā
ă
ą
ć
ĉ
ċ
č
ď
đ
ē
ĕ
ė
ę
ě
ĝ
ğ
ġ
ģ
ĥ
ħ
ĩ
ī
ĭ
į
ı
ij
ĵ
ķ
ĸ
ĺ
ļ
ľ
ŀ
ł
ń
ņ
ň
ʼn
ŋ
ō
ŏ
ő
œ
ŕ
ŗ
ř
ś
ŝ
ş
š
ţ
ť
ŧ
ũ
ū
ŭ
ů
ű
ų
ŵ
ŷ
ź
ż
ž
ſ
ƒ
ƶ
ǻ
ǽ
ǿ
ș
ț
ȷ
Uppercase
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Þ
Ā
Ă
Ą
Ć
Ĉ
Ċ
Č
Ď
Đ
Ē
Ĕ
Ė
Ę
Ě
Ĝ
Ğ
Ġ
Ģ
Ĥ
Ħ
Ĩ
Ī
Ĭ
Į
İ
IJ
Ĵ
Ķ
Ĺ
Ļ
Ľ
Ŀ
Ł
Ń
Ņ
Ň
Ŋ
Ō
Ŏ
Ő
Œ
Ŕ
Ŗ
Ř
Ś
Ŝ
Ş
Š
Ţ
Ť
Ŧ
Ũ
Ū
Ŭ
Ů
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ż
Ž
Ə
Ƶ
Ǻ
Ǽ
Ǿ
Ș
Ț
Uppercase
Δ
Ω
Lowercase
μ
π

Nick Shinn is well-known within the type community for his provocative perspective on typographic history. He began designing FF Oneleigh with a look at the radical serif faces of the early 20th century: “During the early part of this century, prior to the ascendancy of sans serifs as the standard bearers of the avant garde, the leading edge types were oldstyles. Today, of course, their very outrageousness seems quaint, and their once daring construction has become too familiar to sustain interest. At the time, typefaces like Goudy’s Kennerly, Benton and Cleland’s Amsterdam Garamont and Koch’s Antiqua were truly radical. For the design of FF Oneleigh, I took a little inspiration from each of these, mixed with some ideas of my own. The main goal was to produce an ‘alternate history’ 1920s typeface, with lots of original letterforms and details, and considerably more roughage than the majority of today’s digital oldstyle revivals, or the slew of brand ‘new’ oldstyles. FF Oneleigh is based on the assumption that, then as now, it is quite possible to remain within the bounds of the oldstyle genre, and take sufficient liberties to create a genuinely different type.”

FF Oneleigh has 6 Styles