FF Meta

Designed by Erik Spiekermann in 1991. Published by FontFont as part of the FF Meta Super Family.

Starts at $59 for a single style and is available for:
Showing by Alexander Roth
Showing by Alexander Roth
a
a
Type to compare other characters
&
Hairline
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Thin
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Light
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Regular
&
Medium
&
Bold
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Black
&
120
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
70
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
40
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
25
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
18
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
12
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
120
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
70
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
40
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
25
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
18
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.
12
Zyklisches Jodeln ist in Bayern versuchsweise erlaubt. Österreich und Südtirol zeigen auch Interesse an der Therapie.

FF Meta supports up to 109 different languages such as Spanish, English, Portuguese, Russian, German, French, Turkish, Italian, Polish, Ukrainian, Uzbek, Kurdish (Latin), Azerbaijani (Latin), Azerbaijani (Cyrillic), Romanian, Dutch, Greek, Hungarian, Serbian (Cyrillic), Czech, Serbian (Latin), Kazakh, Bulgarian, Hebrew, Swedish, Belarusian (Latin), Belarusian (Cyrillic), Croatian, Slovak, Finnish, Danish, Lithuanian, Latvian, Slovenian, Irish, Estonian, Basque, Luxembourgian, and Icelandic in Latin, Cyrillic, Greek, Hebrew, and other scripts.

Please note that not all languages are available for all formats.

View all 109 languages

Mangustë
Gwiñver
Leão
Siebenschläfer
Porc-épic

Languages

Please select a product:

Supports 50 different languages:

  • A
  • Afar
  • Afrikaans
  • Albanian
  • Asturian
  • B
  • Basque
  • Breton
  • C
  • Catalan
  • Cornish
  • Corsican
  • D
  • Danish
  • Dutch
  • E
  • English
  • F
  • Faroese
  • Fijian
  • Finnish
  • French
  • Frisian
  • Friulian
  • G
  • Gaelic (Scottish)
  • Galician
  • German
  • I
  • Icelandic
  • Indonesian
  • Irish
  • Italian
  • K
  • Kinyarwanda (Ruanda)
  • Kirundi (Rundi)
  • L
  • Ladin
  • Luxembourgian
  • M
  • Malay (Latin)
  • N
  • Norwegian
  • O
  • Occitan
  • Oromo (Afan, Galla)
  • P
  • Papiamentu
  • Portuguese
  • Q
  • Quechua
  • R
  • Rhaeto-Romance
  • S
  • Sardinian
  • Shona
  • Somali
  • Spanish
  • Swahili (Kiswahili)
  • Swedish
  • T
  • Tagalog
  • Tsonga
  • Tswana
  • U
  • Uighur
  • W
  • Walloon
  • X
  • Xhosa
  • Z
  • Zulu
The
Black
Phlegmatics
Proportional Figures
167 167
Lining Figures
167 167
Fractions
135/167 135/167
Superscript
167 167
Subscript
167 167
Tabular Figures
167 167
Changes figures with proportional widths to figures with tabular widths.
Case-Sensitive Forms
(H-o) (H-o)
Small Capitals
Small Small
Small Capitals From Capitals
CAPS CAPS
Turns caps (and sometimes also numerals and punctuation) into small caps. Mostly used together with Small Capitals feature to get an all-small caps setting.
Standard Ligatures
flfi flfi
Historical Forms
hist hist
Replaces letters with historical variants that may appear anachronistic today. The best-known example is the long form of s.
Ordinals
1a2o 1a2o
Replaces characters with ordinal forms for use after figures.
View this style in detail
We don’t stop playing because we grow old. We grow old because we stop playing.
— George Bernard Shaw
View this style in detail
Punctuation
!
"
#
%
&
'
(
)
*
,
-
.
/
:
;
?
@
[
\
]
^
_
`
{
}
¡
§
¨
¯
´
·
¸
¿
;
΄
΅
·
Uppercase
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Lowercase
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Phonetic Extensions
ə
Modifiers
ʻ
ʼ
ˆ
ˇ
˘
˙
˚
˛
˜
˝
Combining Diacritical Marks
̀
́
̂
̃
̄
̆
̇
̈
̊
̋
̌
̒
̓
̦
̧
̨
Ligatures
Currency
$
¢
£
¤
¥
Symbols
+
<
=
>
|
~
¬
±
×
÷
Decimal
0
1
2
3
4
5
6
7
8
9
Other
²
³
¹
¼
½
¾
Mathematical Operators
Superscripts and Subscripts
Number Forms
Miscellaneous
¦
©
®
°
Letterlike
Arrows
Geometric Shapes
Lowercase
µ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ā
ă
ą
ć
ĉ
ċ
č
ď
đ
ē
ĕ
ė
ę
ě
ĝ
ğ
ġ
ģ
ĥ
ħ
ĩ
ī
ĭ
į
ı
ij
ĵ
ķ
ĸ
ĺ
ļ
ľ
ŀ
ł
ń
ņ
ň
ʼn
ŋ
ō
ŏ
ő
œ
ŕ
ŗ
ř
ś
ŝ
ş
š
ţ
ť
ŧ
ũ
ū
ŭ
ů
ű
ų
ŵ
ŷ
ź
ż
ž
ſ
ƒ
ƶ
dž
lj
nj
dz
ǻ
ǽ
ǿ
ș
ț
ȷ
Uppercase
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Þ
Ā
Ă
Ą
Ć
Ĉ
Ċ
Č
Ď
Đ
Ē
Ĕ
Ė
Ę
Ě
Ĝ
Ğ
Ġ
Ģ
Ĥ
Ħ
Ĩ
Ī
Ĭ
Į
İ
IJ
Ĵ
Ķ
Ĺ
Ļ
Ľ
Ŀ
Ł
Ń
Ņ
Ň
Ŋ
Ō
Ŏ
Ő
Œ
Ŕ
Ŗ
Ř
Ś
Ŝ
Ş
Š
Ţ
Ť
Ŧ
Ũ
Ū
Ŭ
Ů
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ż
Ž
Ə
Ƶ
DŽ
LJ
NJ
DZ
Ǻ
Ǽ
Ǿ
Ș
Ț
Titlecase
Dž
Lj
Nj
Dz
Uppercase
Ά
Έ
Ή
Ί
Ό
Ύ
Ώ
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
Ϊ
Ϋ
ϒ
ϓ
ϔ
Lowercase
ΐ
ά
έ
ή
ί
ΰ
α
β
γ
δ
ε
ζ
η
θ
ι
κ
λ
μ
ν
ξ
ο
π
ρ
ς
σ
τ
υ
φ
χ
ψ
ω
ϊ
ϋ
ό
ύ
ώ
ϐ
ϑ
ϕ
Uppercase
Ѐ
Ё
Ђ
Ѓ
Є
Ѕ
І
Ї
Ј
Љ
Њ
Ћ
Ќ
Ѝ
Ў
Џ
А
Б
В
Г
Д
Е
Ж
З
И
Й
К
Л
М
Н
О
П
Р
С
Т
У
Ф
Х
Ц
Ч
Ш
Щ
Ъ
Ы
Ь
Э
Ю
Я
Ѣ
Ѳ
Ѵ
Ґ
Ғ
Җ
Қ
Ҝ
Ң
Ү
Ұ
Ҳ
Ҷ
Ҹ
Һ
Ӏ
Ә
Ӣ
Ө
Ӯ
Lowercase
а
б
в
г
д
е
ж
з
и
й
к
л
м
н
о
п
р
с
т
у
ф
х
ц
ч
ш
щ
ъ
ы
ь
э
ю
я
ѐ
ё
ђ
ѓ
є
ѕ
і
ї
ј
љ
њ
ћ
ќ
ѝ
ў
џ
ѣ
ѳ
ѵ
ґ
ғ
җ
қ
ҝ
ң
ү
ұ
ҳ
ҷ
ҹ
һ
ӏ
ә
ӣ
ө
ӯ

The family that became FF Meta was first called PT55, an economical typeface made for easy reading at small sizes created for the West German Post Office in 1985. Erik Spiekermann later improved and expanded his design to include more weights and styles, and prepared its release as FF Meta, one of the first and truly foundational members of the early FontFont library. As desktop publishing flourished in the early 1990s, the typeface quickly entered widespread use due to its clean, cheery, and distinctive aesthetic, and its ability to serve well in multiple design capacities including signage and correspondence.

FF Meta covers eight weights in a normal and condensed width by itself, but it’s also part of an entire super family, containing FF Meta Serif and several variations for headline or everyday office use.

The Museum of Modern Art in New York added FF Meta to its permanent collection in 2011, one of only 23 fonts selected to represent typography of the digital era.

FF Meta has 28 Styles