https://cms-prod.monotype.com/sites/default/files/styles/top_hat_banner_1000_124_/public/2023-12/12%20Day%20Of%20Type%20-%20Day%202_152.png?itok=piuC88g3
Please update your browser. Why?
Manfred Klein

Manfred Klein

Manfred Klein and Just van Rossum
FontFont 1992
3 styles from $39.99
Manfred Klein
FontFont 1991
1 style from $39.99
Manfred Klein
Elsner+Flake 1994
1 style from $35
Manfred Klein
Elsner+Flake
2 styles from $35
Manfred Klein
Elsner+Flake
1 style from $35
Manfred Klein
Elsner+Flake
1 style from $35
Manfred Klein
Elsner+Flake 1994
1 style from $35
Manfred Klein
Elsner+Flake
1 style from $35
Manfred Klein
Elsner+Flake 1994
1 style from $35
Manfred Klein
Elsner+Flake
1 style from $35
Manfred Klein
Elsner+Flake
1 style from $35
Manfred Klein
Elsner+Flake 1991
2 styles from $35
Manfred Klein
FontFont 1991
3 styles from $29.99
Manfred Klein
FontFont 1994
3 styles from $29.99
Manfred Klein
FontFont 1991
1 style from $39.99
Manfred Klein
FontFont 1994
1 style from $39.99
Manfred Klein
FontFont 1991
1 style from $39.99
Manfred Klein
Elsner+Flake 1992
2 styles from $35
View all 30 font families
Just van Rossum

Just van Rossum

Just van Rossum (1966) studied Graphic and Typographic Design at the Royal Academy for Fine and Applied Arts in The Hague, Holland. Van Rossum started to collaborate with Erik van Blokland under the name LetTeRror in Berlin, while working at MetaDesign, Erik Spiekermann's design studio. After experimenting with computer programming in connection to type design, they came up with Beowolf, the first typeface with a mind of its own. It was released by FontShop in May, 1990. The radical approach of Beowolf caused a lot of publicity for LeTterRor, and of course fame and fortune. Some other...
Read More >

Manfred Klein lives in Frankfurt and for decades was a type setter and worked in advertising before he became involved in creating typefaces. Today he makes faces that are very much his own, with little influence from other people’s designs. These he does with all sorts of digital equipment: scanners, pressure sensitive graphic trays as well as misconfiguration filters in programs such as Adobe Illustrator or Photoshop. On the side he also writes about type design in a variety of publications.