Rosewood

Designed by Carl Crossgrove, Carol Twombly and Kim Buker Chansler in 1994. Published by Adobe.

Starts at $29 for a single style and is available for:
Regular
120
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
70
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
40
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
25
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
18
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
12
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.

Rosewood supports up to 50 different languages such as Spanish, English, Portuguese, German, French, Italian, Dutch, Swedish, Finnish, Danish, Irish, Basque, Icelandic, and Luxembourgian in Latin and Other scripts.

Please note that not all languages are available for all formats.

View all 50 languages

Faisão
Straußwachtel
Dvärgkanadagås
Geai des chênes
Chajá Añuma
Røde junglehøns

Languages

Please select a product:

Supports 112 different languages:

  • A
  • Adyghe
  • Afar
  • Afrikaans
  • Albanian
  • Asturian
  • Aymara
  • Azerbaijani (Latin)
  • B
  • Basque
  • Belarusian (Cyrillic)
  • Belarusian (Latin)
  • Bosnian (Latin)
  • Breton
  • Bulgarian
  • C
  • Catalan
  • Chechen (Cyrillic)
  • Chichewa
  • Cornish
  • Corsican
  • Croatian
  • Czech
  • D
  • Danish
  • Dutch
  • E
  • English
  • Erzya
  • Esperanto
  • Estonian
  • F
  • Faroese
  • Fijian
  • Finnish
  • French
  • Frisian
  • Friulian
  • G
  • Gaelic (Scottish)
  • Galician
  • German
  • Greek
  • Greek Polytonic
  • Greenlandic
  • Guaraní
  • H
  • Hungarian
  • I
  • Icelandic
  • Indonesian
  • Ingush
  • Irish
  • Italian
  • J
  • Japanese
  • K
  • Kabardian
  • Kalmyk
  • Karachay-Balkar
  • Karelian
  • Kazakh
  • Kinyarwanda (Ruanda)
  • Kirghiz
  • Kirundi (Rundi)
  • Kumyk
  • Kurdish (Latin)
  • L
  • Ladin
  • Lak
  • Latin
  • Latvian
  • Lezgi
  • Lithuanian
  • Luxembourgian
  • M
  • Macedonian
  • Malagasy
  • Malay (Latin)
  • Maltese
  • Maori
  • Moksha
  • Mongolian (Cyrillic)
  • N
  • Norwegian
  • O
  • Occitan
  • Oromo (Afan, Galla)
  • P
  • Papiamentu
  • Polish
  • Portuguese
  • Q
  • Quechua
  • R
  • Rhaeto-Romance
  • Romani (Latin)
  • Romanian
  • Russian
  • Rusyn
  • Rutul
  • S
  • Samoan
  • Sardinian
  • Serbian (Cyrillic)
  • Serbian (Latin)
  • Shona
  • Slovak
  • Slovenian
  • Somali
  • Sorbian, Upper
  • Spanish
  • Swahili (Kiswahili)
  • Swedish
  • T
  • Tabasaran
  • Tagalog
  • Tahitian
  • Tatar
  • Tsonga
  • Tswana
  • Turkish
  • Turkmen
  • U
  • Uighur
  • Ukrainian
  • Uzbek
  • V
  • Vietnamese
  • W
  • Walloon
  • Welsh
  • Wolof
  • X
  • Xhosa
  • Z
  • Zulu
Fractions
135/167 135/167
Superscript
167 167
Replaces character with superscript version.
Ordinals
1a2o 1a2o
Replaces characters with ordinal forms for use after figures.
The heart is the chief feature of a functioning mind.
— Frank Lloyd Wright
Punctuation
Uppercase
Lowercase
Modifiers
Ligatures
Currency
Symbols
Decimal
Other
Mathematical Operators
Miscellaneous
Letterlike
Geometric Shapes
Lowercase
Uppercase
Uppercase
Lowercase

Rosewood font, like its relatives Zebrawood, Pepperwood and Ponderosa, was created by the designer trio K.B. Chansler, C. Crossgrove and C. Twombly, and has its roots in the slab serif style. The first weight displays the simplicity typical of display typefaces at the end of the 18th century. The other weights are playful variations on this theme. The tendency toward display and ornametal typefaces began with the English Industrial Revolution. The introduction of new machines made mass production possible in the print industry, a technique meant to constantly produce new and unusual products to sell to more and more consumers. Many of the typefaces created in this time were meant simply to catch attention and to advertise products. The two ornamental weights of Rosewood reflect this tendency and never fail to catch the reader's eye. Rosewood, like Zebrawood and Schwennel, is a bicolor font, meaning that the weight Rosewood fill can be used as a decoration for the inner spaces of Rosewood regular.

Rosewood has 1 Style