Garamond Premier

Designed by Claude Garamond and Robert Slimbach. Published by Adobe in 1532

Starts at $35.00 for a single style and is available for:

Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the "Garamond" types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability.Garamond Pemiere Pro was designed by Robert Slimbach, and released in 2005.

Light Display
Light Display Italic
Display
Display Italic
Medium Display
Medium Display Italic
Display Semi Bold
Semi Bold Display Italic
Bold Display
Bold Display Italic
Medium Subhead
Medium Subhead Italic
Subhead
Subhead Italic
Subhead Semi Bold
Semi Bold Subhead Italic
Bold Subhead
Bold Subhead Italic
Roman
Medium
Medium Italic
Semi Bold
Semi Bold Italic
Bold
Bold Italic
Caption
Caption Italic
Medium Caption
Medium Caption Italic
Caption Semi Bold
Semi Bold Caption Italic
Bold Caption
Bold Caption Italic
120
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
70
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
40
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
25
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
18
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
12
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
120
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
70
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
40
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
25
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
18
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
12
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …

Garamond Premier supports 155 different languages such as Spanish, English, Portuguese, Russian, German, French, Greek and Greek Polytonic in Latin, Cyrillic, and Greek scripts. (Please note that not all languages are available for all formats.)

View all 155 languages

Pigæble
Adamaszek różaną
Freyjubrá
Nénuphar
Garten-Löwenmaul
Påskelilje
Pavão flor
Chi dâm bụt

Languages

Please note that not all languages are available for all formats.

Common Languages

  • Spanish
  • English
  • Portuguese
  • Russian
  • German
  • French
  • Greek
  • Greek Polytonic

Latin

  • A
  • Afrikaans
  • Albanian
  • Aragonese
  • Arumanian
  • Arvanitika (Latin)
  • Asturian
  • Azerbaijani (Latin)
  • B
  • Baraba Tatar
  • Basque
  • Bats (Latin)
  • Belarusian (Latin)
  • Bislama
  • Bosnian (Latin)
  • Breton
  • C
  • Catalan
  • Chamorro
  • Chichewa
  • Cook Islands Maori
  • Cornish
  • Crimean Tatar (Latin)
  • Croatian
  • Czech
  • D
  • Danish
  • Dutch
  • E
  • English
  • Esperanto
  • Estonian
  • F
  • Faroese
  • Finnish
  • Franco-Provencal
  • French
  • Frisian
  • Frisian, East
  • Frisian, North
  • Frisian, West
  • Friulian
  • G
  • Gagauz (Latin)
  • Galician
  • German
  • Greenlandic
  • Greenlandic (pre-1973)
  • Guaraní
  • H
  • Hawaiian
  • Hungarian
  • I
  • Ibo
  • Icelandic
  • Indonesian
  • Interlingua
  • Irish
  • Istro-Romanian
  • Italian
  • J
  • Juhuri (Latin)
  • K
  • Karaim (Latin)
  • Kashubian
  • Kazan Tatar (Latin)
  • Kurdish (Latin)
  • Kurmanji
  • L
  • Ladin
  • Ladino (Latin)
  • Latin
  • Latvian
  • Lithuanian
  • Low German
  • Luxembourgian
  • M
  • Malagasy
  • Malay (Latin)
  • Maltese
  • Manx Gaelic
  • Maori
  • Marshallese
  • Moldavian (Latin)
  • N
  • Norwegian, Bokmål
  • Norwegian, Nynorsk
  • O
  • Occitan
  • P
  • Pilipino (Tagalog)
  • Polish
  • Portuguese
  • Portunhol
  • R
  • Rhaeto-Romance
  • Romani (Latin)
  • Romanian
  • Romansch
  • S
  • Sami, Inari
  • Sami, Lule
  • Sami, Northern
  • Sami, Southern
  • Sami, Ume
  • Samoan
  • Sardinian
  • Scottish Gaelic
  • Serbian (Latin)
  • Slovak
  • Slovenian
  • Somali
  • Sorbian, Lower
  • Sorbian, Upper
  • Sotho, Northern
  • Sotho, Southern
  • Spanish
  • Swedish
  • T
  • Tahitian
  • Tongan
  • Tsakhur (Latin)
  • Tsez (Latin)
  • Tsonga
  • Tswana
  • Turkish
  • U
  • Ubykh
  • V
  • Vepsian
  • Vietnamese
  • Våmhusmål
  • W
  • Walloon
  • Welsh
  • Wolof
  • X
  • Xhosa
  • Y
  • Yapese
  • Z
  • Zulu
  • Ä
  • Älvdalska

Cyrillic

  • A
  • Abaza
  • Adyghe
  • Archi
  • Avaric
  • B
  • Balk
  • Belarusian (Cyrillic)
  • Bosnian (Cyrillic)
  • Botlikh
  • Bulgarian
  • D
  • Dargin
  • E
  • Erzya
  • G
  • Gagauz (Cyrillic)
  • I
  • Ingush
  • K
  • Kabardian
  • Karachay-Balkar
  • Karaim (Cyrillic)
  • Kazan Tatar (Cyrillic)
  • Kryts
  • Kumyk
  • Kurdish (Cyrillic)
  • L
  • Lak
  • Lezgi
  • M
  • Macedonian
  • Moksha
  • N
  • Nanai
  • Nogay
  • R
  • Russian
  • Rusyn
  • Rutul
  • T
  • Tabasaran
  • Tati
  • Tsakhur (Cyrillic)
  • U
  • Ukrainian

Greek

  • A
  • Arvanitika (Greek)
  • G
  • Greek
  • Greek Polytonic
  • T
  • Tsakonian Monotonic
Lining Figures
167 167
Oldstyle Figures
167 167
Proportional Figures
167 167
Subscript
167 167
Superscript
167 167
Tabular Figures
167 167
Slashed Zero
0 0
Fractions
135/167 135/167
Replaces figures separated by a slash with 'common' (diagonal) fractions.
Historical Forms
hist hist
Standard Ligatures
flfi flfi
Terminal Forms
Type Type
Substitutes a special form of a letter occurring at the end of a word. (Common in Latin connecting scripts, and required in various non-Latin scripts like Arabic)
Small Capitals From Capitals
CAPS CAPS
Small Capitals
Small Small
Case-Sensitive Forms
(H-o) (H-o)
Shifts punctuation up to a position that works better with all-caps text.
Ordinals
1a2o 1a2o
Replaces characters with ordinal forms for use after figures.
Doing linear scans over an associative array is like trying to club someone to death with a loaded machine gun.
— Larry Wall
Punctuation
Uppercase
Lowercase
Phonetic Extensions
Modifiers
Ligatures
Currency
Symbols
Decimal
Other
Mathematical Operators
Superscripts and Subscripts
Number Forms
Miscellaneous
Letterlike
Arrows
Geometric Shapes
Dingbats
Lowercase
Uppercase
Titlecase
Uppercase
Lowercase
Uppercase
Lowercase
Lowercase
Uppercase
Titlecase
Symbol Modifier

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