FF Info Correspondence

Designed by Erik Spiekermann and Ole Schäfer in 1998. Published by FontFont as part of the FF Info Super Family.

Starts at $59.00 for a single style and is available for:
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120
The quick brown fox jumps over a Dog. Zwei Boxkämpfer jagen Eva durch Sylt portez ce vieux Whiskey blond qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk. qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk.
70
The quick brown fox jumps over a Dog. Zwei Boxkämpfer jagen Eva durch Sylt portez ce vieux Whiskey blond qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk. qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk.
40
The quick brown fox jumps over a Dog. Zwei Boxkämpfer jagen Eva durch Sylt portez ce vieux Whiskey blond qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk. qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk.
25
The quick brown fox jumps over a Dog. Zwei Boxkämpfer jagen Eva durch Sylt portez ce vieux Whiskey blond qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk. qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk.
18
The quick brown fox jumps over a Dog. Zwei Boxkämpfer jagen Eva durch Sylt portez ce vieux Whiskey blond qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk. qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk.
12
The quick brown fox jumps over a Dog. Zwei Boxkämpfer jagen Eva durch Sylt portez ce vieux Whiskey blond qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk. qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk.
120
The quick brown fox jumps over a Dog. Zwei Boxkämpfer jagen Eva durch Sylt portez ce vieux Whiskey blond qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk. qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk.
70
The quick brown fox jumps over a Dog. Zwei Boxkämpfer jagen Eva durch Sylt portez ce vieux Whiskey blond qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk. qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk.
40
The quick brown fox jumps over a Dog. Zwei Boxkämpfer jagen Eva durch Sylt portez ce vieux Whiskey blond qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk. qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk.
25
The quick brown fox jumps over a Dog. Zwei Boxkämpfer jagen Eva durch Sylt portez ce vieux Whiskey blond qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk. qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk.
18
The quick brown fox jumps over a Dog. Zwei Boxkämpfer jagen Eva durch Sylt portez ce vieux Whiskey blond qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk. qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk.
12
The quick brown fox jumps over a Dog. Zwei Boxkämpfer jagen Eva durch Sylt portez ce vieux Whiskey blond qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk. qui fume une pipe aber echt über die Mauer gesprungen und auch smørebrød en ysjes natuurlijk.

FF Info™ Correspondence supports 82 different languages such as Spanish, English, Portuguese, German and French in Other, Latin, and Cyrillic scripts. (Please note that not all languages are available for all formats.)

View all 82 languages

Morača
Vézère
Bräkneån
Weißeritz
Rhône
Pøleå
Maçãs

Languages

Please note that not all languages are available for all formats.

Common Languages

  • Spanish
  • English
  • Portuguese
  • German
  • French

Other

  • A
  • Afar
  • F
  • Fijian
  • G
  • Gaelic (Scottish)
  • K
  • Kinyarwanda (Ruanda)
  • Kirundi (Rundi)
  • N
  • Norwegian
  • O
  • Oromo (Afan, Galla)
  • P
  • Papiamentu
  • Q
  • Quechua
  • S
  • Shona
  • Swahili (Kiswahili)
  • T
  • Tagalog
  • U
  • Uighur

Latin

  • A
  • Afrikaans
  • Albanian
  • Asturian
  • Azerbaijani (Latin)
  • B
  • Basque
  • Belarusian (Latin)
  • Bosnian (Latin)
  • Breton
  • C
  • Catalan
  • Chichewa
  • Cornish
  • Corsican
  • Croatian
  • Czech
  • D
  • Danish
  • Dutch
  • E
  • English
  • Esperanto
  • Estonian
  • F
  • Faroese
  • Finnish
  • French
  • Frisian
  • Friulian
  • G
  • Galician
  • German
  • Greenlandic
  • H
  • Hungarian
  • I
  • Icelandic
  • Indonesian
  • Irish
  • Italian
  • K
  • Karelian
  • Kurdish (Latin)
  • L
  • Ladin
  • Latin
  • Latvian
  • Lithuanian
  • Luxembourgian
  • M
  • Malagasy
  • Malay (Latin)
  • Maltese
  • Maori
  • O
  • Occitan
  • P
  • Polish
  • Portuguese
  • R
  • Rhaeto-Romance
  • Romani (Latin)
  • Romanian
  • S
  • Samoan
  • Sardinian
  • Serbian (Latin)
  • Slovak
  • Slovenian
  • Somali
  • Sorbian, Upper
  • Spanish
  • Swedish
  • T
  • Tahitian
  • Tsonga
  • Tswana
  • Turkish
  • W
  • Walloon
  • Welsh
  • Wolof
  • X
  • Xhosa
  • Z
  • Zulu

Cyrillic

  • K
  • Kazakh
  • T
  • Turkmen
The
Black
Phlegmatics
Slashed Zero
0 0
Fractions
135/167 135/167
Proportional Figures
167 167
Subscript
167 167
Superscript
167 167
Replaces character with superscript version.
Historical Forms
hist hist
Standard Ligatures
flfi flfi
Replaces a sequence of glyphs with a ligature. Active by default.
Ordinals
1a2o 1a2o
Replaces characters with ordinal forms for use after figures.
Case-Sensitive Forms
(H-o) (H-o)
Shifts punctuation up to a position that works better with all-caps text.
View this style in detail
Typography has one plain duty before it, and that is to convey information in writing.
— Emil Ruder
View this style in detail
Punctuation
!
"
#
%
&
'
(
)
*
,
-
.
/
:
;
?
@
[
\
]
^
_
`
{
}
¡
§
¨
¯
´
·
¸
¿
Uppercase
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Lowercase
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Phonetic Extensions
ə
Modifiers
ʻ
ʼ
ˆ
ˇ
ˉ
˘
˙
˚
˛
˜
˝
Combining Diacritical Marks
̀
́
̂
̃
̄
̆
̇
̈
̊
̋
̌
̒
̓
̦
̧
̨
̵
̶
Ligatures
Currency
$
¢
£
¤
¥
Symbols
+
<
=
>
|
~
¬
±
×
÷
Decimal
0
1
2
3
4
5
6
7
8
9
Other
²
³
¹
¼
½
¾
Mathematical Operators
Superscripts and Subscripts
Number Forms
Miscellaneous
¦
©
®
°
Letterlike
Geometric Shapes
Dingbats
Lowercase
µ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ā
ă
ą
ć
ĉ
ċ
č
ď
đ
ē
ĕ
ė
ę
ě
ĝ
ğ
ġ
ģ
ĥ
ħ
ĩ
ī
ĭ
į
ı
ij
ĵ
ķ
ĸ
ĺ
ļ
ľ
ŀ
ł
ń
ņ
ň
ʼn
ŋ
ō
ŏ
ő
œ
ŕ
ŗ
ř
ś
ŝ
ş
š
ţ
ť
ŧ
ũ
ū
ŭ
ů
ű
ų
ŵ
ŷ
ź
ż
ž
ſ
ƒ
ǻ
ǽ
ǿ
ș
ț
ȷ
Uppercase
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Þ
Ā
Ă
Ą
Ć
Ĉ
Ċ
Č
Ď
Đ
Ē
Ĕ
Ė
Ę
Ě
Ĝ
Ğ
Ġ
Ģ
Ĥ
Ħ
Ĩ
Ī
Ĭ
Į
İ
IJ
Ĵ
Ķ
Ĺ
Ļ
Ľ
Ŀ
Ł
Ń
Ņ
Ň
Ŋ
Ō
Ŏ
Ő
Œ
Ŕ
Ŗ
Ř
Ś
Ŝ
Ş
Š
Ţ
Ť
Ŧ
Ũ
Ū
Ŭ
Ů
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ż
Ž
Ə
Ǻ
Ǽ
Ǿ
Ș
Ț
Uppercase
Δ
Ω
Lowercase
μ
π
Number Other
Punctuation
Number Other

FF Info is named after its purpose: the transfer of information. Its clean lines make no fashion statements, nor do they attempt any technical wizardry. The typeface was initially intended for use on traffic signage,and other wayfinding systems in stations, on buildings, etc. Because space comes at a premium in such situations, FF Info Display is drawn narrow; It requires 15% less space than most of the signage typefaces currently in use. To compensate for the tight fit, its spacing is been slightly increased. The process of reading signs is quite different from reading long text. Rather than combining groups of word images to form a sentence, we scan letter by letter to produce a brief and sometimes surprising result. For this reason, it’s important that characters be individually differentiated. This is especially so for figures, since many numbers are easily confused due to their similarity. The same is true of lowercase i and l, or uppercase I and the number 1, when seen from a distance, or given little context by which to differentiate them, the process of reading is error prone. FF Info Display solves this problem with a serif at the top of the small i, a tail at the bottom of the small l, and serifs at the top and bottom of the uppercase I. These distinctions are derived from typewriter typefaces, where the dominant serifs on the i, l, I and 1 were used to fill out the otherwise narrow letter forms, and prevent “holes” from forming in the monospaced text. The designer, Erik Spiekermann, gave the same letters a similar treatment in his earlier typeface, ITC Officina. Signs are generally read in motion, and often at odd angles. Under such circumstances, letterforms can become blurred and indistinct. Backlit signs have the effect of rounding otherwise sharp corners, further complicating the process of distinguishing between individual letters. FF Info Display was designed with the demands of backlighted signage in mind: the already rounded ends of the letters are less given to these distortions and the letters remain true to form. White type on a dark background appears heavier in weight than equivalently sized dark type on a light background, and the effect is further exaggerated when the light type is backlit. The typeface FF Info Display compensates for the difference between the various weights, and introduces a system for weight matching. For example, white text set in its Book weight on a black background is optically the same as black text set in Medium on a white field. With backlit signs, dark text appears thinner, in which case the Semi Bold weight would be an appropriate match to the above examples. FF Info also includes numerous arrows in a range of line widths and directions, handy for sign making. Critique Magazine gave specific recognition to the FF Info family in 1998. That year, it made the cut that included just 1% of all considered designs to receive an award in their “Big Crit” contest. FF Info was later adapted to print, and correpondence versions. “When we looked at prints of FF Info Display used in small point sizes, we found that the typeface also worked well as a text face,” said Erik Spiekermann about the second phase of his FF Info type family. “I’ve always maintained that technical specifications, which help determine the appearance of a typeface, also make it work well in other difficult circumstances.”

FF Info™ Correspondence has 6 Styles