Givens Antiqua

Designed by George Ryan. Published by Monotype in 2007.

Starts at $89.00 for a single style and is available for:
Light
Light Italic
Regular
Italic
Bold
Bold Italic
Black
120
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
70
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
40
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
25
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
18
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
12
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
120
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
70
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
40
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
25
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
18
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
12
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.

Givens Antiqua supports 112 different languages such as Spanish, English, Portuguese, German and French in Latin scripts. (Please note that not all languages are available for all formats.)

View all 112 languages

Strauß
Citroën
Brøgger
Valéry
Herbjørnsrud
Åkerlund

Languages

Please note that not all languages are available for all formats.

Common Languages

  • Spanish
  • English
  • Portuguese
  • German
  • French

Latin

  • A
  • Afrikaans
  • Albanian
  • Aragonese
  • Arumanian
  • Arvanitika (Latin)
  • Asturian
  • B
  • Baraba Tatar
  • Basque
  • Bats (Latin)
  • Belarusian (Latin)
  • Bislama
  • Bosnian (Latin)
  • Breton
  • C
  • Catalan
  • Chamorro
  • Chichewa
  • Cook Islands Maori
  • Crimean Tatar (Latin)
  • Croatian
  • Czech
  • D
  • Danish
  • Dutch
  • E
  • English
  • Esperanto
  • Estonian
  • F
  • Faroese
  • Finnish
  • Franco-Provencal
  • French
  • Frisian
  • Frisian, East
  • Frisian, North
  • Frisian, West
  • Friulian
  • G
  • Gagauz (Latin)
  • Galician
  • German
  • Greenlandic
  • Greenlandic (pre-1973)
  • H
  • Hawaiian
  • Hungarian
  • I
  • Icelandic
  • Indonesian
  • Interlingua
  • Irish
  • Istro-Romanian
  • Italian
  • J
  • Juhuri (Latin)
  • K
  • Karaim (Latin)
  • Kashubian
  • Kazan Tatar (Latin)
  • Kurdish (Latin)
  • Kurmanji
  • L
  • Ladin
  • Ladino (Latin)
  • Latin
  • Latvian
  • Lithuanian
  • Low German
  • Luxembourgian
  • M
  • Malagasy
  • Malay (Latin)
  • Maltese
  • Manx Gaelic
  • Maori
  • Marshallese
  • Moldavian (Latin)
  • N
  • Norwegian, Bokmål
  • Norwegian, Nynorsk
  • O
  • Occitan
  • P
  • Pilipino (Tagalog)
  • Polish
  • Portuguese
  • Portunhol
  • R
  • Rhaeto-Romance
  • Romani (Latin)
  • Romanian
  • Romansch
  • S
  • Sami, Inari
  • Sami, Lule
  • Sami, Northern
  • Sami, Southern
  • Sami, Ume
  • Sardinian
  • Scottish Gaelic
  • Serbian (Latin)
  • Slovak
  • Slovenian
  • Somali
  • Sorbian, Lower
  • Sorbian, Upper
  • Sotho, Northern
  • Sotho, Southern
  • Spanish
  • Swedish
  • T
  • Tahitian
  • Tongan
  • Tsakhur (Latin)
  • Tsez (Latin)
  • Tsonga
  • Tswana
  • Turkish
  • U
  • Ubykh
  • V
  • Vepsian
  • Våmhusmål
  • W
  • Walloon
  • Welsh
  • Wolof
  • X
  • Xhosa
  • Y
  • Yapese
  • Z
  • Zulu
  • Ä
  • Älvdalska
Lining Figures
167 167
Oldstyle Figures
167 167
Proportional Figures
167 167
Superscript
167 167
Tabular Figures
167 167
Fractions
135/167 135/167
Replaces figures separated by a slash with 'common' (diagonal) fractions.
Small Capitals From Capitals
CAPS CAPS
Small Capitals
Small Small
Case-Sensitive Forms
(H-o) (H-o)
Shifts punctuation up to a position that works better with all-caps text.
Standard Ligatures
flfi flfi
Terminal Forms
Type Type
Substitutes a special form of a letter occurring at the end of a word. (Common in Latin connecting scripts, and required in various non-Latin scripts like Arabic)
Ordinals
1a2o 1a2o
Replaces characters with ordinal forms for use after figures.
The pen is mightier than the sword, and considerably easier to write with.
— Marty Feldman
Punctuation
Uppercase
Lowercase
Modifiers
Ligatures
Currency
Symbols
Decimal
Other
Mathematical Operators
Superscripts and Subscripts
Number Forms
Miscellaneous
Letterlike
Geometric Shapes
Lowercase
Uppercase
Uppercase
Lowercase
Punctuation

Drawn by George Ryan and named after Robert Givens, the co-founder and first president of Monotype Imaging, the Givens Antiqua™ typeface speaks with elegance and subtle authority. The design's open proportions, generous x-height and soft serifs lend Givens Antiqua a gracious quality that invites reading."I didn't work from any single design model," Ryan recalls. "The face grew out of my experimenting with several characters from a hand-lettered headline in a magazine. I worked on the shapes and forms for some time before I put the drawings in a drawer." At that point Ryan had finished the basic alphabet in two weights, but had not yet tackled the italics.A new project came along that demanded his full attention, and it was two years before he revisited the drawings. He liked what he saw and decided to finish the job."The italics were the most problematic designs in the family," says Ryan, "but once I had their basic shapes and proportions, the rest was basically a production project." Another year of sketching, testing, editing and reworking characters ensued before Givens Antiqua was ready for release.The result is a four-weight family of roman designs and small caps, with complementary italics for the lightest three weights and a suite of swash caps for the italic designs. Givens Antiqua and Givens Antiqua Light show a modest stroke weight stress and a light, even text color. Givens Antiqua Bold is an effective emphasizer for text copy and an authoritative communicator at display sizes. The Black weight performs best at large sizes and makes a powerful statement without shouting, while the italic swash capitals possess enough vitality to serve as standalone initial letters.