Discover legacy content from FontShop.com, preserved for your reference.

Proxima Nova Alternatives | FontShop
Please update your browser. Why?

Proxima Nova Alternatives

See also: ISTD 2014 Award Winners

Noah Nazir
Last edited August 08, 2018

Proxima Nova (2005) straddles the gap between typefaces like Futura and Akzidenz Grotesk. The result is a hybrid that combines modern proportions with a geometric appearance. Mark Simonson originally released it in 1994 as Proxima Sans (now discontinued). He expanded the original six fonts (three weights with italics) into a full-featured and versatile family of 42 fonts (seven weights in three widths with italics). In the last few years, Proxima Nova has become one of the most popular web fonts, in use on thousands of websites around the world.

always
hypothenuses
Houston, we have a problem

Check also: Rounded Fonts

chalet
guitarfishes
Stop, I do not eat junk mail

Check also: inno font

FF Kievit explores the synthesis of the sans serif form to the structure and proportions of a traditional Renaissance Roman such as... Read More

grapes
zygapophysis
With lactic acid juice flavor

Check also: Maybe

On the way back to the airport from the 1994 ATypI conference in San Francisco, Albert-Jan Pool... Read More

jungle
illustrative
Funny is an attitude

Check also: Popular Tattoo Fonts

FF Mark is one of the most iconic geometric sans serif typefaces of our time. Created by German type designers Hannes von Döhren,... Read More

safety
japanophilia
Oppressed people tend to be witty

Check also: ALCYONE LOGO

Typefaces without serifs were known in nineteenth-century England as Grotesque (or Grotesk in German) because they seemed so unusual to... Read More

brandy
guitarfishes
Help oneself terminating machine

Check also: Uniwidth Typefaces

This lively sans combines plain shapes with calligraphic touches. FF Sanuk’s roman letterforms are clean and crisply drawn, but their... Read More

Ikiru Sans Boris Dworschak Die Gestalten 2008
vortex
abstractions
Advocate using civilization language

FF Ginger was designed as an alternative to the widely-used Crillee and Serpentine faces, which are especially popular for their bold italic variants. They express speed and strength and are popular choices for service industry logos, television productions, etc. FF Ginger’s Light weight and matching Icons extend the typographic scope of the narrow use cases seen in the other two. The... Read More

winter
japanophilia
Rabbits be cuddly or nutritious

Check also: Personal Collection

Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original... Read More

mystic
bureaucratic
Who loves me, loves my dog too

Check also: Blender Alternative

The design of FF Chambers Sans is inspired by very divergent sources. In fact, during its development, designer Verena Gerlach had two... Read More

replay
guitarfishes
Do not empty your dog here

“Schulbuch” is German for “school book.” This series of small type families named after regions in Germany shows geographic nuance: FF Schulbuch Nord for northern Germany, FF Schulbuch Süd for southern Germany, and FF Schulbuch Bayern for the state of Bavaria. Each of the three includes Regular and Bold weights. The typefaces themselves were drawn by Just van Rossum. The letterforms are based... Read More

mystic
wunderkinder
Law prohibits underwater smoking

Check also: Cultivar

Soho is the latest addition to the growing range of typefaces from Sebastian Lester. This grand opus of a project resulted in a typeface... Read More

replay
hypothenuses
Dogs have owners, cats have staff

FF Zine is a fine example of Berlin-based designer Ole Schäfer’s logic. Art Directors often have trouble finding coordinated typefaces across several different styles. The design began with a related project. In 1996, Schäfer drew a two-weight headline face for Dresden’s Sächsische Zeitung newspaper. The brief called for a display system offering multiple “atmospheres.” The solution he came up... Read More

always
enthusiastic
Sarcasm is more a shield than a lance

Similar in design to Franklin Gothic, News Gothic was one of a number of sans serif faces manufactured by American Type Founders in the early years of the twentieth century. Initially cut as a light sans, heavier versions were made in the 1940s and 50s along with some condensed weights. The News Gothic font family offers an uncomplicated design that is well suited for use in newspapers and... Read More

winter
conceptional
Courage is grace under pressure

Check also: Geometric Sans Serif Fonts

FF Super Grotesk draws from a 1930s design by Arno Drescher, easily the most popular sans serif in use in East Germany – the GDR’s... Read More

vortex
wunderkinder
No burning enter this place

FF Enzo is a vigorous Scandinavian sans. Drawn by Swedish designer Tobias Kvant, the family comes in five weights from Thin to Black, each complete with companion italic. Inspired by past and present type styles, the face achieves a unique look; this mix of various sans serif design currents creates a quite contemporary, lively texture. The design features a high x-height with particularly... Read More

Jos Buivenga
exljbris 2008
Adrian Frutiger, Akira Kobayashi, Nadine Chahine, Anuthin Wongsunkakon, Monotype.Design Studio, Yanek Iontef, Toshi Omagari, Aleksei Chekulaev, Akaki Razmadze and Elena Papassissa
Linotype 2003
Michael Abbink and Paul van der Laan
FontFont 2001
Albert-Jan Pool
FontFont 1995
Hannes von Döhren, Christoph Koeberlin and FontFont Type Department
FontFont 2006
Robert Trogman
Bitstream

Elsner+Flake
Steve Matteson, Frank Hinman Pierpont, Monotype.Design Studio and Frank
Monotype 1926
Xavier Dupré
FontFont 2006
Boris Dworschak
Die Gestalten 2008
Walter Baum and Konrad Friedrich Bauer
Elsner+Flake 1957
Jürgen Huber
FontFont 2002

Elsner+Flake
Akira Kobayashi, Aldo Novarese, Linotype Design Studio and Terrance Weinzierl
Linotype 2008
Verena Gerlach
FontFont 2008
Just van Rossum
FontFont 1991
GarageFont Design
GarageFonts
Scangraphic
Elsner+Flake
Andrea Tinnes
primetype 2006
Sebastian Lester
Monotype 2008
Ole Schäfer
FontFont 2001
Morris Fuller Benton
Monotype 1908
Ole Schäfer
primetype 2002
Svend Smital
FontFont 1999
Ole Schäfer
primetype 2004
Günther Flake and Veronika Elsner
Elsner+Flake 2000
Maximiliano Giungi
Bitstream 2006
Tobias Kvant
FontFont 2008
Ole Schäfer
primetype 2002