Kuenstler Script Alternatives

In 1994, Edward Benguiat designed ITC Edwardian Script, an emotional, lyrical, even passionate calligraphic typeface. Its appearance was... Read More

Rage Italic is the work of American designer Ron Zwingelberg. It was one of the first casual brush style scripts with a rough, textured... Read More

English Script Regular is a typeface made in the manner of English Copperplate, a kind of writing that was very popular in England during the 18th Century. Also referred to as English Round Hand, the style was promulgated by various writing masters, who published copybooks of their handwriting for students to use as guides.The style has remained popular to this day, and almost no sort of font... Read More

Inscription is the work of Alan Meeks, a bold copperplate script with a fine open line running throughout. The relatively restrained initial capitals are complemented by a lowercase which joins together in the style of true handwriting. Inscription will give any text a look of refined elegance.

Crestwood™ is an updated version of an elegant semi-formal script typeface originally released by the Ludlow Type Foundry in 1937. Crestwood is best used at larger sizes, and is wonderful for invitations and greeting cards. Character Set: Latin-1

Noted British designer Phill Grimshaw designed Gravura in 1995. Gravura is a classic copperplate script with perfect strokes and proportions. The intricacy of its initial capitals blend beautifully with the simple elegance of its lowercase, whose letters have been designed to link together in the style of true handwriting. Text set in Gravura feels very personalized.

Savoye was created by Alan Meeks in 1992. The spirit of the Jugendstil lies behind the design of this font. Graceful upright letters... Read More

The calligraphy font Banner was designed by Martin Wait in 1986 and mixes the character of the 1940s with that of the 1980s in its forms. The round and somewhat reserved lower case letters make a balanced basis for the generous capitals. Black outer contours surround a white inner area and are heavier on the right side of the figures, making the characters look as though they have shadows. ... Read More

Smack, from American designer Jill Bell, is oriented toward a young generation who does not want to mind the rules. The font invites unconventional and playful use. The figures seem to be almost coincidentally shaped. Letters alternate between thin and thick strokes alternate and are accompanied by fine dots which almost look like accidental drops of ink on the paper. Smack is an... Read More

Citadel Script is based on script handwriting and engraving used in formal announcements and invitations. The Citadel Script font lends... Read More

In 1957, Helmut Matheis designed Charme for the Ludwig and Mayer type foundry, located in Frankfurt am Main, Germany. This informal script is of medium weight and has some variation of color. The caps are flowing and the lower case letters are close fitting. Their is a bold companion, called Slogan.

This script collection is used in advertising, invitations, greeting cards, and wherever a formal hand-lettered or engraving look is desired. Original Script has an elegant connecting alphabet based on formal handwriting. The Original Script font is a safe choice for invitations to weddings and formal occasions, and personal stationery.

Coronet was designed by type artist Robert Hunter Middleton and it was released by the Ludlow type foundry in 1937. This calligraphic typeface is one of the early attempts to produce a modern calligraphy. Robert Hunter Middleton used baroque models and added contemporary elements to them. Coronet has clear strokes with little ornamentation in its capitals and has a reduced x-height, as do... Read More