Fette Fraktur Alternatives

FF ThreeSix is a vast optical type system consisting of six variants across eight weights, including four additional monospaced weights.... Read More

The word "Text" in Goudy Text™ is short for Textura, and textura is the style of blackletter or gothic writing developed in Northern Europe in the middle ages. The use of space in blackletter is quite different from what we know about Roman letterforms. Lowercase forms in blackletter writing and typefaces must be evenly textured with black and white elements, like the texture of weaving or... Read More

Fette Gotisch font is an interpretation of Gothic scripts in the style of the 19th century. During this time, the individualistics handwritings of the past were used to create and define new broken letter forms. This style has heavily influenced the designs of the majority of today's broken letter fonts. The strong appearance of Fette Gotisch made it popular as a typeface for emphasizing text.

First used in the books on (and by) the German techno scene, and techno design specifically, FF Localizer is at the same time a nostalgic... Read More

The FF Archian family came from György Szönyei’s desire to create a geometric font using vertical and horizontal elements and no curves. FF Archian Normal was the first arrival of the family, the product of playful manipulation of form and function. The other weights were produced as variations on a theme, each with a different inspiration: architecture, painting, and fine arts. In 2010 the... Read More

The Techno sound of the 1990s, a personal computer, a font creation software and some inspiration had been the sources to the F2F (Face2Face) font series. Thomas Nagel and his friends had the demand to create new unusual faces that should be used in the leading german techno magazine "Frontpage".

Textur Gotisch is a real historic blackletter that contains a wide variety of ligatures and offers in with the Lombardic letters a sacral style. Ideal for documents like certificates for mediaeval games.

Linotype Dot is part of the Take Type Library, featuring the winners of Linotype's International Digital Type Design Contest. Designed by Lucy Davies, the figures are composed of a combination of white and black dots and the contrast makes the font look like points of light and darkness. The general impression of Dot lies somewhere between ornamental and technical. It combines well with sans... Read More

PRC series fonts are in Unicode encoding and consists covers GB 2312 character set. It conforms to GB12345 standard. The character glyphs are based on the regular simplified Simplified Chinese writing form and style. It is generally used in China Mainland PRC and Singapore.

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Alexander Branczyk and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for... Read More

Notre Dame font is a part of the 1990 program "Type before Gutenberg", which included the work of twelve contemporary font designers and represented styles from across the ages. Notre Dame font was designed by Karlgeorg Hoefer, who was inspired by the structure of forms once used mainly for liturgical purposes. Digital techniques made it possible to add Gothic ornaments and borders to the font,... Read More

Old English is a digital font that was produced by Monotype's design staff, circa 1990. But its roots go much further back: the face's design is based on that of Caslon Black, a Blackletter type cast by the venerable William Caslon foundry in England, circa 1760. This design has been popular throughout England for centuries. Its style of lettering, conveniently also called Old English, can be... Read More

Aftershock was designed by Bob Alonso in 1996 and looks as though it were cut out of wood and its irregularly formed contours make it stand out from its background. Dominant features of this typeface are its generally square forms and its emphasized horizontal strokes. This makes for a strong, heavy alphabet which makes an overall regular and even picture in spite of the idiosynchosies of its... Read More