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Garamond Premier

Designed by Robert Slimbach in 2005. Published by Adobe.
Originally designed by Claude Garamond in 1499-1561.

Starts at $35 for a single style and is available for:

Light Display

Light Italic Display

Italic Caption

Italic Subhead

Italic Display

Medium Caption

Medium Italic Caption

Medium Subhead

Medium Italic Subhead

Medium Display

Medium Italic Display

Semibold

Semibold Italic

Semibold Caption

Semibold Italic Caption

Semibold Subhead

Semibold Italic Subhead

Semibold Display

Semibold Italic Display

Bold Caption

Bold Italic Caption

Bold Subhead

Bold Italic Subhead

Bold Display

Bold Italic Display

Type to compare other characters
&
Roman
&
Medium
&
Semibold
&
Bold
&
Caption
&
Medium Caption
&
Semibold Caption
&
Bold Caption
&
Subhead
&
Medium Subhead
&
Semibold Subhead
&
Bold Subhead
&
Light Display
&
Display
&
Medium Display
&
Semibold Display
&
Bold Display
&
120
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
70
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
40
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
25
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
18
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
12
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
120
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
70
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
40
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
25
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
18
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
12
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …

Garamond Premier supports up to 97 different languages such as Spanish, English, Portuguese, Russian, German, French, Turkish, Italian, Polish, Ukrainian, Kurdish (Latin), Azerbaijani (Latin), Romanian, Dutch, Greek Polytonic, Greek, Hungarian, Serbian (Cyrillic), Czech, Kazakh (Latin), Serbian (Latin), Bulgarian, Swedish, Belarusian (Latin), Belarusian (Cyrillic), Croatian, Slovak, Finnish, Danish, Lithuanian, Latvian, Slovenian, Irish, Estonian, Basque, Icelandic, Luxembourgian, and Vietnamese in Latin, Cyrillic, Greek, and other scripts.

Please note that not all languages are available for all formats.

View all 97 languages

Pigæble
Adamaszek różaną
Freyjubrá
Nénuphar
Garten-Löwenmaul
Pavão flor
Chi dâm bụt

Languages

Please select a product:

Supports 97 different languages:

  • A
  • Afar
  • Afrikaans
  • Albanian
  • Asturian
  • Azerbaijani (Latin)
  • B
  • Basque
  • Belarusian (Cyrillic)
  • Belarusian (Latin)
  • Bosnian (Latin)
  • Breton
  • Bulgarian
  • C
  • Catalan
  • Chichewa
  • Cornish
  • Corsican
  • Croatian
  • Czech
  • D
  • Danish
  • Dutch
  • E
  • English
  • Erzya
  • Esperanto
  • Estonian
  • F
  • Faroese
  • Fijian
  • Finnish
  • French
  • Frisian
  • Friulian
  • G
  • Gaelic (Scottish)
  • Galician
  • German
  • Greek
  • Greek Polytonic
  • Greenlandic
  • Guaraní
  • H
  • Hungarian
  • I
  • Icelandic
  • Indonesian
  • Irish
  • Italian
  • K
  • Karachay-Balkar
  • Karelian
  • Kazakh (Latin)
  • Kinyarwanda (Ruanda)
  • Kirundi (Rundi)
  • Kumyk
  • Kurdish (Latin)
  • L
  • Ladin
  • Latin
  • Latvian
  • Lithuanian
  • Luxembourgian
  • M
  • Macedonian
  • Malagasy
  • Malay (Latin)
  • Maltese
  • Maori
  • Moksha
  • N
  • Norwegian
  • O
  • Occitan
  • Oromo (Afan, Galla)
  • P
  • Papiamentu
  • Polish
  • Portuguese
  • Q
  • Quechua
  • R
  • Rhaeto-Romance
  • Romani (Latin)
  • Romanian
  • Russian
  • Rusyn
  • S
  • Samoan
  • Sardinian
  • Serbian (Cyrillic)
  • Serbian (Latin)
  • Shona
  • Slovak
  • Slovenian
  • Somali
  • Sorbian, Upper
  • Spanish
  • Swahili (Kiswahili)
  • Swedish
  • T
  • Tagalog
  • Tahitian
  • Tsonga
  • Tswana
  • Turkish
  • Turkmen
  • U
  • Uighur
  • Ukrainian
  • V
  • Vietnamese
  • W
  • Walloon
  • Welsh
  • Wolof
  • X
  • Xhosa
  • Z
  • Zulu
The
Black
Phlegmatics
Fractions
| 1/2
| 1/2
Superscript
| 123
| 123
Proportional Figures
| 167
| 167
Tabular Figures
| 167
| 167
Lining Figures
| 167
| 167
Slashed Zero
| 0
| 0
Subscript
| 123
| 123
Oldstyle Figures
| 167
| 167
Changes figures from the default lining style to oldstyle form.
Small Capitals
| Small
| Small
Case-Sensitive Forms
| (H-o)
| (H-o)
Small Capitals From Capitals
| CAPS
| CAPS
Turns caps (and sometimes also numerals and punctuation) into small caps. Mostly used together with Small Capitals feature to get an all-small caps setting.
Standard Ligatures
| flfi
| flfi
Historical Forms
| hist
| hist
Replaces letters with historical variants that may appear anachronistic today. The best-known example is the long form of s.
Ordinals
| 1a2o
| 1a2o
Replaces characters with ordinal forms for use after figures.
View this style in detail
Doing linear scans over an associative array is like trying to club someone to death with a loaded machine gun.
— Larry Wall
View this style in detail
Punctuation
!
"
#
%
&
'
(
)
*
,
-
.
/
:
;
?
@
[
\
]
^
_
`
{
}
¡
§
¨
¯
´
·
¸
¿
ʹ
͵
ͺ
;
΄
΅
·
Uppercase
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Lowercase
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Phonetic Extensions
ə
ɵ
Modifiers
ˆ
ˇ
ˉ
˘
˙
˚
˛
˜
˝
Combining Diacritical Marks
͂
̓
̈́
ͅ
Ligatures
Currency
$
¢
£
¤
¥
Symbols
+
<
=
>
|
~
¬
±
×
÷
Decimal
0
1
2
3
4
5
6
7
8
9
Other
²
³
¹
¼
½
¾
Mathematical Operators
Superscripts and Subscripts
Number Forms
Miscellaneous
¦
©
®
°
Letterlike
Arrows
Geometric Shapes
Dingbats
Lowercase
µ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ā
ă
ą
ć
ĉ
ċ
č
ď
đ
ē
ĕ
ė
ę
ě
ĝ
ğ
ġ
ģ
ĥ
ħ
ĩ
ī
ĭ
į
ı
ij
ĵ
ķ
ĸ
ĺ
ļ
ľ
ŀ
ł
ń
ņ
ň
ʼn
ŋ
ō
ŏ
ő
œ
ŕ
ŗ
ř
ś
ŝ
ş
š
ţ
ť
ŧ
ũ
ū
ŭ
ů
ű
ų
ŵ
ŷ
ź
ż
ž
ſ
ƒ
ơ
ư
dž
lj
nj
dz
ǻ
ǽ
ǿ
ș
ț
ȝ
ȳ
ȷ
ế
Uppercase
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Þ
Ā
Ă
Ą
Ć
Ĉ
Ċ
Č
Ď
Đ
Ē
Ĕ
Ė
Ę
Ě
Ĝ
Ğ
Ġ
Ģ
Ĥ
Ħ
Ĩ
Ī
Ĭ
Į
İ
IJ
Ĵ
Ķ
Ĺ
Ļ
Ľ
Ŀ
Ł
Ń
Ņ
Ň
Ŋ
Ō
Ŏ
Ő
Œ
Ŕ
Ŗ
Ř
Ś
Ŝ
Ş
Š
Ţ
Ť
Ŧ
Ũ
Ū
Ŭ
Ů
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ż
Ž
Ə
Ɵ
Ơ
Ư
DŽ
LJ
NJ
DZ
Ǻ
Ǽ
Ǿ
Ș
Ț
Ȝ
Ȳ
Titlecase
Dž
Lj
Nj
Dz
Uppercase
Ά
Έ
Ή
Ί
Ό
Ύ
Ώ
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
Ϊ
Ϋ
Lowercase
ΐ
ά
έ
ή
ί
ΰ
α
β
γ
δ
ε
ζ
η
θ
ι
κ
λ
μ
ν
ξ
ο
π
ρ
ς
σ
τ
υ
φ
χ
ψ
ω
ϊ
ϋ
ό
ύ
ώ
ϑ
ϕ
ϖ
ϗ
ϙ
ϛ
ϝ
ϡ
ϰ
Uppercase
Ѐ
Ё
Ђ
Ѓ
Є
Ѕ
І
Ї
Ј
Љ
Њ
Ћ
Ќ
Ѝ
Ў
Џ
А
Б
В
Г
Д
Е
Ж
З
И
Й
К
Л
М
Н
О
П
Р
С
Т
У
Ф
Х
Ц
Ч
Ш
Щ
Ъ
Ы
Ь
Э
Ю
Я
Ѣ
Ѳ
Ѵ
Ґ
Ӷ
Lowercase
а
б
в
г
д
е
ж
з
и
й
к
л
м
н
о
п
р
с
т
у
ф
х
ц
ч
ш
щ
ъ
ы
ь
э
ю
я
ѐ
ё
ђ
ѓ
є
ѕ
і
ї
ј
љ
њ
ћ
ќ
ѝ
ў
џ
ѣ
ѳ
ѵ
ґ
ӏ
ә
ӷ
Lowercase
Uppercase
Ἷ
Titlecase
Symbol Modifier
᾿
Other Private Use

Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the "Garamond" types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability.Garamond Pemiere Pro was designed by Robert Slimbach, and released in 2005.

Garamond Premier has 34 Styles