Cloister Open Face

Designed by Linotype Design Studio in 1984. Published by Linotype.
Originally designed by Morris Fuller Benton in .

Starts at $35 for a single style and is available for:
120
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
70
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
40
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
25
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
18
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
12
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.

Cloister Open Face supports up to 50 different languages such as Spanish, English, Portuguese, German, French, Italian, Dutch, Swedish, Finnish, Danish, Irish, Basque, Luxembourgian, and Icelandic in Latin and other scripts.

Please note that not all languages are available for all formats.

View all 50 languages

Jääkarhu
Écureuil
Råtta
Armiño
Siebenschläfer
Bjørn
Leão

Languages

Supports 50 different languages:

  • A
  • Afar
  • Afrikaans
  • Albanian
  • Asturian
  • B
  • Basque
  • Breton
  • C
  • Catalan
  • Cornish
  • Corsican
  • D
  • Danish
  • Dutch
  • E
  • English
  • F
  • Faroese
  • Fijian
  • Finnish
  • French
  • Frisian
  • Friulian
  • G
  • Gaelic (Scottish)
  • Galician
  • German
  • I
  • Icelandic
  • Indonesian
  • Irish
  • Italian
  • K
  • Kinyarwanda (Ruanda)
  • Kirundi (Rundi)
  • L
  • Ladin
  • Luxembourgian
  • M
  • Malay (Latin)
  • N
  • Norwegian
  • O
  • Occitan
  • Oromo (Afan, Galla)
  • P
  • Papiamentu
  • Portuguese
  • Q
  • Quechua
  • R
  • Rhaeto-Romance
  • S
  • Sardinian
  • Shona
  • Somali
  • Spanish
  • Swahili (Kiswahili)
  • Swedish
  • T
  • Tagalog
  • Tsonga
  • Tswana
  • U
  • Uighur
  • W
  • Walloon
  • X
  • Xhosa
  • Z
  • Zulu
The
Black
Phlegmatics
Superscript
167 167
Fractions
135/167 135/167
Replaces figures separated by a slash with 'common' (diagonal) fractions.
Standard Ligatures
flfi flfi
Replaces a sequence of glyphs with a ligature. Active by default.
Ordinals
1a2o 1a2o
Replaces characters with ordinal forms for use after figures.
I love nature but I just do not want to get any of it on me
— Woody Allen
Punctuation
!
"
#
%
&
'
(
)
*
,
-
.
/
:
;
?
@
[
\
]
^
_
`
{
}
¡
§
¨
¯
´
·
¸
¿
Uppercase
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Lowercase
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Modifiers
ˆ
ˇ
ˉ
˘
˙
˚
˛
˜
˝
Ligatures
Currency
$
¢
£
¤
¥
Symbols
+
<
=
>
|
~
¬
±
×
÷
Decimal
0
1
2
3
4
5
6
7
8
9
Other
²
³
¹
¼
½
¾
Mathematical Operators
Miscellaneous
¦
©
®
°
Letterlike
Geometric Shapes
Lowercase
µ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ı
ł
œ
š
ž
ƒ
Uppercase
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Þ
Ł
Œ
Š
Ÿ
Ž
Uppercase
Ω
Lowercase
μ
π

Cloister Open Face was designed in 1929 by Morris Fuller Benton as one weight of the Cloister Old Style family. Cloister itself appeared from 1897 with American Type Founders, and later for the typesetting machines of the Linotype, Intertype and Monotype companies. At that time, it was the truest modern industrial revival of the Jensonian Roman. Benton stayed close to the style of his model in both design and spacing. Cloister Open Face has an old-world elegance, and it works well for titling in books and magazines.In 1458, Charles VII sent the Frenchman Nicolas Jenson to learn the craft of movable type in Mainz, the city where Gutenberg was working. Jenson was supposed to return to France with his newly learned skills, but instead he traveled to Italy, as did other itinerant printers of the time. From 1468 on, he was in Venice, where he flourished as a punchcutter, printer and publisher. He was probably the first non-German printer of movable type, and he produced about 150 editions. Though his punches have vanished, his books have not, and those produced from about 1470 until his death in 1480 have served as a source of inspiration for type designers over centuries. His Roman type is often called the "first true Roman." Notable in almost all Jensonian Romans is the angled crossbar on the lowercase e, which is known as the "Venetian Oldstyle e."

Cloister Open Face has 1 Style