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Semi-serif

Typefaces with features from both sans and serif styles.

Stephen Coles
S
Last edited May 20, 2014
grapes
wunderkinder
Do not use pool during fiery rain

FF Max is a Danish sans inspired by Aldo Novarese’s Eurostile (1962). The letter shapes in FF Max have rounder, friendlier forms, giving the typeface a certain human touch. FF Max works well as a headline face for magazines and newspapers, but sets text with surprising ability too.

jungle
abstractions
Beware of geeks bearing formulas

ITC Syndor is the work of Swiss designer Hans Eduard Meier, a font which is almost, but not quite, a sans serif. The beginnings and endings of strokes display a hint of the calligrapher's hand and these tiny serifs optimize legibility. This legibility and the typeface's simple forms make ITC Syndor an excellent choice for business and presentation graphics.

vortex
ultraviolets
Please handle with cake

Rotis® is a comprehensive family group with Sans Serif, Semi Sans, Serif, and Semi Serif styles, for a total of 17 weights including italics. The four families have similar weights, heights and proportions; though the Sans is primarily monotone, the Semi Sans has swelling strokes, the Semi Serif has just a few serifs, and the Serif has serifs and strokes with mostly vertical axes. Designed by... Read More

mystic
abstractions
Beware the hobby that eats

Rotis is a large typeface family consisting of, Serif, Semi Serif, Semi Serif and Sans Serif font styles. Agfa Rotis was created for Agfa Compugraphic. The font styles are matched for weight and height to give consistency when mixed. Certain round characters have a distinctive calligraphic treatment which is apparent in all styles. A versatile family which can be used for text as well as... Read More

brandy
zygapophysis
All children have brain damage

ITC Dyadis font is the work of Austrian designer Yvonne Diedrich. It is named for the Greek word "dyas", meaning duality and explores the duality of serif and sans serif letterforms, blending their styles and focusing on their connection with one another. The forms were inspired by the typefaces of the 1920s and 30s and combine the legibility and elegance of a serif font with the simplicity... Read More

brandy
guitarfishes
Don’t treat me like a potato

FF Avance’s most notable characteristic is its use of asymmetrical serifs in the upright styles, something normally seen only in italics. Uppercase as well as lowercase letters have serifs in the upper left and lower right corners, vestiges as it were of the connection to earlier, handwritten letters. Evert Bloemsma’s focus on contemporary design made it difficult for him initially to consider... Read More

always
fiddlesticks
You never must sausage a place

FF Roice is a re-tooled version of the concept behind FF Engine. Both typefaces come from Dutch designer Alex Scholing. While each are contemporary sans serifs, FF Roice is the more “serious” of the two. FF Roice comes in five weights, each complete with italics. When Scholing first designed FF Engine in 1995, he had no type designing experience whatsoever. He soon learned that he could do... Read More

EF Keule Semi Serif Hubert Jocham Elsner+Flake 1995
safety
wunderkinder
Come to the Dark Side, we have cookies

ITC Binary was designed by Mauricio Reyes in 1997 as a semiserif font with a pronounced stroke contrast. A distinguishing characteristic of this font is that many of the lower case letters seem to be missing a small piece of their forms, either at the base line or x-height. Setting the letters together makes an impression of waviness which draws the attention of the reader. Binary is a... Read More

Morten Rostgaard Olsen
FontFont 2003
Hans Eduard Meier
ITC 1992
Otl Aicher
Monotype 1988
Otl Aicher
Monotype 1988
Yvonne Diedrich
ITC 1998
Evert Bloemsma
FontFont 2000
Alex Scholing
FontFont 2003
Hubert Jocham
Elsner+Flake 1995
Mauricio Reyes
ITC 1997