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Serif

Hieu Nguyen
S
Last edited November 05, 2023
replay
zygapophysis
Grandiose inhabitation project

Modern typefaces refer to designs that bear similarities to Bodoni and other Didone faces, which were first created during the late 1700s. Ed Benguiat developed ITC Modern No. 216 in 1982 for the International Typeface Corporation (ITC). Showing a high degree of contrast between thick and thin strokes, as well as a large x-height, this revival is more suited to advertising display purposes than... Read More

Quatro Slab Mark Caneso ps.type 2012
Grant Avenue
Christian Robertson Betatype 2008
grapes
enthusiastic
One step ahead to civilization

FF Amman was designed in both Latin and Arabic and is one of the very few bi-script families where both the Arabic and the Latin characters were concurrently drawn from scratch by the same designer. It’s also the first typeface of its kind to contain “true Arabic italics,” instead of the much more common oblique versions often paired with the Arabic script. The unconventional family includes... Read More

winter
guitarfishes
Braise in soy, burnt sneak away

Neo Contact is the typeface used on the packaging of Marlboro cigarettes (Marlboro "Reds," the main line of the brand). The typeface is bold and condensed, designed in the Egyptienne style. Egyptienne types were first designed in the 1800s, as type founders - especially in the westward-expanding United States - began to dream up newer, bolder styles of letters for advertising usage. During the... Read More

chalet
fiddlesticks
Smile, It confuses people

Stratford Bold is a slab serif with sloping serifs on the ascending terminals of b, d, h, k and l.

Volt
Ramiz Guseynov TipografiaRamis
mystic
conceptional
Danger! Dinosaur area, keep out

Rockwell font appeared with Monotype Design Studio in 1934, a time which saw the return to popularity of slab serif fonts. Rockwell's strong and harmonious characters make this font particularly flexible.

jungle
zygapophysis
Misery loves bacon and cheese

Albertus Nova, by Toshi Omagari, takes the most distinctive aspects of the original Albertus design – sharp, flaring serifs modeled on letters chiseled from bronze – expands the original character set to include most Western and many Eastern European languages, in addition to Cyrillic and Greek, all across five weights ranging from thin to black. A faithful digital revival of Berthold Wolpe’s... Read More

Edward Benguiat
ITC 1982
Gareth Hague
Alias 1998
Jim Parkinson
Parkinson
Jim Parkinson
Parkinson
Cosimo Lorenzo Pancini and Andrea Tartarelli
Zetafonts 2019
Jeremy Dooley
insigne 2016
Eleisha Pechey
Bitstream
Jorge Cisterna
Latinotype 2018
Veneta Rangelova
Deartype
Sale
Eli Hernández
Latinotype 2020
Leslie Usherwood
International TypeFounders 1992

René Bieder
Luca Terzo
Italiantype
Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli
Zetafonts 2019
Nasir Udin
Nasir Udin
Alfin Weniardi
Fype Co
Anwar Patihan
Jehoo Creative 2021
Luc(as) de Groot
LucasFonts
Emil Karl Bertell, Teo Tuominen and Erik Bertell
Fenotype
Mark Caneso
ps.type 2012
Christian Robertson
Betatype 2008
Elena Genova
My Creative Land 2020
Jim Parkinson
Parkinson 2003
Sale
César Araya and Latinotype Team
Latinotype 2020
Georg Trump
Bitstream 2016
Sale
Daniel Hernández and Rodrigo Fuenzalida
Latinotype 2019
Yanone
FontFont 2010
American Type Founders
Linotype 1955

Monotype
Ramiz Guseynov
TipografiaRamis

Kostic
Tomi Haaparanta
Suomi
Holly Goldsmith and Alan Dague-Greene
MVB 2002
Michael Hochleitner and Franziska Weitgruber
Typejockeys
Monotype.Design Studio
Monotype 1934
Berthold Wolpe and Toshi Omagari
Monotype 1940
Toshi Omagari
Tabular Type Foundry
Charles Gibbons
Bitstream 2000
Tim Ahrens
Just Another Foundry
František Štorm
ITC 2000
Emil Karl Bertell
Fenotype 2023
Mike Beens
IHOF
Matthew Carter
Carter & Cone Type Inc. 2022
Elena Genova
My Creative Land
Connary Fagen
Connary Fagen 2022
Oswald Bruce Cooper
Bitstream 1920