FF Quadraat supports up to 107 different languages such as Spanish, English, Portuguese, Russian, German, French, Turkish, Italian, Polish, Ukrainian, Uzbek, Kurdish (Latin), Azerbaijani (Latin), Azerbaijani (Cyrillic), Romanian, Dutch, Hungarian, Kazakh (Latin), Czech, Serbian (Cyrillic), Serbian (Latin), Bulgarian, Swedish, Belarusian (Latin), Belarusian (Cyrillic), Croatian, Finnish, Slovak, Danish, Lithuanian, Latvian, Slovenian, Irish, Estonian, Basque, Luxembourgian, and Icelandic in Latin, Cyrillic, and other scripts.
Please note that not all languages are available for all formats.
FF Quadraat was one of the founding typefaces of the early FontFont library. Like many of the designs that have been with us for decades, the story of FF Quadraat is a long and interesting one. Because of the success that FF Quaadrat achieved from the beginning, the family has organically become something of a super family. In 2011, the entire system was revised to make the typefaces function more efficiently with each other, as well as to work even better on their own.
FF Quadraat began as a small serif family, originally developed for the Dutch design company Quadraat (which since changed its name to “The Lab”). The initial FF Quadraat serif family . The typeface was born out of careful research in form and function, a combination of Renaissance elegance and contemporary thinking about construction and shaping. Upon its release as a modest four weight family in 1992, the confident and accomplished nature of FF Quadraat immediately established the then 31-year-old Fred Smeijers as a designer of some renown. Smeijers wanted the Quadraat family to be as economical as Times, but with less sparkle; as balanced as Plantin, but less static.
The resulting typeface is a wonderfully successful text typeface, with unassuming yet highly original character shapes. The first additions to Smeijers’s family were FF Quadraat Sans and FF Quadraat 2 (a new variant). While the concept of type families blurring classifications only caught on in the late 1980s, FF Quadraat Sans follows a trend from one of Smeijers’s fellow Dutch colleagues, Jan van Krimpen. Earlier in the 20th century, van Krimpen’s Romulus design was one of the first examples of a classic serif typeface to be augmented with a sans serif variant. FF Quadraat Sans is a striking design in its own right; a subtly stressed, dynamic sans with strong gestural shapes. This space-efficient typeface is well suited for both display setting and longer texts.
Extra styles were later added to the original serif variant of FF Quadraat and condensed faces to FF Quadraat Sans respectively. Simultaneously with FF Quadraat Sans Condensed came the Display versions—lively designs based on the serif bold italic and the sans condensed bold styles, reminiscent of the Dutch tradition of typographic and lettered book covers. FF Quadraat Headliner re-imagined the Condensed Sans by giving the letters a larger x-height to better meet the proportions of headline settings. These titling faces have a strong personality, but aren’t of the loud-mouthed, cartoonish variety. They strive for a sort of noticeability that has become quite rare. The final family extension before the 2011 revision was a Monospaced version for FF Quadraat Sans.
In 2011, almost two decades after its initial release, Fred Smeijers completely overhauled the Serif, Sans and Sans Condensed versions of FF Quadraat. After examining the original designs, many character shapes were revised and fine tuned. Three delicate Light weights were added to the Sans and Sans Condensed families as well as new Demi weights for all variants to bridge the gap between Regular and Bold. Black was added in 2012. Every single weight in Serif, Sans and Sans Condensed now has small caps and a Pro character set, which includes both Latin and Cyrillic Extended glyphs, adding support for about 100 languages. Finally, the descending tails of the K and R can now be found among the alternate glyphs.