Discover legacy content from FontShop.com, preserved for your reference.

Blakk Flag Radio | FontShop
Please update your browser. Why?

Blakk Flag Radio

Mario kupcevsky
B
Last edited January 21, 2020
jungle
zygapophysis
Rabbits be cuddly or nutritious

English designer David Quay created the Agincourt font in 1983. Drawn after the Old English style of type, Agincourt features intricate capitals, which complement the more reserved, slightly condensed lowercase. Agincourt is perfect for use on certificates, greeting cards, or anything that should have an historical appearance.

SG Gotisch SB Stephenson Blake Elsner+Flake
chalet
japanophilia
The best things in life are furry

Fette Gotisch font is an interpretation of Gothic scripts in the style of the 19th century. During this time, the individualistics handwritings of the past were used to create and define new broken letter forms. This style has heavily influenced the designs of the majority of today's broken letter fonts. The strong appearance of Fette Gotisch made it popular as a typeface for emphasizing text.

always
illustrative
Sunshade with the firm crust

Sachsenwald was digitized for the first time for The Wolpe Collection. An updated and subtly modified version of Berthold Wolpe’s original 1930s blackletter design, it is softer and lighter than traditional gothic typefaces. Drawn by Toshi Omagari as part of The Wolpe Collection, the reimagined design benefits from regular and light weights. Sachsenwald creates distinctive headlines and is at... Read More

Guillemet Johan Mosse Die Gestalten 2011
safety
microphysics
I doubt, therefore I could be

Textur Gotisch is a real historic blackletter that contains a wide variety of ligatures and offers in with the Lombardic letters a sacral style. Ideal for documents like certificates for mediaeval games.

rocket
guitarfishes
No tails in the disorder please

Jan Middendorp described FF Brokenscript in his book Dutch Type (2004) thus: “It is a study in Fraktur, or blackletter, possibly inspired by Gerrit Noordzij’s extensive writings on the subject.” One of the first blackletter typefaces in the FontFont library, the design takes cues from the early textura scribal tradition. The letterforms have been somewhat updated however, especially the... Read More

jungle
wunderkinder
Go ahead, make my day

“Typography is what brought me to graphic design,” says FF Karo designer Martin L’Allier. “I played with typefaces before exploring the world of images.” In an introductory type design course offered during his second year of college, he designed the first version of FF Karo (then called Wisigoth and Ostrogoth). A quote from Matthew Carter was the inspiration for L’Allier’s project: “Black... Read More

safety
fiddlesticks
Do not empty your dog here

The Vtg Stencil series of fonts from astype are based on real world stencils. Vtg Stencil Germany No. 101 is modeled after historic stencil plates from Bavaria. These stencils are a unique find. The unevenness of the single plates suggest that they were not produced industrially. The design itself, a blackletter chancery, is a romantic reprise of a style that was common in German writing... Read More

David Quay
ITC 1983
Stephenson Blake
Elsner+Flake
Friedrich Wilhelm Bauer
Linotype 1875
Johannes Wagner and E+F Design Studio
Elsner+Flake 1911
Philip Bouwsma
Monotype
Berthold Wolpe and Toshi Omagari
Monotype 1936
Johan Mosse
Die Gestalten 2011
Roland John Goulsbra
Linotype 2002
Just van Rossum
FontFont 1991
Featured
Tim Ahrens
Just Another Foundry 2010
Gert Wiescher
Wiescher Design 2005
Michael Doret
Alphabet Soup 2013
Martin L'Allier
FontFont 2005
Sale
Daniel Hernández
Latinotype
Gisela Will and Günther Flake
Elsner+Flake 1993
Andreas Seidel
astype 2014