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Introducing Rosella™

One City, One Wall, Two Fonts

October 02, 2017 by
FontShop Team
FontShop Team

The division in postwar Berlin was evident not only in the presence of the wall, the street signs on either side bore two different typefaces. As the wall came down, Verena Gerlach and Ole Schäfer captured and documented the designs and from this, the FF City Style Volume was born. In celebration of the Day of German Unity, the FF City Street Type Volume is on sale.

Introducing The Wolpe Collection

September 25, 2017 by
FontShop Team
FontShop Team

Back in the late 1930s the innovative and somewhat unknown designer, Berthold Wolpe created five completely distinct typefaces, Albertus, Fanfare, Pegasus, Tempest and Sachsenwald. Revived and remastered for the digital age by Toshi Omagari and his team from The Monotype Studio, we are delighted to introduce, The Wolpe Collection.

Five Questions with Marconi Lima

September 18, 2017 by
FontShop Team
FontShop Team

We caught up Marconi Lima, founder of Typefolio and highly experienced Graphic Designer and Art Director, last week to find out about his design process and what he enjoys outside the world of letters.

Introducing FF Signa Round

August 10, 2017 by
FontShop Team
FontShop Team

The award-winning FF Signa super family has a new member, FF Signa Round. Ole Søndergaard took the characterful shapes and distinct proportions of FF Signa Sans and reworked them into a warm and inviting typeface that works well for text and display copy.

How to find a suitable text font?

August 04, 2017 by
Peter Glaab
Peter Glaab

Searching for the right font for a text-intensive design project can feel like trying to solve a riddle. This is because the requirements for a suitable font are actually much more complex than it seems at first glance – and the almost endless number of available fonts doesn’t make the decision any easier, either. But don’t worry: with the right questions and a few criteria, your search will be a success. The focus of this article is fonts for typesetting.