Aquinas

Designed by David Quay. Published by ITC in 1989.

Starts at $45.00 for a single style and is available for:
Regular
120
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
70
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
40
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
25
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
18
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
12
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.

Aquinas supports 107 different languages such as Spanish, English, Portuguese, German and French in Latin scripts. (Please note that not all languages are available for all formats.)

View all 107 languages

Pigæble
Nénuphar
Garten-Löwenmaul
Påskelilje
Pavão flor

Languages

Please note that not all languages are available for all formats.

Common Languages

  • Spanish
  • English
  • Portuguese
  • German
  • French

Latin

  • A
  • Afrikaans
  • Albanian
  • Aragonese
  • Arumanian
  • Arvanitika (Latin)
  • Asturian
  • B
  • Baraba Tatar
  • Basque
  • Bats (Latin)
  • Belarusian (Latin)
  • Bislama
  • Bosnian (Latin)
  • Breton
  • C
  • Catalan
  • Chamorro
  • Chichewa
  • Cook Islands Maori
  • Crimean Tatar (Latin)
  • Croatian
  • Czech
  • D
  • Danish
  • Dutch
  • E
  • English
  • Esperanto
  • Estonian
  • F
  • Faroese
  • Finnish
  • Franco-Provencal
  • French
  • Frisian
  • Frisian, East
  • Frisian, North
  • Frisian, West
  • Friulian
  • G
  • Gagauz (Latin)
  • Galician
  • German
  • Greenlandic
  • H
  • Hawaiian
  • Hungarian
  • I
  • Icelandic
  • Indonesian
  • Interlingua
  • Irish
  • Istro-Romanian
  • Italian
  • J
  • Juhuri (Latin)
  • K
  • Karaim (Latin)
  • Kashubian
  • Kazan Tatar (Latin)
  • Kurdish (Latin)
  • Kurmanji
  • L
  • Ladin
  • Ladino (Latin)
  • Latvian
  • Lithuanian
  • Low German
  • Luxembourgian
  • M
  • Malagasy
  • Malay (Latin)
  • Maltese
  • Manx Gaelic
  • Maori
  • Marshallese
  • Moldavian (Latin)
  • N
  • Norwegian, Bokmål
  • Norwegian, Nynorsk
  • O
  • Occitan
  • P
  • Pilipino (Tagalog)
  • Polish
  • Portuguese
  • Portunhol
  • R
  • Rhaeto-Romance
  • Romani (Latin)
  • Romanian
  • Romansch
  • S
  • Sami, Inari
  • Sami, Lule
  • Sami, Southern
  • Sami, Ume
  • Samoan
  • Scottish Gaelic
  • Serbian (Latin)
  • Slovak
  • Slovenian
  • Somali
  • Sorbian, Lower
  • Sorbian, Upper
  • Sotho, Northern
  • Sotho, Southern
  • Spanish
  • Swedish
  • T
  • Tahitian
  • Tongan
  • Tsakhur (Latin)
  • Tsez (Latin)
  • Tsonga
  • Tswana
  • Turkish
  • U
  • Ubykh
  • V
  • Vepsian
  • Våmhusmål
  • W
  • Walloon
  • X
  • Xhosa
  • Y
  • Yapese
  • Z
  • Zulu
  • Ä
  • Älvdalska
Superscript
167 167
Fractions
135/167 135/167
Replaces figures separated by a slash with 'common' (diagonal) fractions.
Ordinals
1a2o 1a2o
Replaces characters with ordinal forms for use after figures.
Standard Ligatures
flfi flfi
Replaces a sequence of glyphs with a ligature. Active by default.
Case-Sensitive Forms
(H-o) (H-o)
Shifts punctuation up to a position that works better with all-caps text.
Hätte die Natur so viele Gesetze wie der Staat, Gott selbst könnte sie nicht regieren.
— Ludwig Börne
Punctuation
Uppercase
Lowercase
Modifiers
Ligatures
Currency
Symbols
Decimal
Mathematical Operators
Uppercase
Lowercase
Lowercase
Letterlike
Geometric Shapes

Aquinas was designed by David Quay in 1989. It is distinguished by the contrast between its upright, generous capitals and its narrow, slanted lower case letters which look almost like italics. The combination of these so different alphabets creates an opportunity to give texts an unusual yet elegant look. Aquinas is suitable for both running text and headlines and should be used in point sizes of 10 or larger. The lyrical and sophisticated feel of Aquinas makes it a particularly good typeface for poems, songs and other artistic texts.

Aquinas has 1 Style