Baskerville Alternatives

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several... Read More

Jan Tschichold designed Sabon™ in 1964, and it was produced jointly by three foundries: D. Stempel AG, Linotype and Monotype. This was in... Read More

Arial was designed for Monotype in 1982 by Robin Nicholas and Patricia Saunders. A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes... Read More

This exclusive Monotype design by Cynthia Hollandsworth is named after a popular executive, Don Wile of Agfa Compugraphic as a gift on his retirement.Agfa Wile is a classic Old Style font with wedge-shaped serifs and open proportions, and is suitable for both text and display uses. Agfa Wile's capital letters are influenced by inscriptional forms.

Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches... Read More

ITC New Winchester is a revival of a typeface that never really had a first release. The original Winchester was an experimental design created by the American type designer W.A. Dwiggins in 1944. Dwiggins was interested in improving the legibility of the English language by reducing the number of ascenders and descenders; to do this, he gave Winchester very short descenders and created uncial... Read More

ITC Galliard font is a work of Matthew Carter and a contemporary adaptation of Robert Granjon's 16th century design. "The result was not a literal copy of any one of Granjon's faces, more a reinterpretation of his style," says Carter. ITC Galliard font captures the vitality of Granjon's work in a graceful, modern typeface. eText fonts - the optimum of on-screen text qualityWith our new eText... Read More

Kis Classico™ is named after the Hungarian monk Miklós Kis who traveled to Amsterdam at the end of the seventeenth century to learn the art of printing. Amsterdam was a center of printing and punchcutting, and Kis cut his own type there in about 1685. For centuries, Kis's type was wrongly attributed to Anton Janson, a Dutch punchcutter who worked in Leipzig in the seventeenth century. Most... Read More

Chaparral is the work of type designer Carol Twombly and combines the legibility of slab serif designs popularized in the 19th century with the grace of 16th century roman book lettering. The result is a versatile, hybrid slab-serif design. Unlike "geometric" slab serif designs, Chaparral has varying letter proportions that give it an accessible and friendly appearance in all weights from light... Read More

ITC Legacy® was designed by American Ronald Arnholm, who was first inspired to develop the typeface when he was a graduate student at Yale. In a type history class, he studied the 1470 book by Eusebius that was printed in the roman type of Nicolas Jenson. Arnholm worked for years to create his own interpretation of the Jenson roman, and he succeeded in capturing much of its beauty and... Read More

Granjon™ was designed by George W. Jones for the English branch of Linotype in 1928. The bold weight was added by American Chauncey H. Griffith in 1930. For his model, Jones used a type cut by Claude Garamond that was used in a book printed by the Parisian Jean Poupy in 1592. Because several other Garamonds were on the market in the 1920s, Jones decided to name his type Granjon. Many of the... Read More

Released by the Compugraphic Corporation in 1979, the Garth Graphic font family is based on a design by John Matt from the 1960's, reworked by Renee LeWinter and Constance Blanchard. Garth Graphic was named after Bill Garth, a founder of Compugraphic. A fairly strong old style face suitable for text setting; the heavier weights and condensed forms are most used for display work.

Mark Jamra based the design for Jamille on the forms of the 18th century Modern Face fonts of Didot and Bodoni, but was also influenced by the work of artists like Adrian Frutiger, who reworked such fonts to adapt to the demands of modern technology. A very legible font, Jamille will give text a classic, elegant feel.

Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches... Read More

Linotype Syntax™ Serif is the serif typeface that complements Linotype Syntax, both created by Swiss type designer Hans Eduard Meier in 2000. With this new design, Meier has at last given shape and structure to the invisible muse that inspired him in the 1950s when he conceived his monoline sans serif based on humanist or Oldstyle letterforms. The calm legibility of this workhorse text family... Read More

Sierra™ was designed in 1989 by Kris Holmes, who also worked on the design for Lucida. The typeface is an antiqua with a high x-height and generous, open counters. Many curves of the letters are almost right angles, which was particularly suited to the Digiset machines from Dr. Ing. Rudolf Hell, Kiel. The forms of Sierra with their flowing stroke contrast and half serifs have a calligraphic... Read More

FF Parango is based on a typeface Xavier Dupré designed during his studies at the Scriptorium of Toulouse, a revisiting of past work. Loosely based on the proportions of the greatest of French Renaissance faces, those cut by Claude Garamond, Dupré’s personal interpretation explores the French style “with its alternating narrow and wide letters.” Using soft angles and low stroke contrast, it... Read More

Designed by Alex Rütten, Ginkgo is a stylish text typeface. It works well for setting extended passages of text at small sizes thanks to its open counters, generous character widths, and clear and unique letterforms. On top of that, the handling of details such as in the serifs, cross bars, and terminals are wonderful to appreciate when used at large point sizes as well. Gingko received a... Read More

Méridien™ was developed in the mid-1950s, and released by the French foundry Deberny & Peignot in 1957. After studying a typeface from the sixteenth century, the Swiss designer Adrian Frutiger was inspired to create an alphabet without any completely straight strokes, and he hoped the reader of a text set in this typeface would feel as though wandering through a forest. The designer of more... Read More

Diotima Classic is a total upheaval for the 21st century of Gudrun Zapf von Hesse's mid-20th-century Diotima, one of the most beautiful types ever cast in metal. Its roots lay in a calligraphic sheet written by Gudrun Zapf von Hesse. The text was the "Hyperion to Diotima" by Friedrich Hölderlin; Diotima is the name of a Greek priestess in Plato's dialogue about love. In the philosopher's... Read More

ITC Golden Cockerel font is based on designs created by Eric Gill in 1929 for the Gold Cockerel Press in England. These elegant and meticulously crafted typefaces were inspired by and modeled on Gill's skills of stone carving, calligraphy and wood engraving. The typeface family includes ITC Golden Cockerel Roman, Italic, Titling, and Initials and Ornaments.