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ATypI Bukva:raz! 2001 Award Winners | FontShop
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ATypI Bukva:raz! 2001 Award Winners

Last edited December 08, 2014

Bukva:raz! was a special contribution of ATypI to the United Nations Year of Dialogue Among Civilizations (2001). The competition was officially announced at the general meeting of ATypI in Leipzig, on 24 September 2000. It was organised on behalf of ATypI by the Type Designers Association, a professional society based in Moscow, which unites the best type design professionals of Russia. The international panel of bukva:raz! consisted of well-known typographic experts: Matthew Carter, Henrik Mnatsakanyan, Yuri Gherchuk, Fiona Ross, Akira Kobayashi, Vladimir Yefimov, Lyubov’ Kuznetsova, Maxim Zhukov.

The judging of bukva:raz! took place in Moscow, Russia, on 1 and 2 December 2001. Entries were selected for their design excellence and displayed in the catalogue of the winning designs – Language Culture Type – along with an exhibition of the winners at the 2002 annual conference of ATypI in Rome. In 2002, ATypI produced a major book on international type design: Language Culture Type: International Type Design in the Age of Unicode, edited by John D. Berry, designed by Maxim Zhukov, and published by Graphis. Language Culture Type was a landmark publication in the long history of type and printing. No other book had taken such a consciously global approach to the way written communication is reproduced around the world.

At the heart of the book are the one hundred winning type designs from ATypI’s first-ever international type competition, bukva:raz! The winning typefaces are presented clearly and spaciously, along with information about each face, its language/script, and its designer. The book not only shows the winners but puts them in context, with a series of essays on various alphabets and writing systems, and the constraints and opportunities involved in designing type for them.

replay
conceptional
Careful tiny grass is dreaming

Caflisch Script was designed by Robert Slimbach in 1993. The design is based on the handwriting of Max Caflisch, one of the foremost graphic designers of this century. Caflisch, a teacher of graphic arts for over three decades in Zurich, is author of several books on typography and designer of the 1952 Columna typeface. Caflisch´s handwriting has a free flowing yet disciplined character, the... Read More

mystic
abstractions
Courage is grace under pressure

Linotype Ergo was designed by American Gary Munch, and was a winner in Linotype's Second International Digital Design Contest in 1997. Conceived as a blend of traditional and modern type concepts, it works as a legible text family as well as a lively display or headline font. The word ergo means "consequently," but it also comes from the Greek word "ergon" for "work." Consequently, Munch sees... Read More

always
zygapophysis
With lactic acid juice flavor

German designer Jürgen Weltin designed Linotype Finnegan, a modern text design with roots in the humanist letterforms of the Renaissance. As the recognizable direction of movement in writing runs from upper left to lower right, Weltin mimicked this in his design: Linotype Finnegan's up and down strokes end in residual serifs. All of the thick strokes have a taper; horizontal strokes and curves... Read More

always
microphysics
Marry in haste, repent at leisure

ITC Golden Cockerel font is based on designs created by Eric Gill in 1929 for the Gold Cockerel Press in England. These elegant and meticulously crafted typefaces were inspired by and modeled on Gill's skills of stone carving, calligraphy and wood engraving. The typeface family includes ITC Golden Cockerel Roman, Italic, Titling, and Initials and Ornaments.

grapes
illustrative
Don’t drink a car under alcohol

ITC Golden Cockerel font is based on designs created by Eric Gill in 1929 for the Gold Cockerel Press in England. These elegant and meticulously crafted typefaces were inspired by and modeled on Gill's skills of stone carving, calligraphy and wood engraving. The typeface family includes ITC Golden Cockerel Roman, Italic, Titling, and Initials and Ornaments.

vortex
abstractions
Don’t drink a car under alcohol

Giacometti Letter is a fun design by Sine Bergmann and Leonore Poth. It has a rough, handwritten-looking style that is perfect for informal communications. The letters are light and narrow similar to her thin figures in the Pi font "Giacometti." When combining Giacometti Letter with other fonts, try using "Jump" - another of Sine's designs - which contrasts well since is it wider and bolder.

always
wunderkinder
Stay hungry, stay foolish

FF Kievit explores the synthesis of the sans serif form to the structure and proportions of a traditional Renaissance Roman such as Garamond or Granjon. Work began on the typeface in 1995 when Mike Abbink was a student at Art Center in California. The family spans nine weights and includes small caps, true italics, and multiple figure sets – everything necessary for creating sophisticated... Read More

vortex
guitarfishes
Take luggage of foreigner no charge

In designing Minion font, Robert Slimbach was inspired by the timeless beauty of the fonts of the late Renaissance. Minion was created primarily as a traditional text font but adapts well to today's digital technology, presenting the richness of the late baroque forms within modern text formats. This clear, balanced font is suitable for almost any use.

always
enthusiastic
Please handle with cake

In designing Minion font, Robert Slimbach was inspired by the timeless beauty of the fonts of the late Renaissance. Minion was created primarily as a traditional text font but adapts well to today's digital technology, presenting the richness of the late baroque forms within modern text formats. This clear, balanced font is suitable for almost any use.

safety
japanophilia
Please take care of the bamboo

Myriad® was designed in 1992 by Robert Slimbach, Carol Twombly, and the design staff at Adobe Systems. It's a humanist sans serif typeface, meaning that the forms are primarily based on classic romans, much like conventional or classic serifed fonts but without the serifs. Myriad also has subtle geometric shaping and monotone color, balanced by varying letter widths and open counter shapes. A... Read More

replay
conceptional
Danger! Dinosaur area, keep out

Rayuela (Argentine Spanish for Hopscotch) is inspired by the homonymous novel by celebrated Argentinian writer Julio Cortázar, whose writings are considered key to 20th century avant-garde literature. Rayuela is the result of a 2-year working process, at two postgraduate courses followed by Alejandro Lo Celso at the University of Reading, UK (1999-2000) and later at the ANRT Atelier National de... Read More

winter
zygapophysis
Stay hungry, stay foolish

Rayuela (Argentine Spanish for Hopscotch) is inspired by the homonymous novel by celebrated Argentinian writer Julio Cortázar, whose writings are considered key to 20th century avant-garde literature. Rayuela is the result of a 2-year working process, at two postgraduate courses followed by Alejandro Lo Celso at the University of Reading, UK (1999-2000) and later at the ANRT Atelier National de... Read More

safety
japanophilia
If you're going through hell, keep walking

Linotype Really, designed by Gary Munch, is a typeface family of six weights with italics and small capitals that offers a broad palette of expressions to draw from, sensibly light to brightly stentorian. The moderate-to-strong contrast of the vertical to horizontal strokes recalls the Transitional and Modern styles of Baskerville and Bodoni, and the subtly obliqued axis of the stoke weight... Read More

grapes
fiddlesticks
Palace explodes diced chicken

Really No. 2 is a redesign and update of Linotype Really, a typeface that Gary Munch first designed in 1999. The new Really No. 2 offers seven weights (Light to Extra Bold), each with an Italic companion. Additionally, Really No. 2 offers significantly expanded language support possibilities. Customers may choose the Really No. 2 W1G fonts, which support a character set that will cover Greek... Read More

brandy
wunderkinder
Miscellaneous bacteria pot monsters

Waters Titling is the work of lettering artist Julian Waters, a multiple master typeface of classical calligraphic roman capitals. This broad-tipped pen design is related to other historically-based titling alphabets but offers a wider range of weights and widths, making it extremely versatile for movie titles, book jackets, posters, banners, calendars, etc. Waters Titling is based on the... Read More

František Štorm
ITC 2000
Robert Slimbach
Adobe 1993
Gary Munch
Linotype 1997
Jürgen Weltin
Linotype 1997
Dave Farey, Eric Gill, Justin Howes, Richard Dawson and William Caslon
ITC 1929
Dave Farey, Eric Gill, Justin Howes, Richard Dawson and William Caslon
ITC 1929
Sine Bergmann
Linotype 2008
Michael Abbink and Paul van der Laan
FontFont 2001
Robert Slimbach
Adobe 1992
Robert Slimbach
Adobe 1992
Carol Twombly and Robert Slimbach
Adobe 1992

Adobe
Sebastian Kempgen
MacCampus 2004
Vladimir Pavlikov
ParaType

PampaType

PampaType
Gary Munch
Linotype 1999
Gary Munch
Linotype 1999
Tagir Safayev
ParaType

Adobe
Ronna Penner
Bitstream 2000
Luc(as) de Groot
LucasFonts
Julian Waters
Adobe 1997