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FF Cst Berlin East

Designed by Verena Gerlach and Ole Schäfer in 2000. Published by FontFont.

Starts at $39 for a single style and is available for:
Showing for FF CST Berlin East by Alexandra Schwarzwald
Showing for FF CST Berlin East by Alexandra Schwarzwald
Type to compare other characters
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Regular
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Medium
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Bold
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Original Regular
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120
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
70
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
40
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
25
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
18
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
12
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
120
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
70
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
40
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
25
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
18
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.
12
J’ai vu un punk afghan et deux clowns aux Monsieur Jack. Où l'obèse jury mûr? Mon pauvre zébu ankylosé choque deux fois ton wagon jaune.

FF Cst Berlin East supports up to 50 different languages such as Spanish, English, Portuguese, German, French, Italian, Dutch, Swedish, Finnish, Danish, Irish, Basque, Icelandic, and Luxembourgian in Latin and other scripts.

Please note that not all languages are available for all formats.

View all 50 languages

Leiðrétting vökvi
Boîte à archives
Vægkalender
Correio eletrônico
Arkivlåda
Gummibänder
Escáner

Languages

Please select a product:

Supports 50 different languages:

  • A
  • Afar
  • Afrikaans
  • Albanian
  • Asturian
  • B
  • Basque
  • Breton
  • C
  • Catalan
  • Cornish
  • Corsican
  • D
  • Danish
  • Dutch
  • E
  • English
  • F
  • Faroese
  • Fijian
  • Finnish
  • French
  • Frisian
  • Friulian
  • G
  • Gaelic (Scottish)
  • Galician
  • German
  • I
  • Icelandic
  • Indonesian
  • Irish
  • Italian
  • K
  • Kinyarwanda (Ruanda)
  • Kirundi (Rundi)
  • L
  • Ladin
  • Luxembourgian
  • M
  • Malay (Latin)
  • N
  • Norwegian
  • O
  • Occitan
  • Oromo (Afan, Galla)
  • P
  • Papiamentu
  • Portuguese
  • Q
  • Quechua
  • R
  • Rhaeto-Romance
  • S
  • Sardinian
  • Shona
  • Somali
  • Spanish
  • Swahili (Kiswahili)
  • Swedish
  • T
  • Tagalog
  • Tsonga
  • Tswana
  • U
  • Uighur
  • W
  • Walloon
  • X
  • Xhosa
  • Z
  • Zulu
Noel Gallagher may not read it
Noel Gallagher’s statement that reading fiction is a “fucking waste of time” and readers are “putting themselves a tiny little bit above the rest of us” – is a valuable contribution.
Cathy Nicol: Isle of Joy
Vince Smith met bandmates Jim Kelly and Nancy Gibbs at a Sex Pistols concert, where he tried to kiss Sid Vicious’ guitar and got a bloody nose. Together they formed Aftershock, and for a while they made a lot of noise, a bit of money and caused a sensation wherever they went.
Historical Forms
| hist
| hist
Standard Ligatures
| flfi
| flfi
Replaces a sequence of glyphs with a ligature. Active by default.
Tabular Figures
| 167
| 167
Changes figures with proportional widths to figures with tabular widths.
Case-Sensitive Forms
| (H-o)
| (H-o)
Shifts punctuation up to a position that works better with all-caps text.
Ordinals
| 1a2o
| 1a2o
Replaces characters with ordinal forms for use after figures.
View this style in detail
Was dem Schwarm nicht nützt, das nützt auch der einzelnen Biene nicht.
— Mark Aurel
View this style in detail
Punctuation
!
"
#
%
&
'
(
)
*
,
-
.
/
:
;
?
@
[
\
]
^
_
`
{
}
¡
§
¨
¯
´
·
¸
¿
Uppercase
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Lowercase
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Modifiers
ʻ
ʼ
ˆ
ˇ
ˉ
˘
˙
˚
˛
˜
˝
Combining Diacritical Marks
̀
́
̂
̃
̈
̊
̌
̧
Ligatures
Currency
$
¢
£
¤
¥
Symbols
+
<
=
>
|
~
¬
±
×
÷
Decimal
0
1
2
3
4
5
6
7
8
9
Other
²
³
¹
¼
½
¾
Mathematical Operators
Miscellaneous
¦
©
®
°
Letterlike
Arrows
Geometric Shapes
Lowercase
µ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ı
ł
œ
š
ž
ſ
ƒ
Uppercase
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Þ
Ł
Œ
Š
Ÿ
Ž
Uppercase
Δ
Ω
Lowercase
μ
π

For decades, two different styles marked the streets of divided Berlin. West Berlin street signs were made using a sans serif standard that dated back to the 1930s, at least. Meanwhile, street signs in East Berlin made use of a narrow, router-based design, which was most likely developed during the 1950s. After German reunification in 1989, it was unclear what would happen to these competing signage styles. Two Berlin-based designers – Ole Schäfer and Verena Gerlach – took to the streets to document as many of the signs as they could, before any might be affected. Based on their documentation of the signs themselves, rather than on the technical standards from which the signs were actually made, Gerlach and Schäfer produced the FF City Street Type series. Their work resulted in three single-style families representing the “East,” and two for the “West.” The final character set required many characters that would never be found on street signs of course, so Gerlach and Schäfer designed all of these missing glyphs, punctuation marks, arrows, and other symbols from scratch. Now with Berlin crowned as the hip design capital of Europe, the eclecticism of these divided styles has for the time being stayed in place. Designers across the united city and around the world have embraced the FontFont City Street Type series, and there’s no reason why you shouldn’t, too! Not only are the FF City Street Types an excellent and powerful choice for use in wayfinding systems, they are uniquely-voiced branding and corporate design tools.

FF Cst Berlin East has 5 Styles