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EuroSans Alternatives

See also: Patacio

Noah Nazir
E
Last edited August 08, 2018
mystic
guitarfishes
Whatever you are, be a good one

Éric de Berranger likes to multitask, and often works on two typeface families at once. Such was the case with Mosquito, a jaunty sans that was developed at the same time he was creating the more traditional Maxime. "Mosquito represented a sort of recreation," says de Berranger. "When I grew tired of working on one design I could work on the other and then come back to the first, full of... Read More

vortex
ultraviolets
Sunshade with the firm crust

Zemestro is a straightforward design that is meant to be read. According to its designer, Dave Farey, "There's nothing calligraphic about it, and there are no defining or identifiable single characters -- it's just clean and simply constructed."Farey's goal was to create a more legible and friendlier typeface than those limited to single character and stroke widths. The face finds its... Read More

rocket
illustrative
Please do not get over it

Linotype Textra™ is a clever twist on the sans serif genre, designed by Jochen Schuss and Jörg Herz in 2002. Schuss says this about Linotype Textra: "Two in one! The same Linotype Textra, which is so neutral and practical for long text passages turns into an eye-catching headline type when used in larger point sizes. The trick? It's all in the details. The type's clear, robust forms give it a... Read More

replay
illustrative
Fly chair shaking his head

Check also: Rounded Fonts

vortex
enthusiastic
Remember to pillage before you burn

Check also: Personal Collection

The typeface FF Transit is a highly legible design that works well for readers who need quick orientation while en route. Made to blend... Read More

DF Hei Traditional Chinese
DynaComware Design Studio DynaComware
always
bureaucratic
Piglet rising and falling in front

The impetus behind Felbridge was both ambitious and highly practical: to develop an ideal "online" typeface for use in web pages and electronic media. Robin Nicholas, the family's designer, explains, "I wanted a straightforward sans serif with strong, clear letterforms which would not degrade when viewed in low resolution environments." Not surprisingly, the design also performs exceptionally... Read More

vortex
enthusiastic
With lactic acid juice flavor

The Azbuka™ typeface family has its roots in a fairly pedestrian source. “The idea came in part from an old sign in London that read ‘SPRINKLER STOP VALVE’,” says Dave Farey, designer of the typeface. Like all good sign spotters, Farey took a photograph of the sign and filed it away for possible use in a lettering or typeface design project. In Prague a number of years later, the street signs... Read More

winter
japanophilia
Please do not chase slapstick

The Slate typeface family melds superb functionality and aesthetic elegance into a remarkable communications tool. Few typefaces possess the beauty and power of this design.Slate is the work of Rod McDonald, an award-winning typeface designer and lettering artist. At one point in his forty-year career, McDonald participated in a typeface legibility and readability research project conducted by... Read More

always
enthusiastic
Sunshade with the firm crust

Check also: Patacio

The aim with this enhancement of Hans Reichel’s mega-popular FF Dax typeface was to balance the contrast so that the letters would work... Read More

rocket
bureaucratic
Stuff in palm treasure crayfish

ITC Tabula is meant to be read. The design grew out of a study to create a font to set film subtitles. According to Julien Janiszewski, the face's Paris-based designer, “I set parameters for the design whereby the letters had to be able to hold up at very small sizes when set on film and yet must be able to be enlarged 2000 times to be read on a theatre screen.”The subtitle font was not... Read More

always
bureaucratic
All children have brain damage

Check also: Fonts for Apps

brandy
enthusiastic
The grass is smiling at you

Check also: Serifsiz

The first cuts of Trade Gothic were designed by Jackson Burke in 1948. He continued to work on further weights and styles until 1960... Read More

safety
guitarfishes
With lactic acid juice flavor

When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was intended as a workhorse typeface for business correspondence. But the typeface proved popular in many more areas than correspondence. Erik Spiekermann, ITC Officina's designer: "Once ITC Officina got picked up by the trendsetters to denote 'coolness,' it had lost... Read More

chalet
illustrative
Marinated fish balls rice noodles

Ingrid Liche began designing Liant Medium in 1976 for the packaging of the natural cosmetic company Weleda AG in Germany. Since then the typeface has defined the corporate identity of Weleda worldwide, and because of this company’s prestige, the look to the entire natural cosmetic and biologically oriented industry. Because of a change in artistic direction in 1994, the mother company in... Read More

safety
wunderkinder
Advocate using civilization language

Check also: Blender Alternative

The design of FF Chambers Sans is inspired by very divergent sources. In fact, during its development, designer Verena Gerlach had two... Read More

Éric de Berranger
Monotype 2002
Dave Farey
Monotype 2003
Jochen Schuss and Jörg Herz
Linotype 2002
Morris Fuller Benton and E+F Design Studio
Elsner+Flake 1908
Andrea Tinnes
primetype 2006
Jos Buivenga
exljbris 2008
MetaDesign
FontFont 1997
Saku Heinänen
Typolar 2010
Bo Berndal
Monotype 1991
DynaComware Design Studio
DynaComware
Robin Nicholas
Monotype 2010
Ole Schäfer
primetype 2002
Dave Farey and Richard Dawson
Monotype 2008
Rod McDonald
Monotype 2006
Hans Reichel
FontFont 2005
Julien Janiszewski
ITC 2001

GarageFonts
Gareth Hague
Alias 2003
Jackson Burke
Linotype 1948

Elsner+Flake
Erik Spiekermann and Ole Schäfer
ITC 1990
Ingrid Liche
FontFont 1995

Elsner+Flake
Verena Gerlach
FontFont 2008