PLATE GOTHIC

Designed by Monotype Design Studio. Published by Monotype in 1900

Starts at $35.00 for a single style and is available for:

Around the turn of the twentieth-century, Steel and copper plate engraving was the most sophisticated and expensive method for producing business cards, stationery, and formal announcements. In engraved printing, the image is incised, or engraved into a hard, flat plate. Ink is applied to the plate, and then wiped off; leaving only the ink that is trapped below the surface in the incised areas. When the paper is pressed against the flat plate, the ink is drawn out of these areas and transferred to the paper. The results are twofold: printing which sits above the surface of the paper, and the reproduction very delicate lines and shapes.For business and formal printing, engraved printing was, and is, considered the best. The problem is that not everybody can afford the best.Type foundries, in the early 1900s, figured that if they could produce a typeface for traditional printing, which had appearance of engraving, they would be able to satisfy the needs of those forced to live with modest printing budgets. Engravers faces were born. Fredric Goudy¿s Copperplate Gothic was one of the most popular.Plate Gothic is a version of this style updated for digital technology. It has all the charm and charisma as the metal type and yet is perfect for today¿s needs.

Two Four
Two Four Italic
Three Four
Three Four Italic
One Three
One Three Italic
Four
Four Italic
One Two
One Two Italic
Two Four Bold
Three Four Bold
Four Bold
One Three Bold
One Two Bold
120
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
70
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
40
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
25
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
18
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
12
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
120
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
70
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
40
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
25
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
18
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
12
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.

Plate Gothic supports 71 different languages such as Spanish, English, Portuguese, German and French in Latin scripts. (Please note that not all languages are available for all formats.)

View all 71 languages

Tambëloriz
Éclair
Bethmännchen
Ensaïmada
Öçpoçmaq
Rönttönen
Prinsesstårta
Laufabrauð
Koldskål

Languages

Please note that not all languages are available for all formats.

Common Languages

  • Spanish
  • English
  • Portuguese
  • German
  • French

Latin

  • A
  • Afrikaans
  • Albanian
  • Arvanitika (Latin)
  • Asturian
  • B
  • Baraba Tatar
  • Bats (Latin)
  • Bislama
  • Breton
  • C
  • Catalan
  • Chamorro
  • Crimean Tatar (Latin)
  • D
  • Danish
  • Dutch
  • E
  • English
  • Estonian
  • F
  • Faroese
  • Finnish
  • Franco-Provencal
  • French
  • Frisian
  • Frisian, East
  • Frisian, North
  • Frisian, West
  • Friulian
  • G
  • Galician
  • German
  • Greenlandic
  • I
  • Icelandic
  • Indonesian
  • Interlingua
  • Irish
  • Italian
  • J
  • Juhuri (Latin)
  • K
  • Karaim (Latin)
  • Kazan Tatar (Latin)
  • Kurdish (Latin)
  • Kurmanji
  • L
  • Ladin
  • Low German
  • Luxembourgian
  • M
  • Malagasy
  • Malay (Latin)
  • Manx Gaelic
  • N
  • Norwegian, Bokmål
  • Norwegian, Nynorsk
  • O
  • Occitan
  • P
  • Pilipino (Tagalog)
  • Portuguese
  • R
  • Rhaeto-Romance
  • Romani (Latin)
  • Romansch
  • S
  • Sami, Southern
  • Sami, Ume
  • Samoan
  • Scottish Gaelic
  • Serbian (Latin)
  • Somali
  • Sotho, Northern
  • Sotho, Southern
  • Spanish
  • Swedish
  • T
  • Tahitian
  • Tongan
  • Tsakhur (Latin)
  • Tsez (Latin)
  • Tsonga
  • Tswana
  • W
  • Walloon
  • X
  • Xhosa
  • Y
  • Yapese
  • Z
  • Zulu
Superscript
167 167
Fractions
135/167 135/167
Replaces figures separated by a slash with 'common' (diagonal) fractions.
Standard Ligatures
flfi flfi
Replaces a sequence of glyphs with a ligature. Active by default.
Ordinals
1a2o 1a2o
Replaces characters with ordinal forms for use after figures.
The urge for good design is the same as the urge to go on living.
— Harry Bertola
Punctuation
Uppercase
Lowercase
Modifiers
Ligatures
Currency
Symbols
Decimal
Other
Mathematical Operators
Miscellaneous
Letterlike
Geometric Shapes
Lowercase
Uppercase
Uppercase
Lowercase

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