Klimagold

FF Cocon’s designer, Evert Bloemsma (1958–2005) described it as a “serious typeface.” Despite first impressions, the description holds up well. Since its 2001 release, FF Cocon has been used in an astoundingly wide variety of design applications. At large sizes, FF Cocon works as a display face, with beautiful detailing. And at small sizes, it remains surprisingly readable. The lowercase... Read More

If you were a grotesque in mid-20th-century Switzerland, you were expected to be serious and proper, if a little dull. Unlike its dogmatic Modernist predecessors, Formular is a hip Swiss sans serif of the new generation. Inspired by the utilitarian 19th-century grotesques, its precision and and versatility are combined with a slightly eccentric character. A child of its time, it scoffs at the... Read More

Based on square forms, FF QType successfully walks the difficult line between pure geometry and legibility. Achaz Reuss used his years of type design experience to flesh out a concept that could have been, in the hands of a student or amateur, a much less useful result. Five subfamilies make up the whole (Compressed, Condensed, Semi Extended, Extended and Square) each in five weights (Extra... Read More

FF Marselis mixes geometric and humanistic models, creating a freshly dynamic sans serif family. All of the apertures in the typeface are wide open; this aids readers’ eyes quickly flow across lines of text, without experiencing hang-ups. Certain superfluous strokes have been eliminated – b and q are spurless, for instance. The letterforms’ diagonals all bow outwards slightly, adding flavor to... Read More

FF Blur is from FontFont’s earliest period, made in 1991 by British designer Neville Brody. The typeface was developed by blurring a grayscale image of an existing grotesque and then vectorizing what remained. Though deceptively simple, his process was imitated widely afterward, with mediocre results. Notwithstanding the knock-offs, FF Blur entered the zeitgeist of early and mid-1990s design,... Read More

Alan Meeks designed the Candice typeface in 1976. A groovy swirl of a font, Candice looks like an ice cream sundae topped with whipped cream. Candace is often seen on album covers, and has come to be associated with innumerable party hits from the 1970s. One thing is for sure: Candice is a child of it's times - flashy, lively, and fun!

Plaza is the work of British designer Alan Meeks, an Art Deco sans serif style. It includes many alternative characters which offer endless possibilities. Plaza is ideal for work in which a feel of the 1920s or 30s is desired.