FF DIN

Many consider FF DIN the best DIN font ever made.

Designed by Albert-Jan Pool in 1995. Published by FontFont as part of the FF DIN Super Family.

Starts at $65 for a single style and is available for:
a
a
Type to compare other characters
D
Thin
D
Extra Light
D
Light
D
Regular
D
Medium
D
Bold
D
Black
D
120
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
70
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
40
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
25
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
18
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
12
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
120
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
70
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
40
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
25
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
18
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
12
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.

FF DIN supports up to 114 different languages such as Spanish, English, Portuguese, Russian, German, French, Turkish, Italian, Polish, Ukrainian, Uzbek, Kurdish (Latin), Azerbaijani (Latin), Azerbaijani (Cyrillic), Romanian, Dutch, Greek, Hungarian, Kazakh, Czech, Serbian (Latin), Serbian (Cyrillic), Bulgarian, Swedish, Belarusian (Cyrillic), Belarusian (Latin), Croatian, Finnish, Slovak, Danish, Lithuanian, Latvian, Slovenian, Irish, Estonian, Basque, Luxembourgian, Icelandic, and Vietnamese in Latin, Cyrillic, Greek, and other scripts.

Please note that not all languages are available for all formats.

View all 114 languages

Katodë
Højspænding
Galvanômetro
Câble coaxial
Alhainen jännite
Rafþéttir

Languages

Please select a product:

Supports 50 different languages:

  • A
  • Afar
  • Afrikaans
  • Albanian
  • Asturian
  • B
  • Basque
  • Breton
  • C
  • Catalan
  • Cornish
  • Corsican
  • D
  • Danish
  • Dutch
  • E
  • English
  • F
  • Faroese
  • Fijian
  • Finnish
  • French
  • Frisian
  • Friulian
  • G
  • Gaelic (Scottish)
  • Galician
  • German
  • I
  • Icelandic
  • Indonesian
  • Irish
  • Italian
  • K
  • Kinyarwanda (Ruanda)
  • Kirundi (Rundi)
  • L
  • Ladin
  • Luxembourgian
  • M
  • Malay (Latin)
  • N
  • Norwegian
  • O
  • Occitan
  • Oromo (Afan, Galla)
  • P
  • Papiamentu
  • Portuguese
  • Q
  • Quechua
  • R
  • Rhaeto-Romance
  • S
  • Sardinian
  • Shona
  • Somali
  • Spanish
  • Swahili (Kiswahili)
  • Swedish
  • T
  • Tagalog
  • Tsonga
  • Tswana
  • U
  • Uighur
  • W
  • Walloon
  • X
  • Xhosa
  • Z
  • Zulu
The
Black
Phlegmatics
Proportional Figures
167 167
Lining Figures
167 167
Oldstyle Figures
167 167
Fractions
135/167 135/167
Slashed Zero
0 0
Superscript
167 167
Subscript
167 167
Tabular Figures
167 167
Changes figures with proportional widths to figures with tabular widths.
Standard Ligatures
flfi flfi
Required Ligatures
ï»» ï»»
Historical Forms
hist hist
Replaces letters with historical variants that may appear anachronistic today. The best-known example is the long form of s.
Ordinals
1a2o 1a2o
Replaces characters with ordinal forms for use after figures.
Case-Sensitive Forms
(H-o) (H-o)
Shifts punctuation up to a position that works better with all-caps text.
View this style in detail
To do a great right do a little wrong.
— William Shakespeare
View this style in detail
Punctuation
!
"
#
%
&
'
(
)
*
,
-
.
/
:
;
?
@
[
\
]
^
_
`
{
}
¡
§
¨
¯
´
·
¸
¿
;
΄
΅
·
Uppercase
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Lowercase
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Phonetic Extensions
ə
Modifiers
ʻ
ʼ
ˀ
ˆ
ˇ
˘
˙
˚
˛
˜
˝
Combining Diacritical Marks
̀
́
̂
̃
̄
̆
̇
̈
̉
̊
̋
̌
̏
̐
̑
̒
̓
̖
̗
̛
̜
̣
̤
̥
̦
̧
̨
̬
̭
̮
̯
̰
̱
̀
́
Ligatures
Currency
$
¢
£
¤
¥
Symbols
+
<
=
>
|
~
¬
±
×
÷
Decimal
0
1
2
3
4
5
6
7
8
9
Other
²
³
¹
¼
½
¾
Mathematical Operators
Superscripts and Subscripts
Number Forms
Miscellaneous
¦
©
®
°
Letterlike
Arrows
Geometric Shapes
Lowercase
µ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ā
ă
ą
ć
ĉ
ċ
č
ď
đ
ē
ĕ
ė
ę
ě
ĝ
ğ
ġ
ģ
ĥ
ħ
ĩ
ī
ĭ
į
ı
ij
ĵ
ķ
ĸ
ĺ
ļ
ľ
ŀ
ł
ń
ņ
ň
ʼn
ŋ
ō
ŏ
ő
œ
ŕ
ŗ
ř
ś
ŝ
ş
š
ţ
ť
ŧ
ũ
ū
ŭ
ů
ű
ų
ŵ
ŷ
ź
ż
ž
ſ
ƒ
ơ
ư
ƶ
ǎ
ǐ
ǒ
ǔ
ǖ
ǘ
ǚ
ǜ
ǝ
ǟ
ǡ
ǣ
ǧ
ǩ
ǫ
ǭ
ǰ
ǵ
ǹ
ǻ
ǽ
ǿ
ȁ
ȃ
ȅ
ȇ
ȉ
ȋ
ȍ
ȏ
ȑ
ȓ
ȕ
ȗ
ș
ț
ȧ
ȩ
ȫ
ȭ
ȯ
ȱ
ȳ
ȷ
ḿ
ṿ
ế
Uppercase
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Þ
Ā
Ă
Ą
Ć
Ĉ
Ċ
Č
Ď
Đ
Ē
Ĕ
Ė
Ę
Ě
Ĝ
Ğ
Ġ
Ģ
Ĥ
Ħ
Ĩ
Ī
Ĭ
Į
İ
IJ
Ĵ
Ķ
Ĺ
Ļ
Ľ
Ŀ
Ł
Ń
Ņ
Ň
Ŋ
Ō
Ŏ
Ő
Œ
Ŕ
Ŗ
Ř
Ś
Ŝ
Ş
Š
Ţ
Ť
Ŧ
Ũ
Ū
Ŭ
Ů
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ż
Ž
Ǝ
Ə
Ơ
Ư
Ƶ
Ǎ
Ǐ
Ǒ
Ǔ
Ǖ
Ǘ
Ǚ
Ǜ
Ǟ
Ǡ
Ǣ
Ǧ
Ǩ
Ǫ
Ǭ
Ǵ
Ǹ
Ǻ
Ǽ
Ǿ
Ȁ
Ȃ
Ȅ
Ȇ
Ȉ
Ȋ
Ȍ
Ȏ
Ȑ
Ȓ
Ȕ
Ȗ
Ș
Ț
Ȧ
Ȩ
Ȫ
Ȭ
Ȯ
Ȱ
Ȳ
Uppercase
Ά
Έ
Ή
Ί
Ό
Ύ
Ώ
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
Ϊ
Ϋ
Lowercase
ΐ
ά
έ
ή
ί
ΰ
α
β
γ
δ
ε
ζ
η
θ
ι
κ
λ
μ
ν
ξ
ο
π
ρ
ς
σ
τ
υ
φ
χ
ψ
ω
ϊ
ϋ
ό
ύ
ώ
Uppercase
Ѐ
Ё
Ђ
Ѓ
Є
Ѕ
І
Ї
Ј
Љ
Њ
Ћ
Ќ
Ѝ
Ў
Џ
А
Б
В
Г
Д
Е
Ж
З
И
Й
К
Л
М
Н
О
П
Р
С
Т
У
Ф
Х
Ц
Ч
Ш
Щ
Ъ
Ы
Ь
Э
Ю
Я
Ѣ
Ѳ
Ѵ
Ґ
Ғ
Җ
Қ
Ҝ
Ң
Ү
Ұ
Ҳ
Ҷ
Ҹ
Һ
Ӏ
Ә
Ӣ
Ө
Ӯ
Lowercase
а
б
в
г
д
е
ж
з
и
й
к
л
м
н
о
п
р
с
т
у
ф
х
ц
ч
ш
щ
ъ
ы
ь
э
ю
я
ѐ
ё
ђ
ѓ
є
ѕ
і
ї
ј
љ
њ
ћ
ќ
ѝ
ў
џ
ѣ
ѳ
ѵ
ґ
ғ
җ
қ
ҝ
ң
ү
ұ
ҳ
ҷ
ҹ
һ
ӏ
ә
ӣ
ө
ӯ
Number Other
Number Other

On the way back to the airport from the 1994 ATypI conference in San Francisco, Albert-Jan Pool and Erik Spiekermann discussed Pool’s prospects, Spiekermann knowing that his friend’s employer had just gone out of business. He suggested that if Pool wanted to make some money in type design, that he take a closer look at neglected faces such as OCR and DIN. This seemed strange to Pool, but one year later, FontFont published his FF OCR-F typeface, followed closely by FF DIN.

Spiekermann was acutely aware of the lack of options for designers wanting to use these kinds of typefaces. Digital DIN fonts were available at the time, but only in two weights of purely geometric shapes. Pool designed a family of five weights. He added true italics and also some alternative characters such as “i” and “j” with round dots, and oldstyle figures. In time, five weights grew to seven, and a condensed width was added, as well as Greek and Cyrillic language support.

In form, FF DIN differs from previous versions primarily in its optical adjustments—horizontal and vertical strokes are better balanced and overall its curves are smoother. Despite its primitive, technical appearance and a clear reference to German motorway signage, FF DIN quickly became a phenomenon. The typeface has pervaded corporate and publication typography, and can be seen in posters for cultural institutions.

In 2011, the Museum of Modern Art in New York added to its permanent collection its first digital typefaces. Due in part perhaps to the immense popularity gained by FF DIN since its release in the mid-1990s, it was one of just 23 designs to be included. FF DIN debuted at MoMA as part of the “Standard Deviations” installation in the contemporary design gallery.

FF DIN has 28 Styles