1920s

Aldous Vertical is a headline typeface designed by Walter Huxley in 1935. The Aldous Vertical font is a monoline all-capitals design, good for logos and titling.

FF Bauer Grotesk breathes new digital life into the metal type “Friedrich Bauer Grotesk”, a 1933 release by the Trennert & Sohn type foundry in Hamburg Altona, Germany. Its geometric construction infused with an art déco zeitgeist tied to the era, is closely related to such famous German designs as Futura, Erbar, Kabel and Super Grotesk which a few years earlier. Bauer Grotesk stands out by... Read More

The first cuts of Kabel appeared in 1927, released by the German foundry Gebr. Klingspor. Like many of the typefaces that Rudolf Koch designed for printing use, Kabel is a carefully constructed and drawn. The basic forms were influenced by the Ancient Roman stone-carved letters, which consisted of just a few pure and clear geometric forms, such as circles, squares, and triangles. Koch also... Read More

ITC Golden Type® is a revival of a typeface designed in the late nineteenth century by William Morris, who was a great Victorian designer, poet, artist, craftsman, social reformer, and printer. In his search for a solid and pure letterform to use in his private press editions, he was inspired by the roman types in books printed by Nicolas Jenson in the fifteenth century. The type he designed,... Read More

Avenida was created by architect and designer John Chippindale in 1994 and is a constructed typeface that leaves a cool, sophisticated impression. John Chippindale based Avenida's design on the lettering styles he found on buildings constructed in the 1930s and 1940s in Spain's Aldalucian region. The elegant Avenida is reminiscent of the show and movie advertisements from the 1920s, and has a... Read More

A delicate narrow sans serif face with an apparent even weight, it is characterized by low cross strokes extended to the left.

Willow font was designed by Tony Forster, a fanciful font in the Viennese Secessionist style. The work of Scottish architect Charles Rennie Mackintosh inspired this condensed sans serif typeface with its rough edges and selection of alternate and ligature characters. Willow font revives the look of the arts and crafts of the late 19th and early 20th centuries.

Mekanik font is the work of British artist David Quay and as the name suggests, this geometric typeface reflects the simplicity of mechanical sans serif type design. It is an echo of the type styles developed by the Soviet Constructivists in the early 1920s. Mekanik font is excellent for use where a feeling of precision and strength is desired.

Colonna is an inline roman typeface with some very elegant letterforms, based on artwork obtained by Stanley Morison during 1926 as part of a program to increase the range of display faces in the Monotype library. The letters of the Colonna font have an inscriptional feel about them, figures are non-ranging. Originally developed as an advertising face, Colonna is at its best when used in large... Read More

Modified Gothic is an art deco titling face developed by the Linotype Design Studio. This typeface includes the following features: letterforms drawn with a monoweight line, a relatively narrow character base, proportionally altered "small caps" in lieu of a lower case, and a distinctly round feeling.Use Modified Gothic anytime you need to evoke the spirit of the roaring 20s! Modified Gothic... Read More

Breeze is a fun font from Frank Marciuliano where the letters are formed like the sails from the boat. He may have been inspired from the sailboats which he sees on the walks along the shore on the Hudson River. There are two forms available. Left and right define the direction of the blowing wind.

Dolmen font revives the look of the 1920s and suggests all the glamour and culture of the jazz age. Dolmen can be used in all capital or upper and lower case settings and gives any work an Art Deco look.

Based on Roman inscriptions, Classic Roman is an all-capitals headline typeface with many similarities to Trajan. The Classic Roman font is an elegant choice for headlines for both classical and contemporary products.

ITC Vintage is a collaborative effort by California designer Holly Goldsmith and Ilene Strizver. It was inspired by several character shapes found in an all caps headline from a 1915 magazine advertisement. Working under Strizver's art direction, Goldsmith sketched the remaining caps in pencil on vellum, revised them, and after scanning them, added the final adjustments in Fontographer. It... Read More

ITC Luna is the work of Japanese designer Akira Kobayashi. He turned to the designs of the 1930s for his inspiration for both ITC Luna and ITC Silvermoon. "Luna is designed to fill the gap between a pure Art Deco display face and an ordinary text face," says Kobayashi. "It has an Art Deco style but is still fairly easy to read. It can be used in short passages of text. As for individual... Read More

Carlton is based on a typeface designed by Prof. F. H. Ehmcke. In 1908, Ehmcke released his Ehmcke-Antiqua design through the Flinsch typefoundry in Germany. Ehmcke-Antiqua was later distributed by the Bauer typefoundry in Frankfurt am Main.The Caslon Letter Foundry in England discovered the design and released their own typeface based upon the model, which they named Carlton. Carlton entered... Read More