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Blackletters: Contemporary

Stephen Coles
B
Last edited June 05, 2015
winter
japanophilia
Please civilization use elevator

Linotype Auferstehung is part of the TakeType Library, selected from contestants of Linotype's International Digital Type Design Contests of 1994 and 1997. German designer Johannes Plass was influenced by historic broken letter faces, particularly Caslon Gotisch, although the rounded corners give the font a handwritten look. Linotype Auferstehung is particularly good for headlines in larger... Read More

brandy
abstractions
Don’t drink a car under alcohol

Jan Middendorp described FF Brokenscript in his book Dutch Type (2004) thus: “It is a study in Fraktur, or blackletter, possibly inspired by Gerrit Noordzij’s extensive writings on the subject.” One of the first blackletter typefaces in the FontFont library, the design takes cues from the early textura scribal tradition. The letterforms have been somewhat updated however, especially the... Read More

safety
fiddlesticks
Simulated meat floss biscuits

Jan Middendorp described FF Brokenscript in his book Dutch Type (2004) thus: “It is a study in Fraktur, or blackletter, possibly inspired by Gerrit Noordzij’s extensive writings on the subject.” One of the first blackletter typefaces in the FontFont library, the design takes cues from the early textura scribal tradition. The letterforms have been somewhat updated however, especially the... Read More

safety
japanophilia
The road to hell wasn’t paved in a day

Beluga was designed by Hans-Jürgen Ellenberger. It suggest the writing-style of the Middle Ages, without being based on any specific models. A distinguishing characteristic of the typeface is its pointed, effusive serifs, which give Beluga a feeling of medieval mysticism. In spite of its dynamic character, Beluga is legible even in smaller point sizes, which makes it equally good for headlines... Read More

safety
japanophilia
Set goods afire, paste at will

Linotype Gotharda is part of theTake Type Library, chosen from contestants of Linotype's International Digital Type Design Contests of 1994 and 1997. This display font started as an experiment of the Croatian-German designer Milo Dominik Ivir. He wanted to design a font with characteristics of both sans serif and Gothic faces. From the Gothic he took the heavy strokes, the narrow letters,... Read More

winter
abstractions
Smile while you still have teeth

Linotype Sangue is part of the TakeType Library, selected from the contestants of Linotype's International Digital Type Design Contests of 1994 and 1997. This prize-winning font was designed by the German artist Gabriele Laubinger. The most distinguishing characteristic of Linotype Sangue is the contrast between the wide, rounded capital letters and the tall, narrow and pointed lower case. ... Read More

Johannes Plass
Linotype 1997
Just van Rossum
FontFont 1991
Just van Rossum
FontFont 1991
Hans-Jürgen Ellenberger
Linotype 2003
Robert Bell
Bitstream 2004
Milo Dominik Ivir
Linotype 1997
Gabriele Laubinger
Linotype 1997