Serif: Bracketed Modern Display

Noah Nazir

Last edited August 15, 2018

These (mostly Angloamerican) typefaces in the “Modern” or “Didone” class of serifs have a high contrast — though often less so than Bodoni and its relatives — and are further distinguished by their bracketed serifs. Though not usually classified as slab serifs, they are closely related in structure to Clarendons and Ionics. This style of Modern type was popular in the 1800s and is seeing a resurgence today, especially in newspapers.

The typefaces on this page, with their delicate hairlines and showy details, are best suited for display settings and headlines. See this set for text options.

See also Extra Bold Didone.

$Math is easy, design is hard$

The Handel Gothic™ typeface has been a mainstay of graphic communication for over 40 years - all the while looking as current as tomorrow. Designed by Don Handel in the mid-1960s, and used in the 1973 United Airlines logo developed by Saul Bass, Handel Gothic was an instant success when released to the graphic design community. Its generous lowercase x-height, full-bodied counters and square... Read More

Modern typefaces refer to designs that bear similarities to Bodoni and other Didone faces, which were first created during the late 1700s. Ed Benguiat developed ITC Modern No. 216 in 1982 for the International Typeface Corporation (ITC). Showing a high degree of contrast between thick and thin strokes, as well as a large x-height, this revival is more suited to advertising display purposes than... Read More