FF Seria

Designed by Martin Majoor and Pascal Zoghbi in 2000. Published by FontFont as part of the FF Seria Super Family.

Starts at $69.00 for a single style and is available for:
Type to compare other characters
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Light
&
Regular
&
Bold
&
Black
&
120
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
70
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
40
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
25
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
18
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
12
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
120
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
70
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
40
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
25
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
18
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
12
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …

FF Seria® supports 85 different languages such as Arabic, Spanish, English, Portuguese, German and French in Other, Latin, Cyrillic, and Arabic scripts. (Please note that not all languages are available for all formats.)

View all 85 languages

Pabellón Criollo
Leitão à Bairrada
Käsespätzle
Calçotada

Languages

Please note that not all languages are available for all formats.

Common Languages

  • Arabic
  • Spanish
  • English
  • Portuguese
  • German
  • French

Other

  • A
  • Afar
  • F
  • Fijian
  • G
  • Gaelic (Scottish)
  • K
  • Kinyarwanda (Ruanda)
  • Kirundi (Rundi)
  • N
  • Norwegian
  • O
  • Oromo (Afan, Galla)
  • P
  • Papiamentu
  • Q
  • Quechua
  • S
  • Shona
  • Swahili (Kiswahili)
  • T
  • Tagalog
  • U
  • Uighur

Latin

  • A
  • Afrikaans
  • Albanian
  • Asturian
  • Azerbaijani (Latin)
  • B
  • Basque
  • Belarusian (Latin)
  • Bosnian (Latin)
  • Breton
  • C
  • Catalan
  • Chichewa
  • Cornish
  • Corsican
  • Croatian
  • Czech
  • D
  • Danish
  • Dutch
  • E
  • English
  • Esperanto
  • Estonian
  • F
  • Faroese
  • Finnish
  • French
  • Frisian
  • Friulian
  • G
  • Galician
  • German
  • Greenlandic
  • H
  • Hungarian
  • I
  • Icelandic
  • Indonesian
  • Irish
  • Italian
  • K
  • Karelian
  • Kurdish (Latin)
  • L
  • Ladin
  • Latin
  • Latvian
  • Lithuanian
  • Luxembourgian
  • M
  • Malagasy
  • Malay (Latin)
  • Maltese
  • Maori
  • O
  • Occitan
  • P
  • Polish
  • Portuguese
  • R
  • Rhaeto-Romance
  • Romani (Latin)
  • Romanian
  • S
  • Samoan
  • Sardinian
  • Serbian (Latin)
  • Slovak
  • Slovenian
  • Somali
  • Sorbian, Upper
  • Spanish
  • Swedish
  • T
  • Tahitian
  • Tsonga
  • Tswana
  • Turkish
  • W
  • Walloon
  • Welsh
  • Wolof
  • X
  • Xhosa
  • Z
  • Zulu

Cyrillic

  • K
  • Kazakh
  • T
  • Turkmen

Arabic

  • A
  • Arabic
  • P
  • Persian
  • U
  • Urdu
The
Black
Phlegmatics
Standard Ligatures
flfi flfi
Terminal Forms
Type Type
Isolated Forms
ع ع
Initial Forms
type type
Historical Forms
hist hist
Required Ligatures
ï»» ï»»
Medial Forms
ﻌ ﻌ
Substitutes a special form of letters between other letters in words. (Required in various non-Latin scripts like Arabic)
Tabular Figures
167 167
Oldstyle Figures
167 167
Lining Figures
167 167
Fractions
135/167 135/167
Superscript
167 167
Subscript
167 167
Proportional Figures
167 167
Changes figures with tabular widths to figures with proportional widths.
Case-Sensitive Forms
(H-o) (H-o)
Small Capitals
Small Small
Small Capitals From Capitals
CAPS CAPS
Turns caps (and sometimes also numerals and punctuation) into small caps. Mostly used together with Small Capitals feature to get an all-small caps setting.
Ordinals
1a2o 1a2o
Replaces characters with ordinal forms for use after figures.
View this style in detail
Some people mistake clarity and common sense for aggression.
— Richard Dawkins
View this style in detail
Punctuation
!
"
#
%
&
'
(
)
*
,
-
.
/
:
;
?
@
[
\
]
^
_
`
{
}
¡
§
¨
¯
´
·
¸
¿
Uppercase
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Lowercase
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Phonetic Extensions
ə
Modifiers
ʻ
ʼ
ˆ
ˇ
˘
˙
˚
˛
˜
˝
Combining Diacritical Marks
̀
́
̂
̃
̄
̆
̇
̈
̊
̋
̌
̒
̦
̧
̨
Ligatures
Currency
$
¢
£
¤
¥
Symbols
+
<
=
>
|
~
¬
±
×
÷
Decimal
0
1
2
3
4
5
6
7
8
9
Other
²
³
¹
¼
½
¾
Mathematical Operators
Superscripts and Subscripts
Number Forms
Miscellaneous
¦
©
®
°
Letterlike
Arrows
Technical
Geometric Shapes
Dingbats
Lowercase
µ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ā
ă
ą
ć
ĉ
ċ
č
ď
đ
ē
ĕ
ė
ę
ě
ĝ
ğ
ġ
ģ
ĥ
ħ
ĩ
ī
ĭ
į
ı
ij
ĵ
ķ
ĸ
ĺ
ļ
ľ
ŀ
ł
ń
ņ
ň
ʼn
ŋ
ō
ŏ
ő
œ
ŕ
ŗ
ř
ś
ŝ
ş
š
ţ
ť
ŧ
ũ
ū
ŭ
ů
ű
ų
ŵ
ŷ
ź
ż
ž
ſ
ƒ
ƶ
ǻ
ǽ
ǿ
ș
ț
ȷ
Uppercase
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Þ
Ā
Ă
Ą
Ć
Ĉ
Ċ
Č
Ď
Đ
Ē
Ĕ
Ė
Ę
Ě
Ĝ
Ğ
Ġ
Ģ
Ĥ
Ħ
Ĩ
Ī
Ĭ
Į
İ
IJ
Ĵ
Ķ
Ĺ
Ļ
Ľ
Ŀ
Ł
Ń
Ņ
Ň
Ŋ
Ō
Ŏ
Ő
Œ
Ŕ
Ŗ
Ř
Ś
Ŝ
Ş
Š
Ţ
Ť
Ŧ
Ũ
Ū
Ŭ
Ů
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ż
Ž
Ə
Ƶ
Ǻ
Ǽ
Ǿ
Ș
Ț
Uppercase
Δ
Ω
Lowercase
μ
π

Martin Majoor’s first sketches of FF Seria started in 1996 while on the train from Berlin to Warsaw. As a book designer FF Scala often gave him difficulty because the short ascenders and descenders produced a very “stubby” look inappropriate for literary books and poetry. To counteract this, FF Seria was drawn with especially long ascenders and descenders and very fine detailing. Seeing how well other designers combined FF Scala and FF Scala Sans, Majoor decided from the outset to make a sans version within the Seria family. Like the serif version, FF Seria Sans has extremely long ascenders and descenders – quite distinctive for a sans serif face. Critical reception to FF Seria was positive, too. In addition to receiving an ISTD Award in 2001, the typeface was included in the ATypI’s list of the best designs of the previous decade at its 2001 bukva:raz! contest and exhibition. In 2009, an Arabic version was added to the Serif version, developed by Lebanese designer Pascal Zoghbi. It was originally published as part of the first Typographic Matchmaking project, organized by the Khatt Foundation. The quality of this Majoor–Zoghbi collaboration was so high that FontFont chose the design to be its first Arabic typeface release. FF Seria Arabic is a young, crisp type based on the Nasekh style. The typeface also functions independently as a modern Arabic design. FF Seria Arabic includes basic Latin (Western) and Arabic character sets. Since FF Seria does not have any Light and Black variants, the FF Seria Arabic Light includes FF Seria Regular Western characters instead, while FF Seria Arabic Black contains the Western characters of FF Seria Bold. Type designer and font engineer Hasan Abu Afash created the OpenType layout features necessary to properly lay out the Arabic script on a typographical level.

FF Seria® has 6 Styles