Neue Helvetica

Designed by D. Stempel AG. Published by Linotype in 1983 as part of the Helvetica Super Family.
Originally designed by Max Miedinger in 1957.

Starts at $45.00 for a single style and is available for:

In 1983, D. Stempel AG redesigned the famous Helvetica typeface for the digital age, creating Neue Helvetica for Linotype: a self-contained font family. Today, this family consists of 51 different font weights. It's original numbering system for the weight designations came from Adrian Frutiger's numbering system for the Univers family. The basic font weight, "Neue Helvetica Roman", is at the heart of this numbering system. The designation "55 Roman" forms the central point. The first figure of the number describes the stroke thickness -- 25 for ultra light to 95 for extra black. The second figure gives information on the width and orientation of the font -- "Neue Helvetica 53 Extended" or "Neue Helvetica 57 Condensed," for instance.Neue Helvetica sets new standards in terms of its form and number of variants. It is the quintessential sans serif font, timeless and neutral, and can be used for all types of communication. Neue Helvetica is one of three Helvetica typeface families from Linotype. eText fonts - the optimum of on-screen text qualityWith our new eText fonts that have been optimised for on-screen use, you can ensure that your texts remain readily legible when displayed on smartphones, tablets or e-readers. The poor resolution of many digital display systems represents a major challenge when it comes to presenting text. It is necessary to make considerable compromises, particularly in the case of text in smaller point sizes, in order to adapt characters designed in detail using vector graphics to the relatively crude pixel grid. So-called 'font hinting' can help with this process. This, for example, provides the system with information on which lines are to be displayed in a particular thickness, i.e. using a specific number of pixels. As font hinting is a largely manual and thus very complex technique, many typefaces come with only the most necessary information. What is unimportant for a text printed in high resolution can result in a poor quality image when the same text is displayed on a screen, so that reading it rapidly becomes a demanding activity. Specially optimised eText fonts can help overcome this problem. An extremely refined and elaborate font hinting system makes sure that these fonts are optimally displayed on screens. Monotype has not only adopted font hinting for this purpose but has also thoroughly reworked the fonts to hone them for display in low resolution environments. For example, the open counters present in the letters C, c, e, S, s, g etc. have been slightly expanded so that these retain their character even in small point sizes. Also with a view to enhancing appearance in smaller point sizes, line thickness has been discreetly increased and x-height carefully adjusted. Kerning has also been modified. Don't leave the on-screen appearance of your creations to chance. Play it safe and use eText fonts to achieve perfect results on modern display devices. Many typefaces, including many popular classics, are already available as eText fonts and new ones are continually being published. The eText font you can purchase here are available for use as Desktop Fonts or Web Fonts. Should they be used in Mobile Devices such as smartphones, tablets or eReaders, please contact our OEM specialists at sales-eu@monotype.com.

27 Condensed Ultra Light
27 Condensed Ultra Light Oblique
37 Condensed Thin
37 Condensed Thin Oblique
47 Condensed Light
47 Condensed Light Oblique
57 Condensed
57 Condensed Oblique
67 Condensed Medium
67 Condensed Medium Oblique
77 Condensed Bold
77 Condensed Bold Oblique
87 Condensed Heavy
87 Condensed Heavy Oblique
97 Condensed Black
97 Condensed Black Oblique
107 Condensed Extra Black
107 Condensed Extra Black Italic
25 Ultra Light
35 Thin
75 Bold Outline
Light
45 Light
Roman
eText Italic
65 Medium
Bold
85 Heavy
75 Bold
95 Black
23 Extended Ultra Light
23 Extended Ultra Light Oblique
33 Extended Thin
33 Extended Thin Oblique
43 Extended
43 Extended Oblique
53 Extended
53 Extended Oblique
63 Extended Medium
63 Extended Medium Oblique
73 Extended Bold
83 Extended Heavy
83 Extended Heavy Oblique
93 Extended Black
93 Extended Black Oblique
120
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
70
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
40
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
25
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
18
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
12
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
120
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
70
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
40
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
25
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
18
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …
12
Bei jedem klugen Wort von Sokrates ruft Xanthippe zynisch: Quatsch! Dabei grüßt die Quellnixe freundlich am Bach. Verflixt öde …

Neue Helvetica supports 144 different languages such as Arabic, Spanish, English, Portuguese, Russian, German, French and Greek in Latin, Arabic, Cyrillic, Greek, Thai, and Georgian scripts. (Please note that not all languages are available for all formats.)

View all 144 languages

Mangustë
Gwiñver
Leão
Siebenschläfer
Porc-épic

Languages

Please note that not all languages are available for all formats.

Common Languages

  • Arabic
  • Spanish
  • English
  • Portuguese
  • Russian
  • German
  • French
  • Greek

Latin

  • A
  • Afrikaans
  • Albanian
  • Aragonese
  • Arumanian
  • Arvanitika (Latin)
  • Asturian
  • B
  • Baraba Tatar
  • Basque
  • Bats (Latin)
  • Belarusian (Latin)
  • Bislama
  • Bosnian (Latin)
  • Breton
  • C
  • Catalan
  • Chamorro
  • Chichewa
  • Cook Islands Maori
  • Crimean Tatar (Latin)
  • Croatian
  • Czech
  • D
  • Danish
  • Dutch
  • E
  • English
  • Esperanto
  • Estonian
  • F
  • Faroese
  • Finnish
  • Franco-Provencal
  • French
  • Frisian
  • Frisian, East
  • Frisian, North
  • Frisian, West
  • Friulian
  • G
  • Gagauz (Latin)
  • Galician
  • German
  • Greenlandic
  • Greenlandic (pre-1973)
  • H
  • Hawaiian
  • Hungarian
  • I
  • Icelandic
  • Indonesian
  • Interlingua
  • Irish
  • Istro-Romanian
  • Italian
  • J
  • Juhuri (Latin)
  • K
  • Karaim (Latin)
  • Kashubian
  • Kazan Tatar (Latin)
  • Kurdish (Latin)
  • Kurmanji
  • L
  • Ladin
  • Ladino (Latin)
  • Latin
  • Latvian
  • Lithuanian
  • Low German
  • Luxembourgian
  • M
  • Malagasy
  • Malay (Latin)
  • Maltese
  • Manx Gaelic
  • Maori
  • Marshallese
  • Moldavian (Latin)
  • N
  • Norwegian, Bokmål
  • Norwegian, Nynorsk
  • O
  • Occitan
  • P
  • Pilipino (Tagalog)
  • Polish
  • Portuguese
  • Portunhol
  • R
  • Rhaeto-Romance
  • Romani (Latin)
  • Romanian
  • Romansch
  • S
  • Sami, Inari
  • Sami, Lule
  • Sami, Northern
  • Sami, Southern
  • Sami, Ume
  • Samoan
  • Sardinian
  • Scottish Gaelic
  • Serbian (Latin)
  • Slovak
  • Slovenian
  • Somali
  • Sorbian, Lower
  • Sorbian, Upper
  • Sotho, Northern
  • Sotho, Southern
  • Spanish
  • Swedish
  • T
  • Tahitian
  • Tongan
  • Tsakhur (Latin)
  • Tsez (Latin)
  • Tsonga
  • Tswana
  • Turkish
  • U
  • Ubykh
  • V
  • Vepsian
  • Våmhusmål
  • W
  • Walloon
  • Welsh
  • Wolof
  • X
  • Xhosa
  • Y
  • Yapese
  • Z
  • Zulu
  • Ä
  • Älvdalska

Arabic

  • A
  • Arabic
  • P
  • Persian
  • U
  • Urdu

Cyrillic

  • A
  • Abaza
  • B
  • Balk
  • Belarusian (Cyrillic)
  • Bosnian (Cyrillic)
  • Bulgarian
  • E
  • Erzya
  • G
  • Gagauz (Cyrillic)
  • K
  • Karachay-Balkar
  • Karaim (Cyrillic)
  • Kazan Tatar (Cyrillic)
  • Kumyk
  • Kurdish (Cyrillic)
  • L
  • Lak
  • M
  • Macedonian
  • Moksha
  • N
  • Nanai
  • Nogay
  • R
  • Russian
  • Rusyn
  • U
  • Ukrainian

Greek

  • A
  • Arvanitika (Greek)
  • G
  • Greek
  • T
  • Tsakonian Monotonic

Thai

  • T
  • Thai

Georgian

  • B
  • Bats (Georgian)
  • L
  • Laz
  • M
  • Mingrelian
  • S
  • Svan
Initial Forms
type type
Isolated Forms
ع ع
Standard Ligatures
flfi flfi
Medial Forms
ﻌ ﻌ
Required Ligatures
ﻻ ﻻ
Terminal Forms
Type Type
Substitutes a special form of a letter occurring at the end of a word. (Common in Latin connecting scripts, and required in various non-Latin scripts like Arabic)
Proportional Figures
167 167
Subscript
167 167
Superscript
167 167
Fractions
135/167 135/167
Replaces figures separated by a slash with 'common' (diagonal) fractions.
Case-Sensitive Forms
(H-o) (H-o)
Shifts punctuation up to a position that works better with all-caps text.
Ordinals
1a2o 1a2o
Replaces characters with ordinal forms for use after figures.
Most people who use Helvetica, use it because it’s ubiquitous: like going to McDonald’s instead of thinking about food.
— Erik Spiekermann
Punctuation
Uppercase
Lowercase
Modifiers
Ligatures
Currency
Symbols
Decimal
Other
Mathematical Operators
Superscripts and Subscripts
Miscellaneous
Letterlike
Geometric Shapes
Lowercase
Uppercase
Uppercase
Lowercase